FRACTURED AIR

The universe is making music all the time

Posts Tagged ‘KÖLSCH

Ten Mile Stereo

leave a comment »

goat_commune

GOAT ‘Commune’ (Sub Pop)
“Music is everything. The biggest secret of humanity,” as said by GOAT’s leader Mr. Stonegoat. ‘Commune’ is the hugely anticipated follow-up to reclusive Sweden psychedelic maestros masterful and otherworldly debut album ‘World Music’, released in 2012 via Rocket Recordings. Originally from Korpilombolo, Northern Sweden, GOAT have been self-described as a musical tradition as opposed to a band in the classic sense. The band fuse psychedelia, Nigerian afro beat, funk and soul to disco, rock, garage, blues and German krautrock to soul-stirring effect. GOAT’s second LP ‘Commune’ will be released by Seattle-based independent label Sub Pop this Autumn.

‘Commune’ will be available on 23 September via Sub Pop.

www.facebook.com/goatsweden
www.subpop.com/artists/goat

————

craftspells

Craft Spells ‘Nausea’ (Captured Tracks)
Released earlier this Summer, ‘Nausea’ is the wonderful second full-length by Craft Spells’ Justin Vallesteros. Preceded by lead single ‘Breaking The Angle Against The Tide’, ‘Nausea’ is the follow-up to 2010’s debut LP ‘Idle Labor’ and 2012’s subsequent ‘Gallery’ EP. Crucially, the album stems from a bout of writer’s block for Vallesteros; who subsequently put down the guitar for a year while studying the piano which provides the basis for all the tracks on ‘Nausea’. Released on the ever-formidable Brooklyn independent label Captured Tracks (DIIV, Mac Demarco, The Soft Moon), ‘Nausea’ confirm Craft Spells as a hugely exciting and promising artist for the present and the future alike.

‘Nausea’ is available now on Captured Tracks.

http://www.craftspells.com
http://www.capturedtracks.com

————

thebluebells_exileontweestreet

The Bluebells ‘Exile On Twee Street’ (Cherry Red)
The Scottish independent music scene has always been one of the richest sources for innovative, timeless and endearing indie/pop music. The likes of Camera Obscura, Teenage Fanclub and The Pastels have consistently made the kind of perfectly crafted and yet highly individual strand of pop music during the nineties and noughties, while before them, the early 1980s was a golden age for Scottish pop, with such bands as The Bluebells, Orange Juice, Altered Images and Lloyd Cole & The Commotions all making their own beautiful indelible on the music scene of both Scotland and the world. ‘Exile On Twee Street’ is a particular treasure (to be released by London’s Cherry Red at the end of the month) as the vast majority of this twenty-track compilation (with the exception of ‘Happy Birthday’) has yet to see a release previously.

‘Exile On Twee Street’ will be available on July 28 on Cherry Red Records.

https://www.facebook.com/bluebellsofficial
http://www.cherryred.co.uk/

————

jamesblackshaw

James Blackshaw ‘Fantomas: Le Faux Magistrat’ (Tompkins Square)
The genesis for this special release by Hastings-based English guitarist and pianist James Blackshaw stemmed from a personal invitation by renowned French composer Yann Tiersen to partake in a special centenary celebration of Louis Feuillade’s Fantômas silent film series at the Théâtre de Châtelet, Paris on October 31st 2013. On the night Blackshaw performed an original score for the fifth and final film in the series, ‘Le Faux Magistrat’. Blackshaw is joined for his set by Duane Pitre and Simon Scott (Slowdive) contributed drums, electronics, synth, bowed guitar, bass and more to Blackshaw’s nylon string guitar and grand piano; Charlotte Glasson contributes violin, vibraphone and several wind instruments to the truly stunning 75-minute score.

‘Fantomas : Le Faux Magistrat’ is available now on Tompkins Square.

http://www.jamesblackshaw.com
http://www.tompkinssquare.com

————

ATOZ_12in_TIPON

Steve Gunn ‘Way Out Weather’ (Paradise Of Bachelors)
The last few years have been remarkably productive for the Brooklyn-based guitarist and songwriter Steve Gunn (Gunn-Truscinski Duo, Kurt Vile’s The Violators). Only this summer, RVNG Intl issued the splendid ‘Cantos de Lisboa’ as part of their ongoing FRKWYS series (where contemporary artists are paired with their influential predecessors), where Gunn performs alongside the inspirational British folk legend Mike Cooper in Lisbon, Portugal. Last year saw Gunn release his timeless classic ‘Time Off’ album, showcasing not only Gunn’s mastery and versatility as a highly distinctive guitarist but also a hugely talented songwriter and lyricist. ‘Way Out Weather’ expands significantly on Gunn’s previously recorded output; most notably where a newfound lush and panoramic wall of sound is created by a gifted artist (and band) in gloriously full stride.

