FRACTURED AIR

The universe is making music all the time

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Mixtape: Fractured Air – December 2018

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fracturedair_dec18

As the dusk light begins to fade on the year, we have a chance to both reflect on these past twelve months and look forward to what awaits us in 2019…Needless to say, music shapes pretty much everything that has taken place – and what moments are about to occur – from memorable, transcendent live shows (Low, Julia Holter and Nils Frahm’s shows will forever stay with me); making new musical discoveries (for instance, first hearing the illuminating voice of Penelope Trappes’ latest record or the myriad of timbres and textures contained on the Actress & LCO collaborative release ‘LAGEOS’); revisiting bands from previous decades (This Mortal Coil’s discography immediately comes to mind) or just simply having a cherished record (or playlist) as the soundtrack to your day (as you walk around in the pools of your mind or take in a nice scenic road-trip).

The importance of music never fades and isn’t that the most amazing thing? There is a science behind it: the reaction as your ears first hears a note and how you feel as a result. And whatever year we find ourselves in (2019, 2020 or beyond), new discoveries will always await us. As a listener, there is some comfort in this simple fact…
Lots of our favourite albums from 2018 are dotted across this December mixtape (and so many left out, as always is the way). The fresh and dynamic ambient sounds of Kranky debut signees (Less Bells and Saloli); Mary Jane Leach’s incredible flute compositions; two tracks from Julia Holter’s epic masterwork ‘Aviary’ and a recent discovery of the incredible Carola Baer (a retrospective compilation is lovingly compiled by Concentric Circles).

Also present is one of the late great composer Jóhann Jóhannsson’s last recorded works: the deeply moving and transporting ‘Mandy’ score, such transformative guitar-based compositions. This year we lost a true voice in today’s music world. I can only imagine the unbearable loss it has been for all those close to this remarkable human being. I remember shaking Jóhann’s hand after a concert of his and just saying how amazing his music is. He smiled graciously and replied softly, “thank you”. Well, thank you Jóhann for the eternal gift your stunningly beautiful music forever brings.

 

Fractured Air – December 2018

01. Tom Waits“Alice” (Epitaph)
02. Actress & LCO“Voodoo Posse, Chronic Illusion” (Ninja Tune)
03. Phase II“Words From” (Definitive Jux)
04. Squarepusher“Lambic Poetry 5” (Warp)
05. Low“Fly” (Sub Pop)
06. Penelope Trappes“Connector” (Houndstooth)
07. Jóhann Jóhannsson“Mandy Love Theme” (Mandy OST, Lakeshore/Invada)
08. Tomita“Dawn Chorus” (RCA)
09. Julia Holter“Voce Simul” (Domino)
10. Alice Coltrane“Keshawa Murahara” (Luaka Bop)
11. Saloli“Anthem” (Kranky)
12. Carola Baer“Maker of Me” (Concentric Circles)
13. Mark Renner“It Might Have Been” (RVNG Intl)
14. Die Haut“Der Karbische Western” (Strut)
15. Paul de Jong“Johnny No Cash” (Temporary Residence)
16. Michele Mercure“A Little Piece” (Freedom To Spend)
17. Carla dal Forno“Blue Morning” (self-released)
18. Less Bells“Valentine” (Kranky)
19. Jessica Moss“Fractals (Truth 3)” (Constellation)
20. Villagers“A Trick of the Light” (Bibio Remix) (Domino)
21. Nils Frahm“A Place” (Erased Tapes)
22. The Gentleman Losers“Fish Roam in Winter Water” (Sound In Silence)
23. Mary Jane Leach“Downland’s Tears” (Modern Love)
24. Julia Holter“I Would Rather See” (Domino)
25. Mary Lattimore“Hello From the Edge of the Earth” (Ghostly)

Wishing our readers a very happy Christmas and best wishes for the new year.

 

 

Albums of the year: 2018

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Presented here is a list of our favourite (ten) albums from 2018. As difficult a task as this proved, we decided ultimately to choose the albums that we found ourselves turning back to time and again over the last twelve months. 

 

10. Earl Sweatshirt – “Some Rap Songs” (Columbia Records)

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Thebe Neruda Kgositsile, otherwise known as Earl Sweatshirt is a rapper, producer and DJ whose third studio album ‘Some Rap Songs’ was released last month to universal acclaim. The sublime hip hop voyage deals – in part – with the loss of his father, poet laureate Keorapetse Kgositsile.

“Me and my dad had a relationship that’s not uncommon for people to have with their fathers, which is a non-perfect one,” Earl wrote. “Talking to him is symbolic and non-symbolic, but it’s literally closure for my childhood. Not getting to have that moment left me to figure out a lot with my damn self.”

On the opening verse of the seductive dub groove ‘Shattered Dreams’, Sweatshirt asks “Why ain’t nobody tell  me I was bleedin’?” Masterful production and sun-blissed harmonies serve the rich ebb and flow of the cut’s gradual flow. The rapper pleads “Please, nobody pinch me out this dream” beneath the dreamy, hypnotic beats on the following line.

