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Fractured Air x Blogothèque – S02E01 | January mix

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Welcome to the first mixtape for 2017.

January’s edition opens with the welcome return of Oklahoma’s finest The Flaming Lips with their latest studio album “Oczy Mlody”, released this month on Bella Union. Fellow indie greats Dirty Projectors also return, with Dave Longstreth’s soul-stirring lament “Little Bubble” – the follow-up to last September’s “Keep Your Name” – which makes the Dirty Projectors’ forthcoming full-length one of the most eagerly anticipated albums for 2017.

“Elwan” (translates to “The Elephants”), the new album by Malis’s beloved Tinariwen is sure to be found on many end-of-year lists come this December. The music again draws from Tinariwen’s homeland, a Saharan mountain range between north-eastern Mali and southern Algeria, which has been transformed into a conflict zone. “Elwan” was recorded at Rancho de la Luna studios in the desert of California’s Joshua Tree National Park during 2014, and again in 2016, in M’Hamid El Ghizlane, an oasis in southern Morocco, near the Algerian frontier.

Other intriguing new releases come from the Montreal-based group Avec le Soleil Sortant De Sa Bouche who release their exceptional second album “Pas Pire Pop, I Love You So Much” via Constellation, the follow-up to the band’s 2014 debut “Zubberdust!”. Having formed in 2011 in Montreal, Avec le Soleil Sortant De Sa Bouche features singer/songwriter Jean-Sebastien Truchy (of Fly Pan Am) as well as members of numerous other groups including: Panopticon Eyelids, Pas Chic Chic, Red Mass, Set Fire to Flames.

Of course, new releases only always paints one tiny portion of the wider picture, with so many exceptional re-issues always being repressed and made anew. This month sees Light In The Attic begin an exhaustive re-issue campaign for the music of Brazilian icon Erasmo Carlos, the first three albums showing an unparalleled appetite for fusing countless styles of music into his own unique, singular sound, heralding Carlos’ place as one of the most gifted songwriters from the seventies.

“Tumblers from the Vault (1970–1972)” by Syrinx (re-issues last year on RVNG Intl) was our favourite re-issue from 2016. Syrinx consisted of composer and keyboardist John Mills-Cockell, saxophonist Doug Pringle, and percussionist Alan Wells. Syrinx’s self-titled debut arrived in 1970, followed in 1971 by ‘Long Lost Relatives’, which is highlighted as the first album on Tumblers From The Vault.

Fractured Air x Blogothèque – S02E01 | January mix



01. The Flaming Lips“There Should Be Unicorns” (Bella Union)
02. Syrinx“Syren” (RVNG Intl)
03. Erasmo Carlos“26 Anos de Vida Normal” (Light In The Attic)
04. Mr. Tophat & Robyn“Disco Devato” (excerpt) (Smalltown Supersound)
05. Tinariwen“Sastanàqqàm” (Anti-)
06. Avec le Soleil Sortant De Sa Bouche“Alizé et Margaret D. Midi moins le quart. Sur la plage, un palmier ensanglanté II” (Constellation)
07. Awa Poulo – “Dimo Yaou Tata” (Awesome Tapes From Africa)
08. Roberto Musci“Water Music” (Music From Memory)
09. MJ Guider“White Alsatian” (Kranky)
10. Gareth Dickson“Atmosphere” (Discolexique)
11. Steve Hauschildt“Same River Twice” (Kranky)
12. Run The Jewels“Thursday in the Danger Room” (feat. Kamasi Washington) (Self-Released)
13. Plankton vs. Defcon“Jealousy” (Karaoke Kalk)
14. Lee Hazlewood“For One Moment” (Light In The Attic)
15. Duane Eddy“This Town” (Ace)
16. Molly Burch“Try” (Captured Tracks)
17. Patience“Wait For You” (Night School)
18. Bézier“Widows Tears” (Cin Cin)
19. Copeland & Gast“Sisters of Control” (All Bone)
20. Tangents“Jindabyne” (Four Tet Remix) (Temporary Residence)
21. Ólafur Arnalds“Árbakkinn” (ft. Einar Georg) (Mercury Classics)
22. Dirty Projectors“Little Bubble” (Edit) (Domino)
23. Odd Nosdam“Daliman OG” (Glue Moon)
24. April Stevens“End Of Desire” (Cherry Red)
25. Mica Levi“Children” (Jackie OST, Milan)
26. Daniel Lanois & Rocco DeLuca“Low Sudden” (Anti-)
27. Allred & Broderick“The Ways” (Erased Tapes)

Compiled by Fractured Air, January 2017. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.