‘Way Out Weather’ will be available on 7 October via Paradise Of Bachelors.

http://steve-gunn.com
http://www.paradiseofbachelors.com

————

thechills_moltengold

The Chills ‘Molten Gold’ (Fire Records)
Originally formed in 1980 in Dunedin, New Zealand, The Chills are today regarded as one of the country’s most legendary of bands. Fronted by Martin Phillipps, the band lineup would change over the course of the following decades; the band would enjoy significant critical acclaim early on releasing a string of classic records via the legendary NZ label Flying Nun (‘Kaleidoscope World’, ‘Brave Words’). The band later re-located to London (while subsequently the band signed to Warner’s subsidiary label Slash in ’88) before returning to their homeland of NZ as national treasures. With the announcement that US indie label Fire Records have partnered with The Chills and their label Far South, expect a treasure chest to be unleashed in the coming months and years.

‘Molten Gold’ EP available 28th July on Fire Records.

https://www.facebook.com/thechills
http://www.firerecords.com

————

kolsch_speicher79

Kölsch ‘Papageno/Cassiopeia’ (Kompakt)
As part of the indispensable SPEICHER record series by revered Cologne-based independent label Kompakt, installment number 79 welcomes back the peerless producer and electronic artist Kölsch, whose most recent full-length, the monumental ‘1977’, has been hailed as one of the most defining modern electronic records. For SPEICHER 79, Kölsch has created a two-track gem with side A’s ‘Papageno’ (featuring Nikolaj Manuel Vorsild of When Saints go Machine on vocals) and the heavenly ‘Cassiopeia’ on the flip-side (where Kölsch is joined by classical composer Gregor Schwellenbach).

‘Papageno/Cassiopeia’ is available now from Beatport HERE.

https://www.facebook.com/kolschofficial
http://www.kompakt.fm

————

deafcentre_sonicpieces

Deaf Center ‘Recount’ (Sonic Pieces)
This August marks the long-awaited and much-anticipated return of beloved Norwegian duo Deaf Center (comprising the hugely acclaimed duo of school friends Erik Skodvin and Otto Totland). Three years on from their landmark LP ‘Owl Splinters’, a darkly textured, ambient modern masterpiece; ‘Recount’ comes at a time when both Skodvin and Totland have been immersed in numerous side projects of their own (including Totland’s debut solo full-length and Erik K. Skodvin’s stunning 2014 LP ‘Flame’, the follow-up to 2010’s ‘Flare’). ‘Recount’ features two  longform pieces recorded in 2008 and 2012.

‘Recount’ will be issued by Sonic Pieces on 29 August.

http://www.facebook.com/pages/Deaf-Center
http://www.sonicpieces.com

————

Broken Twin_sleeve

Broken Twin ‘May’ (Anti-)
Broken Twin’s ‘May’ is one of 2014’s most intimately personal and utterly timeless albums by Danish songwriter Majke Voss Romme. ‘May’ is the gorgeous first full-length LP by Romme, who has previously released last year’s ‘Hold On To Nothing’ and ‘Sun Has Gone’ EP’s. An innate ability for song craft combine with constantly gripping, beautifully open-ended lyricism which quietly yields truly moving songs in the process. As Romme has said: “I wanted to get back to basics, seeking a sound that was warm and lo-fi; minimal and spacious and focused on the songs”.

‘May’ is available now on Anti-.

http://brokentwin.com
http://www.anti.com

————

maxrichter_retrospective

Max Richter ‘Retrospective’  & ‘Recomposed’ (Deutsche Grammophon)
This summer Deutsche Grammophon issued the 4-cd box set comprising German neoclassical composer Max Richter’s albums ‘The Blue Notebooks’ (2004); ‘Songs from Before’ (2006); ‘24 Postcards in Full Colour’ (2008) and ‘Infra’ (2010). Only this year, the ever-prolific Richter released his spectacular re-interpretation of Antonio Vivaldi’s ‘The Four Seasons’; simply entitled ‘Recomposed’, Deutsche Grammophon’s wonderful package also includes a host of remixes and a stunning live concert from Berlin as a bonus DVD.

Both ‘Retrospective’ and ‘Recomposed’ are available now on Deutsche Grammophon.

http://www.maxrichtermusic.com
http://www.deutschegrammophon.com

————

 

Written by admin

July 18, 2014 at 3:40 pm

Ten Mile Stereo

leave a comment »

10_web


Glenn Jones “My Garden State” (Thrill Jockey)
One of the hidden gems of the year so far came courtesy of the forever dependable Thrill Jockey Label; Glenn Jones’s “My Garden State”, an album of understated and fragile beauty. The album was written in Jones’s family home in Northern Jersey prior to the sale of the house due to his mother’s Alzheimer’s diagnosis. A strong spirit of memory and nostalgia are evoked throughout. Glenn Jones’s guitar playing prowess is (as ever) on full display where a deep sense of warm intimacy and a myriad of feelings are captured effortlessly. The album features sisters Laura and Meg Baird on accompaniment and was recorded in the home studio of Les and Laura Baird in New Jersey, keeping with the album’s Garden State theme.

