FRACTURED AIR

The universe is making music all the time

Posts Tagged ‘Townes Van Zandt

Fractured Air x Blogothèque – S01E10 | October mix

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October’s mixtape contains an exclusive unreleased track by the world-renowned electronic composer Loscil (Canada/Kranky) ahead of the release of his forthcoming album “Monument Builders”, due for release on November 11th via Kranky.

For over nearly two decades Loscil (Vancouver-born Scott Morgan) has been amassing a constantly evolving, soul-stirring body of work. Beginning with his 2001 debut “Triple Point”, Loscil has developed his own unique style of textural rhythms that ceaselessly blur the lines of ambient, techno, drone and modern-classical. Next month sees the hugely anticipated release of Loscil’s “Monument Builders” (his eighth release for the Chicago-based independent Kranky) and follow-up to 2014’s magnificent “Sea Island” full length.

Also included in October’s mix are two selections from the latest masterful guest mix by Late Night Tales – this time with Belfast-born producer extraordinaire David Holmes at the helm – which ranks amongst the most irresistible contributions in the vast Late Night Tales archive to date. Featured here is the heart-stopping tribute to the late Henry McCullough, the Northern Irish guitarist who was a member of Spooky Tooth, Paul McCartney’s Wings, Sweeney’s Men and also performed with Joe Cocker. Holmes collaborates with the Irish DJ, musician and author BP Fallon for the gorgeous “Henry McCullough”, a most loving and poignant tribute to his memory.

October’s mix also features new releases by the Irish-based electronic producer Ellll (pseudonym for Cork-based artist Ellen King) who releases her sublime debut EP “Romance” next month; Katie Gately’s stunning debut album “Color” on the Tri Angle label; the impeccable “Stranger Things” soundtrack composed by Kyle Dixon & Michael Stein from the Austin-based band S U R V I V E and the second album by Xylouris White (legendary Cretan-lute player George Xylouris and Dirty Three’s Jim White) entitled “Black Peak”, out now on Bella Union.

Fractured Air x Blogothèque – S01E10 | October mix

To Read/listen on La Blogothèque:

http://www.blogotheque.net/2016/10/21/fractured-air-x-blogotheque-s01e10-october-mix/

 

Tracklisting:

01. John Carpenter“Hofner Dawn” (Sacred Bones)
02. Colleen“Your Heart On Your Sleeve” (The Leaf Label)
03. Ellll“Romance” (Art For Blind)
04. Katie Gately“Lift” (Tri Angle)
05. Jessy Lanza“Could Be U” (Hyperdub)
06. Kyle Dixon & Michael Stein“This Isn’t You” (Stranger Things OST, Lakeshore)
07. Black Marble “It’s Conditional” (Ghostly International)
08. Madvillain“The Illest Villains” (Stones Throw, PIAS)
09. Betty Harris“There’s a Break in the Road” (Soul Jazz)
10. J Dilla & MF Doom“Sniper Elite” (Gold Dust Media)
11. Virginia Wing“Daughter of the Mind” (Fire)
12. Marissa Nadler“High on the Road” (Bandcamp)
13. Nick Cave & Warren Ellis“Texas Midlands” (Hell or High Water OST, Milan)
14. Stars Of The Lid“Tippy’s Demise” (Kranky)
15. Low “Untitled 1” (Bandcamp)
16. Bob Dylan“Song To Woody” (Columbia)
17. Xylouris White“The Feast” (Bella Union)
18. the Marquis de Tren and Bonny Billy (with Angel Olsen)“Solemn 28” (Drag City, Domino)
19. The Children Of Sunshine“It’s A Long Way To Heaven” (LateNightTales)
20. Townes Van Zandt“Waitin’ Around To Die” (Charly, Poppy)
21. Ennio Morricone“The Ecstasy Of Gold” (The Good, The Bad and The Ugly OST, United Artists)
22. The Avalanches“The Wozard Of Iz” (XL)
23. BP Fallon & David Holmes“Henry McCullough” (LateNightTales)
24. Primal Scream“Inner Flight” (Creation)
25. Katie Kim“Ghosts” (Art For Blind)
26. Boom Bip“I See Me” (Sun Choke OST, Lex)
27. Loscil“Varia” (Unreleased)
28. Jóhann Jóhannsson“A Song for Europa” (Deutsche Grammophon)
29. Claire M Singer“Wrangham” (Touch)
30. Gavin Bryars (with Tom Waits)“Jesus’ Blood Never Failed Me Yet” (Obscure, Island)