Memories of his father permeates throughout the lucid ‘Red Water’: “Papa called me chief/Gotta keep it brief” beneath stunning soulful  pop hooks. On the R&B inflected rhymes of ‘Nowhere2go’, the Los Angeles rapper explains the need to “redefine himself” and ultimately ‘Some Rap Songs’ finds Kgositile do exactly that.

The poignant ‘December 24’ is a menacing, slow brooding gem that places Earl’s poetic prose beneath cinematic piano tapestries. ‘On The Way!’ contains a sumptuous soul/funk groove. The tempo is slowed on the transcendent single ‘The Mint’ (featuring Navy Blue), another slice of pristine hip hop that serves a parallel alongside the likes of Madvillain and J Dilla such is its divine spell.

This compelling fifteen-track album reflects a hip hop artist that has further evolved and continually develops his unique and immense talents.

‘Some Rap Songs’ is out now on Columbia.

http://earlsweatshirt.com/
https://www.facebook.com/EarlSweatshirtMusic/

9. Marissa Nadler – “For My Crimes” (Bella Union/Sacred Bones)

for my crimes correct

Marissa Nadler, one of the most cherished songwriters of our time, returned with her captivating eighth studio album ‘For My Crimes’ last Autumn. The Massachusetts-based singer-songwriter has carved out eleven deeply affecting and soul-stirring sparse laments whose immediacy and emotional depth resonates powerfully throughout.

It feels as if the essence of the song is captured magnificently to tape wherein each beautiful folk noir exploration navigates the depth of the human heart with naturalness and ease. In contrast to the more polished and layered records that came previously (the magnificent ‘Strangers’ and ‘July’ LPs), Nadler’s intimate song cycles contain quite minimal instrumentation that crafts a hypnotic spell and striking intimacy (intersecting the sound worlds of Townes Van Zandt and Stina Nordenstam).

Nadler co-produced For My Crimes with Lawrence Rothman and Justin Raisen at Rothman’s Laurel Canyon studio, House of Lux. A stellar cast of incredible female musicians joined the recording sessions,  including vocals from Angel Olsen, Sharon Van Etten and Kristin Kontrol, Patty Schemel (Hole, Juliette and the Licks) on drums, Mary Lattimore on harp, and the great experimental multi-instrumentalist Janel Leppin on strings.

Some of the finest, most empowering songs of Nadler’s career is dotted across ‘For My Crime’s intense narrative. Emotive strings and meditative acoustic guitar drift beneath Nadler’s majestic vocal delivery on the windswept beauty of the album’s glorious title-track (and fitting opener). Nadler asks “Please don’t remember me/For my crimes” on the deeply moving, dusk-lit chorus.

The swell of electric guitar and drums create a post-rock grandeur on the sublime ‘Blue Vapour’: a raw energy is unleashed with each and every pulse. The hard-hitting impact of Nadler’s supreme songwriting gifts is distilled on the heartfelt lament ‘Dream Dream Big In The Sky’ which feels as if the words and music are somehow encapsulated in the faded dreams of the clouds above.

‘For My Crimes’ is out now on Bella Union/Sacred Bones.

https://www.marissanadler.com/
https://www.facebook.com/MarissaNadlerMusic/

8. Tirzah – “Devotion” (Domino)

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The year’s finest debut album undeniably comes from London-based songstress and producer Tirzah. The immense talents of this young artist can be felt throughout the album’s utterly contemporary and unique eleven songs. Steeped in R&B, soul and pop spheres, Tirzah’s fresh and alluring compositions very much belong to the here and now whose beguiling song structures forever push the sonic envelope. ‘Devotion’ is written and produced with composer and childhood friend Micachu with gorgeous pop sensibility and minimal production at the heart of the album’s gripping heart and soul.

The striking immediacy – and directness – of these songs makes a profound impact. The deeply affecting downbeat-soul of ‘Gladly’ is a delightful, heart-warming love song with hypnotic vocals and gradual beat. “All I want is you/I love you/Gladly, gladly, gladly” sings Tirzah on the breathtaking chorus. There is simplicity in the song (so it seems) but a complexity in the emotional connection. A gospel, R&B lament. ‘Holding On’ contains a quiet confidence and strength as the 80’s synth pop feel radiates throughout. Again, the minimal nature of these songs forges such deep emotions and colour.

The album’s towering title-track features guest vocalist Coby Sey with his soulful falsetto serving the perfect counterpoint to Tirzah’s understated voice and pristine beats. “So listen to me” is repeated like a mantra; reminiscent of James Blake’s downtempo creations. Tirzah sings “I want your arms” on a later verse, sung with such emotion and sincerity. This duet forms the vital heart of the album’s second half.