Fractured Air x Blogothèque – S1E7 | July mix

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July 2016 opened with world-renowned German composer Nils Frahm’s magnificent “Possibly Colliding” weekend of music at the Barbican Centre, London. Curated by Frahm, the special lineup featured live performance, conversation and film screenings where the headline act was Frahm’s monumental sold-out Barbican show, comprising his “most ambitious concert to date.”

Possibly Colliding felt not only like a celebration of the visionary artist’s cherished songbook (thus far) but rather a distillation of the most ground-breaking moments of today’s contemporary music scene. The angelic, hushed solo piano pieces were interwoven with the sprawling and sublime synthesizer-led pieces and many live collaborations – cellist Anne Müller, Nonkeen (with the addition of gifted drummer Andrea Belfi), London-based vocal ensemble Shards, and the André de Ridder-led stargaze ensemble – rendered new versions of Frahm’s towering body of work and offered new insights into the gifted composer’s sonic sphere.

During July we were delighted to be invited to participate in Irish actor Cillian Murphy’s curated IMMA Summer Party happening at the grounds of the Irish Museum of Modern Art at the Royal Hospital Kilmainham, Dublin. Murphy’s music lineup featured performances by celebrated German composer and pianist Hauschka, gifted Irish fiddle player and composer Caoimhín Ó Raghallaigh and Irish-based indie band Meltybrains? Some selections from our DJ set appear in this month’s mixtape.

Limerick-born and London-based composer Áine O’Dwyer has long been one of our most cherished and favourite contemporary musicians. O’Dwyer has released records on such independent labels as: Mie Music, Second language and Fort Evil Fruit, while her versatile talents are evident in her rich and varied recorded output to date, which have featured: live recordings for pipe organ, music for harp and voice and music for solo piano.

This year’s Le Guess Who? festival features special guest curators – including the inimitable L.A. songwriter Julia Holter – who has invited Áine O’Dwyer to this year’s lineup in Utrecht which takes place on 10–13 November 2016.

Fractured Air x Blogothèque – S1E7 | July mix

To Read/listen on La Blogothèque:



01. Woodkid & Nils Frahm“Winter Morning II” (with Robert De Niro) (excerpt) (Ellis OST, Erased Tapes)
02. Peter Broderick“Carried” (Erased Tapes)
03. Nonkeen“Diving Platform” (R&S)
04. Mary Lattimore & Jeff Zeigler“A Road” (Thrill Jockey)
05. Áine O’Dwyer “Falcon” (Second Language)
06. Jherek Bischoff“Headless” (The Leaf Label)
07. Agnes Obel“Familiar” (Play It Again Sam)
08. Jonny Greenwood (Copenhagen Phil, André de Ridder)“Future Markets” (There Will Be Blood OST, Deutsche Grammophon)
09. Radiohead“Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief” (XL Recordings)
10. Kedr Livanskiy“Razrushitelniy Krug (Destructive Cycle)” (2MR)
11. Lil Silva “Jimi” (Good Years)
12. DJ Shadow“The Sideshow” (feat. Ernie Fresh) (Mass Appeal)
13. Underworld“I Exhale” (Universal Music Group)
14. Floorplan“Music” (M-Plant)
15. Róisín Murphy“Simulation” (Permanent Vacation)
16. Hot Chip“Night and Day” (Daphni Mix) (Domino)
17. Junior Boys“Big Black Coat” (Robert Hood Remix) (Jiaolong / City Slang)
18. Peder Mannerfelt“Perspectives” (Peder Mannerfelt Produktion)
19. Aphex Twin“CHEETAHT2 [Ld spectrum]” (Warp)
20. Ólafur Arnalds“RGB” (LateNightTales)
21. Julianna Barwick“Someway” (Dead Oceans)
22. Julia Holter“Finale” (Leaving / Domino)