Compiled by Fractured Air, October 2016. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

http://www.blogotheque.net/
https://fracturedair.com/

 

Mixtape: Nature of Daylight

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Nature of Daylight [A Fractured Air Mix]

To listen on Mixcloud:

https://www.mixcloud.com/Fractured_Air/nature-of-daylight-a-fractured-air-mix/

 

Tracklisting:

01. Meg Baird ‘Dear Companion’ [Drag City]
02. Max Richter ‘Path 5 (Delta)’ (excerpt) [Deutsche Grammophon]
03. Linda & Irene Buckley ‘Passages’ (excerpt) [Sounds from a Safe Harbour]
04. Christina Vantzou ‘Pillar 3’ [Kranky]
05. Mikael Tariverdiev ‘Boys and the Sea – part one’ [Earth Recordings]
06. Julia Holter ‘Lucette Stranded on the Island’ [Domino]
07. A Hawk And A Hacksaw ‘Lajtha Lassu’ [LM Duplication]
08. Marlene Dietrich ‘Go ‘Way from My Window’ [Columbia]
09. Joe Meek Orchestra ‘Cry My Heart’ [Castle Music]
10. Townes Van Zandt ‘Waitin’ Around To Die’ [Poppy]
11. Micachu & The Shapes ‘Oh Baby’ [Rough Trade]
12. Corrina Repp ‘Woods’ [Caldo Verde, Discolexique]
13. La Nuit ‘Road Snakes’ [Beacon Sound]
14. Rival Consoles ‘Morning Vox’ [Erased Tapes]
15. Cillian Murphy ‘In The Morning’ [Late Night Tales]
16. Brumes ‘I heard you’ [Bandcamp]
17. Dinah Washington & Max Richter ‘This Bitter Earth / On the Nature of Daylight’ [La French OST / Gaumont, Légende Films]
18. Blaze Foley ‘If I Could Only Fly’ [Lost Art]

Linda & Irene Buckley’s ‘Passages’ is taken from an installation piece commissioned by Sounds From a Safe Harbour (more info HERE).

Cillian Murphy’s ‘In The Morning’ is written by Enda Walsh exclusively for Nils Frahm’s Late Night Tales compilation (more info HERE).

The copyright in these recordings is the property of the individual artists and/or their respective record labels. If you like the music, please support the artist by buying their records.

 

Mixtape: It Makes No Difference [A Fractured Air Mix]

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It Makes No Difference [A Fractured Air Mix]

To listen on Mixcloud:

http://www.mixcloud.com/Fractured_Air/it-makes-no-difference-a-fractured-air-mix/

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Tracklisting:

01. Tindersticks ‘Opening’ (‘35 Rhums’ OST / Lucky Dog)
02. Townes Van Zandt ‘I’ll Be Here in the Morning’ (Charly)
03. Roger McGuinn & Calexico ‘One More Cup Of Coffee’ (I’m Not There’ OST / Columbia)
04. Miles Davis ‘Generique’ (‘Ascenseur Pour L’Échafaud’ OST / Fontana)
05. Giant Sand ‘Corridor’ (Loose)
06. Lee Hazlewood With Suzi Jane Hokum ‘Sand’ (Ace)
07. The Handsome Family ‘Fallen Peaches’ (Loose / Carrot Top)
08. Mose Allison ‘Young Man’s Blues’ (Prestige)
09. Marion Gaines Singers ‘Grandma’s Hands’ (Soul Jazz)
10. The Brothers & Sisters ‘All Along The Watchtower’ (Light In The Attic)
11. Sonny & Linda Sharrock ‘Black Woman’ (Water)
12. Calexico ‘Low Expectations’ (Quarterstick)
13. ABBC ‘En Route To The Blanchisserie’ (Wabana Ore Limited)
14. Joanna Newsom ‘This Side Of The Blue’ (Drag City)
15. Willy Vlautin & Paul Brainard ‘A Confession To T.J. Watson’ (‘Northline’ OST / Faber)
16. The Band ‘It Makes No Difference’ (Capitol)
17. Mica Levi ‘Love’ (‘Under The Skin’ OST / Milan, Rough Trade)
18. The Langley Schools Music Project ‘God Only Knows’ (Basta)
19. Lhasa ‘Is Anything Wrong’ (Warner Bros.)
20. Tindersticks ‘Closing’ (‘35 Rhums’ OST / Lucky Dog)

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The copyright in these recordings is the property of the individual artists and/or their respective record labels. If you like the music, please support the artist by buying their records.

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Fractured Air. The universe is making music all the time.

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The Graceless Age

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“I detested virtuosity and its attendant features from the very beginning, I detested above all appearing before the populace, I absolutely detested the applause, I couldn’t stand it, for years I didn’t know, is it the bad air of concert halls or the applause I can’t stand, or both, until I realized that I couldn’t stand virtuosity per se and especially not piano virtuosity. For I absolutely detested the public and everything that had to do with this public…”

(Thomas Bernhard, ‘The Loser’)

Words & Illustration: Craig Carry

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“We’re all in this shit together”, John Murry tells his disciples at Whelans, asking us to move forward towards the stage. It is Sunday 27th January 2013. The setting is the upstairs venue at Whelans, on 25 Wexford Street, Dublin, Ireland.

This is John Murry’s first Irish show on his European tour promoting his debut solo album ‘The Graceless Age’, the heartbreaking masterpiece released last year on Bucketfull Of Brains. For the assembled fans, this was no ordinary gig though. We were gathered here to witness the mythical John Murry, the man behind this awe-inspiring record. In short, we were here to witness history.

Poignantly, on looking at the stage, the first thing to be noticed – on Murry’s fine array of guitars – was the name ‘Tim’ printed large, in black, on his electric guitar. Tim, of course, being the late great Tim Mooney (American Music Club), whose presence was clearly felt on this magical night. Mooney – John’s dear friend and compatriot – recorded and co-produced ‘The Graceless Age’, and was hugely influential in realizing the stunning arrangements and immaculate recording of the finished album.

To say, the evening in question was “highly anticipated” would be a gross understatement. This is the man who has previously “died”, only to survive, write an album about it, and create one of the most defining albums of recent times (and of all time) in the process. This is no false prophet. A wolf in sheep’s clothing Mr. John Murry certainly is not. The man – and the music – is as blood-red as the Mississippi clay itself. Amidst the (many) false prophets, John Murry is the true saviour.

Tonight, the stage was set for a piece of musical history. Onstage, Murry and band form a quartet, with keyboards, guitar and drums accompanying Murry’s haunting songs, each one dripping with emotion. From the opening ‘The Ballad Of The Pajama Kid’ we know we’re in for a magical night. The set, as well as drawing largely from ‘The Graceless Age’, would also feature two stunning new compositions (the latter performed on the encore with John solo on a twelve string acoustic), several of Murry and Bob Frank’s collaborative recordings, and incredible covers of both Sparklehorse and Townes Van Zandt.

“The air is filled with lead / lights are going down / they told me to forget you / they never told me how” Murry sings on ‘The Ballad Of The Pajama Kid’, drawing his audience into his incredible songbook. The songs on the night were performed as immaculately as one would expect. If one thing is absolutely certain about John Murry; it is the fact that he does not do things in half-measures; if things are going to be done, they’ll be done in all their glory – blood-spilled and all.