The guitar funk groove of the following cut ‘Go Now’ packs significant weight: “Don’t raise your voice to me” is sung in a delicate, near-hushed falsetto on the opening verse. Vulnerability is inherent in this breath-taking soulful lament. Acoustic piano patterns serve the sonic backdrop to the sparse ‘Say When’, brimming with melancholic shades of loss, “I felt you gone and now I am lost”.

Devotion’ heralds a significant new voice in contemporary music.

‘Devotion’ is out now on Domino Recordings.

https://tirzah.net/
https://www.facebook.com/TirzahMusic

7. Mary Lattimore – “Hundreds Of Days” (Ghostly)

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Having first discovered Los Angeles-based harpist and composer Mary Lattimore’s 2013 debut ‘The Withdrawing Room’ (released on Desire Path Recordings), each new release has been a hugely exciting discovery. On this year’s ‘Hundreds Of Days’ – and third release for the prestigious Ghostly label – Lattimore’s ethereal, dream-wave bliss of her harp-based compositions casts a spacious, luminescent and captivating sound world of unknown dimensions.

The gorgeous album opener ‘It Feels Like Floating’ feels just like that: the sacred harp tapestries drift in the ether of faded dreams amidst swathes of celestial harmonies. Utterly timeless. Jonsi’s Healing Fields remix is a fascinating re-interpretation that conveys the inspirational quality of Lattimore’s hugely unique and shape shifting compositions.

Guitar, keyboard and percussion is added on the poignant folk gem ‘Never Saw Him Again’: forging a dreamy pop opus from a past we have not yet quite arrived upon. The soundscapes and intricate layers continually build, as if reawakening some once-vivid memories of a loved one. The sparse ‘Hello From the Edge of the Earth’ maps the human heart and Lattimore’s love of the natural world. The lyrical quality of this piece is quite something to behold.

Baltic Birch’ blossomed from Lattimore’s trip to Latvia where she was struck by the abandoned resort towns along the Baltic Sea.  A desolate landscape is etched across the ambient soundscapes with the electric guitar haze recalling Lattimore’s collaborations with Jeff Ziegler.

The LA-based harpist – in much the same way as fellow contemporaries Julianna Barwick, Kaitlyn Aurelia Smith and so on – possesses the ability to transport you to an entirely new realm wherein the music becomes beautifully buried in the pools of one’s mind. ‘Hundreds Of Days’ is yet another gleaming treasure in the composer’s storied career.

‘Hundreds Of Days’ is out now on Ghostly International.

https://marylattimoreharpist.bandcamp.com/
https://www.facebook.com/harpistmarylattimore/

6. Actress & London Contemporary OrchestraLAGEOS” (Ninja Tune)

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‘LAGEOS’ is the utterly compelling, shape shifting debut full length release from renowned electronic producer Darren Cunningham (aka Actress) and the London Contemporary Orchestra. At the heart of this captivating record is both artists’ ceaseless fascination with sound wherein new pathways of discovery are forever attained.

The first traces – committed to tape at least – was last year’s beguiling ‘Audio Track 5’ EP. The divine title-track (which is also found halfway through the record’s second half) comprises of beautifully drifting strings that float amidst crunching percussive rhythms and piano patterns. The splicing of the various components creates a shimmering odyssey of rapturous, luminous soundscapes, where the abstract techno sphere is masterfully blended with modern classical elements. Importantly, lines become blurred throughout ‘LAGEOS’, one cannot pinpoint to any one musical landscape, for it is a far-reaching kaleidoscope of timbres, textures and tones.

LCO’s Hugh Brunt has described the collaboration as being “about exploring an ambiguity of sound that sits between electronic and acoustic spaces.”

It is a joy to discover new contexts and insights into the cherished Actress discography as classics such as ‘Hubble’, ‘N.E.W’ and ‘Voodoo PosseChronic Illusion’ become a deep stream of consciousness and energy flow. The meditative bliss of ‘N.E.W’ with an endless array of enchanting instrumentation, supplied by the LCO, flows deep into your veins. The irresistible cosmic groove of ‘Voodoo Posse’ serves the record’s fitting penultimate track before the joyously empowering ‘Hubble’s techno fueled odyssey maps one’s innermost fears and dreams.

‘LAGEOS’ is out now on Ninja Tune.

https://www.ninjatune.net/artist/actress
https://www.lcorchestra.co.uk/

5. Low – “Double Negative” (Sub Pop)

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The much beloved Minnesota trio sculpted one of their finest, most empowering works to date with ‘Double Negative’, released earlier this year on the Seattle label Sub Pop. In similar fashion to 2015’s ‘Ones and Sixes’, the band enlisted B.J. Burton (James Blake, The Tallest Man on Earth) for production duties but here, the dazzling experiments are developed much further, forging deeply moving collages of cinematic, charged rock odysseys that seep into one’s very own consciousness. Abrasive beats and dazzling electronic components melt alongside Mimi Parker and Alan Sparhawk’s heavenly – soul searching – harmonies and Neil Young-esque guitar echo and reverb.