Compiled by Fractured Air, July 2016. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

Fractured Air x Blogothèque – S1E6 | June mix

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We’re delighted to present two exclusive tracks by the world-renowned Berlin-based contemporary classical music collective stargaze. Founded by German conductor André de Ridder, stargaze comprise a network of classically trained European musicians who have performed and collaborated extensively in a wide variety of contexts to date.

The German-based collective have worked with some of the most acclaimed and forward-thinking contemporary music-makers, including: Julia Holter, Nils Frahm, Bryce Dessner, Sonic Youth’s Lee Ranaldo, A Hawk and a Hacksaw, Shara Worden, Owen Pallett, These New Puritans and many more; and have appeared at prestigious festivals and venues including: the Holland Festival, Barbican Centre London, Acht-Brücken-Festival at Cologne Philharmonie, Crossing Borders Festival, Wonderfeel Festival, Kaltern Pop Festival, Berlin Pop-Kultur, Rewire Festival (NL).

Another vital element of the stargaze repertoire in recent years has been amassing their considerable collection of instrumental works. These have included: Deerhof Chamber Variations by Greg Saunier; string quartets by Sufjan Stevens and Bryce Dessner as well as David Lang’s composition Death Speaks; Mica Levi’s Under The Skin and Richard Reed Parry’s Music for Heart and Breath.

Presented exclusively for June’s mixtape are stargaze’s analogue arrangements of Boards of Canada’s EP “Hi Scores”, performed live at Motel Mozaïque in Rotterdam during April 2016. Arrangements are by Aart Strootman.

Staying in Berlin, also included in June’s mixtape is the highly acclaimed Hamburg-born and Berlin-based guitarist and composer Martyn Heyne who released his gorgeous debut solo E.P. “Shady & Light” this year (available as a free download from Heyne has long been associated with countless musicians in the independent music scene as they have recorded at Lichte, Heyne’s Berlin-based home studio (Sarah Neufeld, Nils Frahm, Lubomyr Melnyk, Peter Broderick). Heyne was also a touring member with Danish group Efterklang during their 2013 “Piramida” tour.

Finally, June also saw the release of Irish songwriter Brigid Mae Power’s masterful self-titled album (her first for U.S. independent Tompkins Square). The album was recorded in 2015 with Peter Broderick at The Sparkle, his hometown studio in Portland, Oregon.


Fractured Air x Blogothèque – S1E6 | June mix

To Read/listen on La Blogothèque:



01. Brigid Mae Power“Watching The Horses” (Tompkins Square)
02. Sarah Neufeld“Chase the Bright and Burning” (Paper Bag)
03. The Flaming Lips “The Observer” (Warner Bros.)
04. s t a r g a z e“Everything You Do Is A Balloon” (live at Motel Mozaïque, Rotterdam, 09/04/16)
05. Arthur Russell“Instrumentals – 1974 Volume 1” (Rough Trade, Audika)
06. Oliver Coates“Innocent Love” (PRAH Recordings)
07. Jessy Lanza“It Means I Love You” (Hyperdub)
08. Moderat “Finder” (Monkeytown)
09. Jamie xx & Four Tet“SeeSaw” (feat. Rome) [Club Version] (Young Turks)
10. Kiasmos “Swayed” (Erased Tapes)
11. Ólafur Arnalds & Nils Frahm“23:52” (Erased Tapes)
12. Boards Of Canada“Sunshine Recorder” (Warp)
13. Radiohead“Full Stop” (XL Recordings)
14. Explosions In The Sky“The Ecstatics” (Bella Union)
15. MJ Guider“Lit Negative” (Kranky)
16. Julee Cruise“Mysteries Of Love” (Warner Bros.)
17. Angel Olsen“Intern” (Jagjaguwar)
18. Martyn Heyne“Brandung” (
19. Roslyn Steer“Of A Sunday” (Kantcope)
20. Bob Dylan“Final Theme” (Pat Garrett & Billy The Kid OST, Columbia)
21. s t a r g a z e“Nlogax / Turquoise Hexagon Sun” (live at Motel Mozaïque, Rotterdam, 09/04/16)
22. Bill Fay“The Sun Is Bored” (Deram, Decca)
23. Amiina“Kola” (Lighthouse Version) (Sound Of A Handshake)