This was a performance highlighting the fine art of deconstruction. The intricate songs from ‘The Graceless Age’ would be taken apart (as if Murry was seeing what put them together in the first place) only before putting them back together with his own bare hands before our very eyes. ‘Southern Sky’ would be played in an almost funk or reggae fashion, the rhythm’s irresistible groove would never hide those fragile lyrics though: “I’ve got no past / there is no future / this sickness follows me around”. ‘California’ is played with even more charged feelings than on record; Both electric guitars form a field of reverb akin to Neil Young and Crazy Horse while Murry’s vocal delivery is reminiscent of Tom Waits at his most visceral as he snarls: “My soul has been bled / Don’t know for sure / if my heart is breaking / Is your’s breaking too?”

Later, Murry’s “Things We Lost In The Fire” – like on record – begins as a beautifully delicate lap-steel-accompanied country song (where Murry sings “I don’t need nobody / I’ll tear down this machine”) and later further electric guitars layer together to a stunning climax. The storming ‘Photograph’ concludes with an earth-shattering finale where crashing drums and feedback-heavy guitars recalls American Music Club at their brilliant best. To witness Murry and band perform Mark Linkous’s ‘Maria’s Little Elbows’ was a truly special and touching tribute to one of Murry’s musical heroes. Mark Linkous would indeed be a proud man. Who better to sing Linkous’s painful words of alienation than Murry:

“Loneliness
Loneliness
Loneliness
Oh
Came kicking at my door”

(—’Maria’s Little Elbows’, taken from the Sparklehorse album, ‘Good Morning Spider’, 1998)

The closer to the set (prior to a three-song encore) was ‘Little Colored Balloons’, a song so personal it feels almost wrong to listen to on record, not to mind in person. As Murry realizes that the audience knows what is in store, he says – reassuringly – “We’ll get through it okay” before launching into one of the most life-affirming songs ever conceived, a song which reveals more and more pain with every single listen; a song written about Murry’s overdose when he was found clinically dead:

“Nightmares in daylight! I’m stealing the birthright! Off 16th and Mission! I took an ambulance ride: they said I should’ve died, right there on 16th and Mission.”

Tonight the man behind the legend stepped onto the stage to prove to us that he does, in fact, exist – that these songs were in fact penned by the hand of a mortal. On ‘Little Colored Balloons’ Murry sings: “I know you don’t believe in magic / Nobody does anymore.” Well, on the night of Sunday 27th January 2013, we can both safely say that magic indeed does exist. In the form of Mr. John Murry’s music.

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This was also our first time meeting John Murry in person, having been in contact with him since the release of ‘The Graceless Age’ last July. Too shy to meet him beforehand, our simple wish was to hand him a gift (a framed portrait, the scanned version accompanies this piece). Our intention was to leave the parcel at the merchandise table afterwards. But as fate would have it, John Murry walks across both our paths, he is now standing a couple feet away. We shyly introduce ourselves. He has indeed remembered us, we hug and hand him our picture; he opens it right there and then and hugs us once more; and amidst the following conversation we do indeed get to say what we wished most of all to tell him:

“Thank you. Thank you for your music.”

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“… Whatever condition we are in, we must always do what we want to do, and if we want to go on a journey, then we must do so and not worry about our condition, even if it’s the worst possible condition, because, if it is, we’re finished anyway, whether we go on the journey or not, and it’s better to die having made the journey we’re been longing for than to be stifled by our longing.” 

(―Thomas Bernhard, ‘Concrete’)

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‘The Graceless Age’ is out now on Bucketfull Of Brains (EU). In the U.S. Evangeline Recording Co. will release ‘The Graceless Age’ on March 5, 2013.  

For tour dates and further information please visit:

http://www.johnmurry.com/

Written by admin

January 29, 2013 at 9:15 am