A dark undercurrent permeates throughout the record, reflecting these dark, uncertain times we find ourselves in. The brooding and hypnotic ‘Trying To Work It Out’ is classic Low with the slowcore bliss of Sparhawk’s highly emotive vocal delivery: “I saw you at the grocery store/I know I should have walked over and say hello/It seemed like you were in a hurry/I didn’t want to slow you down/So I figured out I should let you go.” Dissonance abounds. In many ways, the record serves a parallel with Nick Cave’s latest ‘Skeleton Tree’ – both records are borne out of a sea of darkness and despair but both records ultimately possess an incalculable empowering capability.

The delicate beauty of the meditative ‘Always Up’ is a precious ballad that depicts the frustration dispelled by the world today. The chorus refrain of Mimi Parker’s angelic vocal delivery “I believe I believe I believe I believe/Can’t you see Can’t you see Can’t you see?” emits a cathartic energy flow that is steeped in an unfathomable beauty. Rawest of emotions flood out of these recordings, feeling both vital and colossal in equal measure.

How the songs fade into one another is another marvel of ‘Double Negative’: the multi-layered textures and static that envelopes the space; creating something considerably larger than the sum of its parts. ‘Fly’ is one of the album’s most stunning moments with its Mimi Parker-led soulful dimension “Leave my weary bones and fly” is the deeply affecting chorus that reduces you to tears upon each visit. How the infectious bass groove melds with Parker’s falsetto leaves you dumbfounded such is its unwavering beauty. Uncertainty breathes heavily throughout. But there is hope buried deep in its gorgeous soulful strut.

‘Double Negative’ is out now on Sub Pop.

https://www.chairkickers.com/
https://www.facebook.com/lowmusic/

4. Djrum – “Portrait with Firewood” (R&S Records)

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UK producer Felix Manuel (AKA Djrum) is responsible for one of the most poignant, soul-stirring electronic records of the year with his R&S debut full-length ‘Portrait with Firewood’. The wide range of sounds – everything from modern classical and ambient soundscapes to gripping techno and dubstep flourishes – is one of the hallmarks of this remarkable tour-de-force. The emotional depth of Manuel’s electronic works is perhaps the most alluring trademark of Djrum’s scintillating sonic voyage. For example, the intoxicating electronic-infused classical opus ‘Blue Violet’ (one of the most mind-bending tracks of 2018) unleashes a timelessness that is all too rare in today’s dance music. Analog synths and strings are masterfully woven together amidst beautifully cinematic spoken word segments. “Do you remember how you told me about lightning striking? All of those things you told me to wait for?” is softly uttered by a female voice, beneath meditative piano notes. ‘Blue Violet’ details love, passion, obsession and all points of the human condition – the spirit of Nils Frahm and Jon Hopkins radiates throughout this towering composition.

Waters Rising’ sees Manuel collaborate with vocalist Lola Empire, crafting a beguiling soulful R&B techno gem. Several of Djrum’s piano improvisations serve the initial sketches of these compelling explorations. Techno bliss is etched across the album’s central tracks ‘Creature Pt 2’ and ‘Sex’; the latter fusing introspective piano and violin motifs and intoxicating techno/jungle beats (further highlighting the boundless nature of Djrum’s enveloping sound).

Describe by Djrum as a “confessional record”; the melancholic shades come to the fore on the record’s final third. The highly immersive ‘Sparrow’ is one of the record’s defining moments wherein a spoken word segment floats majestically beneath intricate layers of jazz inflections: “I’ll show you my scars/You show me the stars”. A rich poignancy is inherent in each of ‘Portrait with Firewood’s luminous musical works.

‘Portrait with Firewood’ is out now on R&S Records.

https://djrum.bandcamp.com/
https://www.facebook.com/DjrumMusic/

3. Penelope Trappes – “Penelope Two” (Houndstooth)

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London-based artist Penelope Trappes’ sophomore full-length ‘Penelope Two’ – and follow-up to her essential debut ‘Penelope One’ for Optimo Music – casts a hypnotic, luminous spell through its stunningly beautiful song cycles: drenched in reverb that somehow drift into the ether of our innermost fears. The stark intimacy of the Australian-born composer’s compositions is what strikes you immediately; evoking the timeless spirit of early 4AD artists (This Mortal Coil, Cocteau Twins) and kindred spirits of Grouper’s Liz Harris and Tropic Of Cancer.

On the album’s gripping centrepiece ‘Maeve’, the chorus refrain of “let go” is repeated beneath delicate piano chords and lucid guitar haze. I feel ‘Penelope Two’ becomes a process of letting go: to allow the waves of anguish and pain wash over you and, in  turn, to wrap your troubles up in dreams. The raw emotion distilled in Trappes’ soaring vocals casts infinite rays of solace and hope as light flickers from within the depths of darkness.