Compiled by Fractured Air, June 2016. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

Mixtape: With the Dark Hug of Time

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With the Dark Hug of Time [A Fractured Air Mix]

To listen on Mixcloud:



01. Nordic Affect ‘Clockworking’ [Sono Luminus]
02. Masayoshi Fujita ‘Tears of Unicorn’ [Erased Tapes]
03. Julia Kent ‘Tramontana’ [Leaf]
04. Cork Gamelan Ensemble ‘The Three Forges’ [Diatribe]
05. Jerusalem in My Heart ‘A Granular Buzuk’ [Constellation]
06. Colin Stetson and Sarah Neufeld ‘With the dark hug of time’ [Constellation]
07. Roll The Dice ‘In Deference’ [Leaf]
08. Dawn of Midi ‘Dysnomia’ [Erased Tapes]
09. Lower Dens ‘Quo Vadis’ [Ribbon Music]
10. Micachu & The Shapes ‘L.A. Poison’ [Rough Trade]
11. The Fall ‘Early Days of Channel Führer’ [Narnack]
12. Helen ‘City Breathing’ [Kranky]
13. Time Is A Mountain ‘Alicetti’ [Repeat Until Death]
14. Musette ‘Send In The Clown Clones’ (excerpt) [Häpna]
15. Roslyn Steer ‘Gently’ [KantCope]
16. Rafael Anton Irisarri ‘Will Her Heart Burn Anymore_00’ [Self-Released]
17. Ólafur Arnalds & Nils Frahm ‘Wide Open’ [Erased Tapes]
18. Ellll ‘Now’ [Unreleased]
19. Holly Herndon ‘Home’ [4AD]
20. Julia Holter ‘Night Song’ [Domino]
21. Eleni Karaindrou ‘The Weeping Meadow I’ [ECM]

The copyright in these recordings is the property of the individual artists and/or their respective record labels. If you like the music, please support the artist by buying their records.

You can follow Fractured Air on Twitter HERE or on Facebook HERE.



Label Of Love: Erased Tapes

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2013 marked the fifth anniversary of the London-based record label Erased Tapes. For the last five years the label have introduced to the world some of the most innovative and original artists making music today. To mark their fifth anniversary, the label released a very special limited edition vinyl box-set last year – the ‘Erased Tapes V Collection’ – which includes previously unreleased recordings by it’s extensive roster of musicians.

Words: Mark Carry, Illustration: Craig Carry
With contributions by: Ólafur Arnalds, Peter Broderick, Nils Frahm


Last year marked the fifth anniversary of the hugely influential record label Erased Tapes. It is amazing to think that in such a short space of time the label has released some of the most ground-breaking and vital music of recent times, with recordings by artists such as Peter Broderick, Nils Frahm, Ólafur Arnalds and A Winged Victory For The Sullen, amongst many others. Fittingly, on their anniversary year, the label released ‘Corollaries’, the new album by legendary pianist Lubomyr Melnyk, whose pioneering Continuous Music has inspired a generation of musicians. In the same year, Frahm’s highly-anticipated live record ‘Spaces’ documents and effectively captures the pulsating energy of the Berlin composer’s utterly transcendent live shows. 2013 also saw the release of London-based singer-songwriter Douglas Dare’s debut E.P. ‘Seven Hours’ and Peter Broderick’s ‘Float 2013’, newly remastered by Nils Frahm. The box set features exclusive, previously unreleased recordings made by the label’s incredible roster of artists. What makes it all the more exclusive is the fact that the compilation wouldn’t be digitally available until the end of the year (24th December, 2013 to be precise). A must have for music-lovers everywhere. The lovingly assembled and designed box-set (designed by Torsten Posselt at FELD Berlin) is dedicated to its beloved audience – the early Erased Tapes music explorer. I look forward immensely to the next five years as the roster of gifted talents continue to journey into new and unknown horizons of possibilities and wonderment.

The first 7″ contains the electronic wizardry of Rival Consoles (‘Daddy’ feat. Peter Broderick) and Kiasmos’ euphoric minimal techno soundscapes (‘Driven’). Ryan Lee West AKA Rival Consoles creates beguiling electronic creations that encloses an organic sound within the artist’s minimal analogue framework. ‘Daddy’ is a haven of electronic bleeps and glitches that conjures up the sound of German electronic music and the indie-electronic sounds of B. Fleichsmann’s Morr Music output. The opening notes of lazer-guided synths drives the moonlight ballad into a late-night tale of inner-contemplation and reflection. The addition of Broderick’s vocals heightens the track’s exploratory dimension. The vocal shifts in register and loops in layers across West’s similarly evolving synth melodies. Towards the song’s close, Broderick’s fragile voice asks “Daddy, can I call myself a man now?” where the organic and synthetic are combined that traverses directly into the human space.

Kiasmos is the brainchild of Ólafur Arnalds and Bloodgroup mastermind Janus Rasmussen from the Faroe Islands. The starting point usually is an electronic beat supplied by Rasmussen, that would, in turn be dissected by Arnalds and before long, a timeless melody is constructed that perfectly compliments the electronic voyage. ‘Driven’ is a killer-track that loops forever and is allowed to live and breathe, as the layers float majestically into the atmosphere. Think Holden’s ‘The Inheritors’ record as a reference point. The latest release, ‘Thrown’ E.P. contains the two stunning tracks ‘Thrown’ and ‘Wrecked’ with exclusive remixes by FaltyDL and 65daysofstatic.

Berlin composer and cellist Anne Müller’s enchanting ‘Walzer für Robert’ opens up a whole new world of joyous sound that is nothing short of captivating. The intricate arrangements of cello strings is blended effortlessly with Frahm’s healing piano notes. The dancing melodies is reminiscent of Leonard Cohen’s ‘Take This Waltz’ where the listener is taken to the streets of Vienna and left to “yield to the flood” of the composition’s beauty. This piece of music represents the first glimpses of sunlight as a new day slowly unfolds with the promises of hopes, dreams and happiness. An essential record to own (and one of Erased Tapes many hidden treasures) is ‘7 fingers’ – the collaboration between the like-minded souls of Nils Frahm and Anne Müller. Having seen both artists live in various incarnations – Müller’s central presence to singer-songwriter Agnes Obel’s deeply affecting songbook, and Frahm’s solo shows – I long to witness both artists on stage together. With a new record currently being worked on in the trusted surrounds of Frahm’s Durton Studios, a follow-up will soon see the light of day.

On the flip-side is new signing New World’s End Girlfriend. Hailing from Nagasaki, Kyushu, Japan, the Japanese composer creates music that seems to contain all myriads of samples and fascinating sounds. The cut ‘Bohemian Purgatory Part 2’ (N.S.K.G. version) moves between house, techno and mish-mash of doo-wop/funk, breakbeat free-jazz and classical. It’s unlike anything you have heard ever before. The Erased Tapes album ‘Seven Idiots’ represents a new and unique voice in avant-garde/contemporary music that defies categorization. World’s End Girlfriend further highlights the label’s continual strive to push the sonic envelope and explore vast plains of sound.