The way in which the drone infused ambient instrumentals (‘Silence’; ‘Kismet’; ‘Exodus’) are masterfully interwoven with the vocal-based song structures (‘Connector’; ‘Burn On’; ‘Maeve’) creates one cohesive whole of staggering beauty and emotional depth. The ethereal dream pop gem of ‘Connector’ possesses endurance to overcome the darkness. The immaculate production and divine soundscapes immerses the listener inside a wholly other realm. The chorus refrain “I am the connector” epitomizes the magical, far-reaching qualities of Trappes’ immense songwriting prowess.

‘Penelope Two’ is out now on Houndstooth.

https://penelopetrappes.bandcamp.com/
https://www.facebook.com/penelopetrappes/

2. Julia Holter – “Aviary” (Domino)

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The peerless Los Angeles songwriter and composer Julia Holter has long been carving out the most ground breaking and breath-taking avant pop masterworks and this year’s ‘Aviary’ reveals an artist at the peak of her powers. The album’s enthralling fifteen compositions explore further into bewitching experimental terrain as an abstract canvas of vivid textures, colour and timbres ascend into the forefront of one’s heart and mind.

The immaculate instrumentation and mesmerizing arrangements – a constant throughout Holter’s cherished songbook – lies at the heart of these stunning song cycles. The epic ‘Chaitius’ opens with gorgeous orchestration of strings, brass and choral lines that conveys the kaleidoscopic vision of the American composer’s newest musical venture. These sprawling, vast pieces feel as if the soundscapes could glide forever into infinity (and beyond). Holter sings “Open my wings with joy” on the opening verse; conveying the artist’s search for love and solace “amidst all the internal and external babble we experience daily”. The way the composition evolves and develops is akin to a process of self-discovery or acceptance. The vocoder/spoken word segments emits such rich imagery that reflects “the melting world” of today’s chaotic world we find ourselves in. Euphoria and an awakening sensation abounds on the glorious crescendo of Holter’s trusted ensemble (double bass as ever adding seductive rhythmic pulses to the sacred sound worlds effortlessly created). The continual striving for direction never feels far away: “Who will tell me what to do? Don’t say to feel so alove.”

It is clear with ‘Aviary’ that Holter effortlessly delves deeper into experimentation with sound; perhaps the first cue for the song’s inception was a sonic idea during the music-making process. The hypnotic, meditative lament ‘Voce Simul’ begins with a cosmic jazz bassline groove beneath Holter’s hushed vocal delivery and ethereal trumpet lines. The spoken word passages are masterfully blended with this cinematic backdrop: “I was just about to go outside” utters Holter on a later verse – inviting the listener on a wholly unique journey. As ever, the past and future become masterfully placed together – at once akin to “a distant mirror” of “a hundred minds” as Holter asks “How did I forget I’m part of the dust?”

The lead single ‘I Shall Love 2’ combined with its sister song – and symphonic rejoice – ‘I Shall Love 1’ form integral components of each half of ‘Aviary’s striking narrative. The former is yet another pristine pop oeuvre with gorgeous melodic flourishes and an awakening of the senses. The song’s deeply empowering rise “That is all that is all/There is nothing else” is a joy to savour; I visualize the moving scenes of the guiding angels in Wim Wender’s ‘Wings of Desire’ who listen to the thoughts of its human inhabitants. In a similar fashion, ‘I Shall Love’ (both movements) offers comfort and warmth.

The soaring beauty of ‘Words I Heard’ is steeped in 60s pop grandeur and Laurel Canyon pop perfection. How Holter’s achingly beautiful voice blends with the strings evokes a dream within a dream; a labyrinth of ancient and modern times – transposed to one sprawling, poignant canvas. The creative process is beautifully articulated on the fitting album closer ‘Why Sad Song’: “Oh ideas, Idea – oh why the words are made of?” But it is the dazzling, contemporary pop tour-de-force ‘Les Jeux To You’ that illustrates just how far ‘Aviary’s journey takes you on. The playful use – and richness – of words combined with the futuristic pop backdrop carves out something wholly unique and otherworldly. The deeply moving quality of Holter’s sacred artistic works is forever etched in the song’s gripping foundations: “I can hope for it today/I wonder though, if my heart tells me everything I need.”

‘Aviary’ is out now on Domino Recordings.

https://juliaholter.com/
https://www.facebook.com/juliashammasholter/

1. Nils Frahm – “All Melody” (Erased Tapes)

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Our most cherished record of the year undoubtedly comes from world-renowned, Berlin-based composer Nils Frahm’s latest masterpiece ‘All Melody’.

The immense beauty – and immensity – of the far-reaching soundscapes dotted across “All Melody’s musical landscape is a joy to savour. A myriad of sacred tones are effortlessly spliced together like that of the double helix pattern of each DNA molecule found inside our cells. It is as if a towering composition like “Sunson” unfolds, mutates, and transforms before your very eyes: the soaring juno synthesizer is melded gorgeously with the otherworldly sounds of the handmade pipe organ. The seamless array of colours and textures creates an empowering ripple flow of emotions. Choral odysseys dissolve into this vast sea of forgotten dreams. As the piece continually builds, the interlinked rhythms are forever over-lapping; magical moments within moments are captured at each and every pulse.