The third 7″ represents the centerpiece to the Erased Tapes V collection. An exclusive new track by Portland-Oregon born artist, songwriter and composer, Peter Broderick is a joy to behold. ‘Give Me A Smile In 5’ offers a snapshot of Broderick’s beguiling songbook that has graced us with its presence these past several years. The opening lyrics evokes a foreboding mood, sung beneath swirling piano notes: “A fight was fought off the battlefield / Oh where is my brother, where is my brother?” The poignancy of Broderick’s songcraft and sheer emotional depth thus created leaves me endlessly dumbfounded. ‘Give Me A Smile In 5’ evolves into a dub-infused odyssey of vintage Burning Spear that adds a new dimension to the Mark Hollis-esque soundscapes (affecting harmonies, layered strings and subtle electronics) that creates an utterly timeless artistic creation. A profound sadness and openness of honesty permeates throughout the achingly beautiful lament.

“But when I face my loving mother
I feel ashamed, I feel the shame
I think about the end of thinking
With a smile, with a smile”

The gorgeous piano music of Nils Frahm is next. The previously unreleased ‘Little Boy In A Space Suit’ is delicately beautiful like a flower blooming in spring. Listen closely and you hear many found sounds hidden deep beneath. The soft touch of fallen leaves, sunlight pouring through a forest of trees. I’m transported to Virgina Astley’s first studio album ‘In The Gardens Where We Feel Secure’ such is the composition’s powerful magic to seep into the pools of one’s mind, and linger there, now and forever-more. One of my favourite Erased Tapes release comes from Oliveray – the collaboration between Nils and Peter – with the appropriately titled, ‘Wonder’. Released in 2011, the record has become a trusted companion and daily soundtrack for me. A wonderful sense of magic fills the space as the instrumentation of piano, violin, celeste, pump organ, guitar, voice and whistles unleashes heart-warming emotion into the surrounding stratosphere. I remember Nils one time telling me how his favourite thing in the world is the Bill Wells and Tape 12″ collaboration, entitled ‘Fugue’ (that I think was introduced to him by Peter!) It’s clearly evident upon listening to ‘Wonder’ that a similarly breathtaking sense of journey is attained here. A couple of glorious cover versions are dotted across the album; an acoustic guitar-based version of Efterklang’s ‘Harmonics’, and the Tiny Vipers song ‘Dreamer’ (written by Jesy Fortino). ‘Wonder’ is a sonic marvel that ceaselessly reveals hidden details of divine beauty.

The fourth 7″ comprises ‘Hanau Bridge’ by Codes In The Clouds and The British Expeditionary Force’s ‘End Of The New End’. Hailing from Dartford, England, Codes In The Cloud create enthralling guitar-based post-rock creations, reminiscent of Scotland’s Mogwai and Texans Explosions In The Sky. The intensity of the band’s guitar instrumentals stops you immediately in your tracks. On the flip-side, The British Expeditionary Force’s ‘End Of The New End’ is a piano-based heartfelt pop voyage that recalls the experimental pop of Why? and Casiotone For The Painfully Alone. “I try to swim out the mess I’m in, I try to swim but I’m wading further in” is a lyric of the final verse that brings the indie-electronica infused ballad to a delicate close.

The closing 7″ is a timeless exploration into the heart of contemporary neoclassical music. Icelandic composer Ólafur Arnalds provides a formidable creation in the form of ‘Happiness Does Not Wait’. The piano-based melody forms the central theme that soon is joined by an uplifting string section that forms the ideal counterpoint. Having released a plethora of shape-shifting records on the London-based label (much like Peter Broderick), Arnalds represents one of the most compelling and distinctive voices in modern-classical music today. Arnalds’ debut album ‘Euology For Evolution’ was released back in 2007 and since then an array of indispensable efforts have seen the light of day, from ‘Found Songs’ and ‘Living Room Songs’ to 2010’s   ‘…And They Have Escaped The Weight Of Darkness’ and ‘Another Happy Day’ O.S.T.

The enriching Erased Tapes V collection culminates in a live performance of ‘String Quartet No. 2: III’ by A Winged Victory For The Sullen Chamber Orchestra. The Michael Nyman piece (originally taken from his recordings with The Balanescu Quartet) is wonderfully interpreted here as a gorgeous haven of windswept strings float to the surface. This performance was taken from the band’s concert in Brussels’ Ancienne Belgique as part of the label’s anniversary tour. Certainly, a piece of music as moving as this is a joyous celebration of the Erased Tapes journey so far. A Winged Victory For The Sullen is the stunning collaborative project between Stars Of The Lid founder Adam Wiltzie and L.A. composer Dustin O’Halloran. The band’s current self-titled album is one of the label’s crowning jewels and later this year will see the long-awaited follow-up.