Modern-classical, dub and avant pop spheres are masterfully blended together on ‘A Place’. The inner dialogue between the components (choir, strings, percussion, synthesizer, and rhodes) creates a deeply bewitching symphony of celestial sounds. How the female voice is mixed with the luminescent juno synthesizer provides a significant milestone in “All Melody’s mind-bending oeuvre. Gripping dub beats awash with soul-stirring strings. The sonic terrain has expanded, almost exponentially. It feels as if a deep symbiosis exists between all of its vital elements; each one inter-dependent of one another, reacting, breathing and growing as the loop drifts forever into the ether of unknown dimensions.

The possibilities are endless. “#2” fades in – almost subliminally – as the embers of “All Melody” gradually dissolve. Techno bliss is masterfully etched across the sprawling canvas of synthesizer arrangements, creating, in turn, psychedelic dreams orbiting the furthest reaches of one’s inner consciousness.

The album’s penultimate track “Kaleidoscope” conveys the visionary nature of Frahm’s music: the pattern of the interwoven elements (choir, organ and synthesizer) is constantly changing; forever in motion and altering in sequence (in turn, generating endless possibilities). The immaculate exploration feels at once ancient and utterly contemporary; a joyously uplifting creation with its dazzling ebb and flow akin to a river finding its sea.

All Melody” is a defining record for the ages. This is a journey into sound.

‘All Melody’ is out now on Erased Tapes.

http://www.nilsfrahm.com/
https://www.facebook.com/nilsfrahm

Mixtape: Fractured Air – “Everything Unfolds” – September 2018

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fracturedair_sept18

Our September mix opens with the utterly captivating new single “I Shall Love 2” from the peerless Los Angeles-based composer and songwriter Julia Holter. “That is all, that is all / There is nothing else” softly whispers Holter, beneath hushed silence before a cinematic synth back drop melds effortlessly with her majestic harmonies. The shape-shifting ballad continually builds with intricate layers of strings, percussion and double bass, forming a wholly shape shifting song cycle of stunning beauty. Her latest sonic creation journeys through astral planes – filled with hope and undying strength – in a search for inner peace and purpose amidst a world of chaos. “I Shall Love 2” somehow encapsulates one’s dreams inside one pulsating, vital heartbeat. The gifted composer’s fifth studio album ‘Aviary’ is released via Domino on 25th October 2018 alongside a European and U.S. tour.

Elsewhere, September’s mixtape features new releases from: legendary Minnesota trio Low; techno bliss courtesy of Djrum (R&S Records); Brendon Anderegg’s solo synthesizer explorations (Thrill Jockey’s “June” LP); the beautifully compiled Ivor Raymonde retrospective “Paradise – The Sound of Ivor Raymonde” (including his timeless arrangements for The Walker Brothers, Bill Fury, Dusty Springfield and many more); more essential re-issues via the Belgian imprint Stroom (Patrick Sellinger’s new wave/electronic opus “Businessmen” marking the label’s latest release); Carrie Cleveland’s soul treasure “Looking Up” LP (in a glorious expanded edition via London’s Kalita Records) and a gorgeous document of Sudan’s rich musical heritage on Ostinato’s new release “Two Niles To Sing A Melody: The Violins & Synths of Sudan”.  September’s mixtape also includes new soundtracks from Mogwai’s “KIN” score and the sorely missed Icelandic composer Jóhann Jóhannsson’s “Mandy” original score.

 

Fractured Air – “Everything Unfolds” – September 2018

01. Julia Holter“I Shall Love 2” (Domino)
02. The Majority“Wait by the Fire” (Bella Union)
03. Ennio Morricone“The Sundown” (The Good, the Bad and the Ugly OST, United Artists)
04. Silver Jews“We Are Real” (Drag City)
05. WHY?“Good Friday” (Boards of Canada Remix) (Joyful Noise Recordings)
06. Carrie Cleveland“Love Will Set You Free” (Kalita Records)
07. Virginia Wing“Relativity” (Fire)
08. Jóhann Jóhannsson“Children of the New Dawn” (‘Mandy’ OST, Invada/Lakeshore)
09. Mogwai“We’re Not Done” (End Title) (KIN OST, Rock Action/Temporary Residence)
10. Jonny Greenwood“Sandy’s Necklace” (You Were Never Really Here OST, Invada/Lakeshore)
11. Kamal Tarbas“Forget Those That Divide Us” (Ostinato)
12. Ahmed Malek“Tape 19. 11” (Habibi Funk)
13. Djrum“Blue Violet” (R&S)
14. Curve“Falling Free” (Aphex Twin Mix) (Warp)
15. Patrick Selinger“Businessmen” (Original) (Stroom)
16. Helena Hauff“Qualm” (Ninja Tune)
17. The Space Lady“Across The Universe” (Bongo Joe Records)
18. Rachel’s“4 or 5 Trees” (Quarterstick Records)
19. Casino Versus Japan“Sunset Wake” (Self-Released)
20. Brendon Anderegg“June” (excerpt) (Thrill Jockey)
21. June11“Memories” (Stroom)
22. Low“Quorum” (Sub Pop)
23. Oneohtrix Point Never“Toys 2” (Warp)
24. The Gentle People“Journey” (Aphex Twin Care Mix) (Warp)

Fractured Air x Blogothèque – S01E10 | October mix

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October’s mixtape contains an exclusive unreleased track by the world-renowned electronic composer Loscil (Canada/Kranky) ahead of the release of his forthcoming album “Monument Builders”, due for release on November 11th via Kranky.

For over nearly two decades Loscil (Vancouver-born Scott Morgan) has been amassing a constantly evolving, soul-stirring body of work. Beginning with his 2001 debut “Triple Point”, Loscil has developed his own unique style of textural rhythms that ceaselessly blur the lines of ambient, techno, drone and modern-classical. Next month sees the hugely anticipated release of Loscil’s “Monument Builders” (his eighth release for the Chicago-based independent Kranky) and follow-up to 2014’s magnificent “Sea Island” full length.

Also included in October’s mix are two selections from the latest masterful guest mix by Late Night Tales – this time with Belfast-born producer extraordinaire David Holmes at the helm – which ranks amongst the most irresistible contributions in the vast Late Night Tales archive to date. Featured here is the heart-stopping tribute to the late Henry McCullough, the Northern Irish guitarist who was a member of Spooky Tooth, Paul McCartney’s Wings, Sweeney’s Men and also performed with Joe Cocker. Holmes collaborates with the Irish DJ, musician and author BP Fallon for the gorgeous “Henry McCullough”, a most loving and poignant tribute to his memory.

October’s mix also features new releases by the Irish-based electronic producer Ellll (pseudonym for Cork-based artist Ellen King) who releases her sublime debut EP “Romance” next month; Katie Gately’s stunning debut album “Color” on the Tri Angle label; the impeccable “Stranger Things” soundtrack composed by Kyle Dixon & Michael Stein from the Austin-based band S U R V I V E and the second album by Xylouris White (legendary Cretan-lute player George Xylouris and Dirty Three’s Jim White) entitled “Black Peak”, out now on Bella Union.

Fractured Air x Blogothèque – S01E10 | October mix

To Read/listen on La Blogothèque:

http://www.blogotheque.net/2016/10/21/fractured-air-x-blogotheque-s01e10-october-mix/

 

Tracklisting:

01. John Carpenter“Hofner Dawn” (Sacred Bones)
02. Colleen“Your Heart On Your Sleeve” (The Leaf Label)
03. Ellll“Romance” (Art For Blind)
04. Katie Gately“Lift” (Tri Angle)
05. Jessy Lanza“Could Be U” (Hyperdub)
06. Kyle Dixon & Michael Stein“This Isn’t You” (Stranger Things OST, Lakeshore)
07. Black Marble “It’s Conditional” (Ghostly International)
08. Madvillain“The Illest Villains” (Stones Throw, PIAS)
09. Betty Harris“There’s a Break in the Road” (Soul Jazz)
10. J Dilla & MF Doom“Sniper Elite” (Gold Dust Media)
11. Virginia Wing“Daughter of the Mind” (Fire)
12. Marissa Nadler“High on the Road” (Bandcamp)
13. Nick Cave & Warren Ellis“Texas Midlands” (Hell or High Water OST, Milan)
14. Stars Of The Lid“Tippy’s Demise” (Kranky)
15. Low “Untitled 1” (Bandcamp)
16. Bob Dylan“Song To Woody” (Columbia)
17. Xylouris White“The Feast” (Bella Union)
18. the Marquis de Tren and Bonny Billy (with Angel Olsen)“Solemn 28” (Drag City, Domino)
19. The Children Of Sunshine“It’s A Long Way To Heaven” (LateNightTales)
20. Townes Van Zandt“Waitin’ Around To Die” (Charly, Poppy)
21. Ennio Morricone“The Ecstasy Of Gold” (The Good, The Bad and The Ugly OST, United Artists)
22. The Avalanches“The Wozard Of Iz” (XL)
23. BP Fallon & David Holmes“Henry McCullough” (LateNightTales)
24. Primal Scream“Inner Flight” (Creation)
25. Katie Kim“Ghosts” (Art For Blind)
26. Boom Bip“I See Me” (Sun Choke OST, Lex)
27. Loscil“Varia” (Unreleased)
28. Jóhann Jóhannsson“A Song for Europa” (Deutsche Grammophon)
29. Claire M Singer“Wrangham” (Touch)
30. Gavin Bryars (with Tom Waits)“Jesus’ Blood Never Failed Me Yet” (Obscure, Island)

Compiled by Fractured Air, October 2016. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

http://www.blogotheque.net/
https://fracturedair.com/

 