The closing note on the inner sleeve of the ‘Erased Tapes V Collection’ reads: “At the end of all music happiness will be erased.” Over these past five years, the listener and early Erased Tapes music explorer alike, are blessed to have come across such a gifted family of music-makers that have served a trusted companion to each of our endless numbered days.


The limited edition box-set ‘Erased Tapes V Collection’ is available now on Erased Tapes.




“I can still remember the first song I ever wrote. My fingers were so small I could only do one chord on the guitar and I had to lay it on the floor to be able to play it because I couldn’t reach around it. I made a song out of that one chord and played it for hours on end, driving my whole family crazy. I guess from that point on I just kept exploring.”

—Ólafur Arnalds (taken from our interview in April 2013)


“In Continuous Music, the piano is your lover, the piano is your slave, the piano is your glorious friend, it is your angelic friend. The piano is sort of like your breathing and it is a beautiful thing. I want every pianist to know that every piano on the face of this earth is their friend, so they do not fear the piano, but come to it with joy and say: “My dear friend, let’s make this music.”

—Lubomyr Melnyk (taken from our interview in March 2013)


“That’s all I want to do, it’s not really about the musical concept but what it does to the listener. So throughout the album, it’s mostly about that, it’s a little bit like translating music into psychology and the other way around and to see how to structure that where people feel they can’t escape the experience, they want to be part of it and really want to know what’s coming next. They feel like anything’s possible. I’m working on that basically.”

—Nils Frahm (taken from our interview in January 2014)


“When me and Nils play music together something magical happens. There is this energy in the air … a kind of energy that makes you think that anything is possible.”

—Peter Broderick (taken from our interview in October 2012)



Five Questions with Ólafur Arnalds.

(i) Favourite moment from the last 5 years?
OA: It’s hard to pick one. But I think premiering ‘For Now I am Winter’ for a sold out Barbican Hall earlier this year was pretty close to the top! Not just because how great the show was for me but also because my family traveled to London for the show and it was an emotional moment for us.


(ii) Most proud work to date?
OA: Must not one always be proudest of his latest work? I am pretty proud of the new album anyway!


(iii) A dream collaboration for you?
OA: Jon Hopkins, Imogen Heap.


(iv) An ambition for next 5 years?
OA: Balance life and music. Or combine the two better in a way that can provide for a healthy lifestyle. And of course to make like 7 more albums and 10 more soundtracks!


(v) Five words to describe Erased Tapes?
OA: Love, compassion, ambition, selection and friends!


Five Questions with Peter Broderick.

(i) Favourite moment from the last 5 years?
PB: There are too many to pick one! My tour in europe with Nils Frahm in 2009 was a special one …


(ii) Most proud work to date?
PB: An unreleased collection of songs based on some very vivid dreams I had in 2009-2010.


(iii) A dream collaboration for you?
PB: Scoring Miranda July’s next film.


(iv) An ambition for next 5 years?
PB: Spreading the love through music! Practicing my instruments, working hard to become a better musician and person.


(v) Five words to describe Erased Tapes?
PB: dedicated, organized, visionary, passionate, loving.


Five Questions with Nils Frahm.

(i) Favourite moment from the last 5 years?
NF: My first big tour with Peter Broderick in 2009.


(ii) Most proud work to date?
NF: It is always an artists recent work, so: ‘Spaces’.


(iii) A dream collaboration for you?
NF: Put me in a room with these ladies:


(iv) An ambition for next 5 years?
NF: I will work hard on keep surprising myself.


(v) Five words to describe Erased Tapes?
NF: All tapes will be erased.


The limited edition box-set ‘Erased Tapes V Collection’ is available now on Erased Tapes.