Fractured Air 44: Benoît Pioulard “Kranky Mix”

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‘Sonnet’ is the fifth Kranky album by Thomas Meluch under his musical alias Benoît Pioulard, following the 2006 debut full-length ‘Précis’, ‘Temper’ (2008), ‘Lasted’ (2010) and 2013’s ‘Hymnal’. The American sound sculptor – in a similar fashion to his label-mates Loscil, Grouper and Pan American – has amassed a rich body of empowering work, seamlessly creating some of the most affecting and captivating ambient-based compositions of the past decade. This year has also marked the release of ‘Noyaux’, a four-track EP released on Morr Music and the collaborative project with longtime friend and colleague Kyle Bobby Dunn under the moniker of Perils (the debut self-titled LP was issued by Desire Path Recordings).
Kranky is an independent record label based in Chicago, Illinois. The prestigious label’s first release was Labradford’s debut album ‘Prazision’ in 1993. Some 22 years later, the label continues to release some of the most compelling and adventurous sounds from the likes of Loscil, Stars Of The Lid, Pan American, Grouper, Benoît Pioulard, Implodes and much more. 2015 has already seen latest releases from Benoît Pioulard, Disappears, Ken Camden, Valet, Helen and Christina Vantzou.

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Fractured Air 44: Benoît Pioulard “Kranky Mix”

To listen on Mixcloud:

https://www.mixcloud.com/Fractured_Air/fractured-air-44-kranky-mix-by-benoit-pioulard/

 

Tracklisting:

01. Low ‘Will the Night’ [Songs for a Dead Pilot, krank021]
02. Mirrorring ‘Silent From Above’ [Foreign Body, krank162]
03. Labradford ‘El Lago’ [A Stable Reference, krank006]
04. Loscil ‘Hastings Sunrise’ [Sketches from New Brighton, krank171]
05. Felix ‘Who Will Pity the Poor Fool’ [Oh Holy Molar, krank165]
06. Anjou ‘Adjustment’ [Anjou, krank185]
07. Ken Camden ‘Eta Carinae’ [Space Mirror, krank180]
08. Jonas Reinhardt ‘Modern By Nature’s Reward’ [Jonas Reinhardt, krank119]
09. Implodes ‘Wendy’ [Recurring Dream, krank174]
10. Tim Hecker ‘Black Refraction’ [Virgins, krank183]
11. Belong ‘Common Era’ [Common Era, krank155]
12. Stars of the Lid ‘Tippy’s Demise’ […and Their Refinement of the Decline, krank100]
13. Valet ‘Tame All The Lions’ [Blood Is Clean, krank105]
14. Grouper ‘Labyrinth’ [Ruins, krank189]
15. Windy & Carl ‘The Smell of Old Books’ [We Will Always Be, krank163]
16. The Dead Texan ‘The Struggle’ [The Dead Texan, krank072]

Compiled by Thomas Meluch (Benoît Pioulard). The copyright in these recordings is the property of the individual artists and/or Kranky. If you like the music, please support the artist by buying their records.

 


 

http://www.kranky.net/
http://pioulard.com/

 

Mixtape: So Etched In Memory

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So Etched In Memory [A Fractured Air Mix]

To listen on Mixcloud:

https://www.mixcloud.com/Fractured_Air/so-etched-in-memory-a-fractured-air-mix/

 

Tracklisting:

01. Adrian Crowley ‘The Wild Boar’ (excerpt) [Chemikal Underground]
02. Benoît Pioulard ‘So Etched In Memory’ [Kranky]
03. Sam Prekop ‘Invisible’ [Thrill Jockey]
04. The Declining Winter ‘The Declining Winter and the Narrow World’ [Monopsone]
05. Katie Kim ‘Wicked Game’ [Bandcamp]
06. Low ‘Last Night I Dreamt That Somebody Loved Me’ [Chairkickers’ Music, Rough Trade]
07. Julianna Barwick ‘The Harbinger’ [Dead Oceans]
08. Bing & Ruth ‘TWTGA’ [RVNG Intl]
09. The White Stripes ‘This Protector’ [Sympathy For The Record Industry]
10. Unknown Mortal Orchestra ‘Multi-Love’ [Jagjaguwar]
11. Jib Kidder ‘World of Machines’ [Domino]
12. Panda Bear ‘Boys Latin’ [Domino]
13. Little Sister ‘Somebody’s Watching You’ [Light In The Attic]
14. The Band ‘Up On Cripple Creek’ [Capitol]
15. Bixy Guidry & Percy Babineaux ‘The Waltz Of The Long Wood’ [Tompkins Square]
16. Kenny Knight ‘All My Memories’ [Paradise Of Bachelors]

The copyright in these recordings is the property of the individual artists and/or their respective record labels. If you like the music, please support the artist by buying their records.

To follow Fractured Air you can do so on Facebook HERE, or Twitter HERE.
http://fracturedair.com