————


John Murry “Miss Magdalena” (Forthcoming LP)
“The Graceless Age”, John Murry’s debut solo LP, was a deeply moving and a life-affirming experience. Written after Murry had overdosed on heroin and was left clinically dead, “The Graceless Age” is an album of pain and suffering, while – ultimately – one that exudes a moving spirit of redemption and hope while Murry’s soul is laid bare. “Miss Magdalena” would see the light of day while Murry – and band – toured extensively this spring and summer in both Europe and the US. The song will be released on forthcoming LP and follow-up to the internationally-acclaimed “The Graceless Age”. John is currently recording the follow-up and has appealed for funding on his kickstarter initiative (ONLY 36 HOURS TO GO!) with many special prizes on offer: All details on Kickstarter here.

————


Daniel Bachman “Seven Pines” (Tompkins Square)
My first time discovering Virginia-born Daniel Bachman came courtesy of an intimate performance at Cork’s Gulpd Cafe courtesy of Plugd Records where Bachman showcased material from his current Tompkins Square LP “Seven Pines”. Bachman’s guitar playing is astonishing to witness and all the more astonishing to behold in a live setting. The album was written over a 12 month period while living in Philadelphia and shares the same spirit of William Tyler’s “Behold The Spirit” as well as such guitar luminaries as Roy Harper and John Fahey. At only 22 years of age, Daniel Bachman has the world at his feet.

————


Torres “Torres” (Self-Released)
Released at the beginning of the year, Mackenzie Scott’s Torres’ self titled album is one of the year’s outstanding achievements. Mackenzie hails from Nashville, Tennessee and – like Bachman – is only 22 years of age. The album’s ten songs are direct and stark and continue to linger long after repeated listens. The album recalls Sharon Van Etten’s personal and affecting songs – where folk, indie and rock traditions merge wonderfully with Mackenzie’s stunning voice.

————


Charles Bradley “Victim Of Love” (Dunham Records)
Few albums have garnered such wide cross-over appeal as soul maverick Bradley’s stunning “Victim Of Love” LP. Released on Dunham – a label belonging to the legendary Daptone Records label – “Victim Of Love” is a modern-day soul masterpiece. Bradley’s amazing “success” story (and, indeed, remarkable backstory) has kindled a spark in many a music fan’s heart over the last year or two (similar in some respects to last year’s celebration of the legendary Sixto Rodriguez) and has captured the imaginations of people across musical genres – and generations. As Bradley writes in the album’s inlay: “To all of you with God’s love. Thank you. I love you always. Charles Bradley. P.S. See you soon.”

————


KÖLSCH “1977” (Kompakt)
I only recently came across the incredible talents of Copenhagen’s KÖLSCH (via the wonderful musical institution that is Galway-based An Taobh Tuathail) and “1977” has provided a constant source of headphone listening for the small hours ever since. KÖLSCH is Rune Reilly Kölsch, a renowned producer who has been responsible for a whole host of records under various monikers over the last fifteen years, most notably the internationally successful dancefloor hit “Calabria” from 2003. Kölsch ran his own monthly Club Smile parties at VEGA Natklub in Copenhagen, while also running bimonthly parties at legendary Culture box.

————


Tree “Sunday School II: When Church Lets Out” (Creative Control)
My first introduction to the incredible “Sunday School II: When Church Lets Out” LP came courtesy of Pitchfork’s Overlooked Records list for 2013. Tree is the alias for Chicago rapper/producer Tremaine “Tree” Johnson. The album is a hip hop tour-de-force featuring a myriad of inspired samples including Elvis Presley’s “Can’t Help Fallin In Love” (as Johnson says on the intro to “The King”, “I had to go get The King for this one”). The sheer range of sounds serves to recall those wonderful “mixtape” vibes from DJ Shadow’s seminal “The Private Press” LP. Lyrically, the album is as powerful as they can come, featuring tracks of raw power delivered straight from the soul of Johnson.

————


Karen Gwyer “Needs Continuum” (No Pain In Pop)
From the incredible drum/bass/synth opening of “Sugar Tots”, the nine tracks on “Needs Continuum” showcases the wonderful talents and breathtaking sounds of London-based Karen Gwyer. Released this year on the wonderfully eclectic and ever-reliable “polystylistic” independent label No Pain In Pop, also based in London. My current favourite is “Lentil” which begins with softly textured vocal layers before gradually building to a stunning, ethereal and multi-layered climax. Also available is a remix EP of Gwyer’s “Needs Continuum” featuring Toronto’s Doom Squad, Not Not Fun’s Samantha Glass and Australian Neon Pulse.

————


Sorcha Richardson “Sleep Will Set Me Free” (Self-Released)
I first crossed paths with Sorcha Richardson courtesy of the Irish Times’ “The Ticket”. Delving into Richardson’s stunning songbook has proved an unforgettable experience. The Dublin-born composer – now based in New York – has recorded a number of E.P’s to date (including the mesmerizing “Sleep Will Set Me Free” EP), containing fragile folk treasures recalling such spirits as Karen Dalton, David Pajo, Vashti Bunyan and Lisa Germano. Whether featuring arrangements of guitar or piano, it is Richardson’s poetic and truly captivating lyrics and breathtaking vocal delivery that casts such a deeply affecting spell on the listener, one which will never be broken.

————


Minutemen “Double Nickels On The Dime” (SST)
An album that proved a key catalyst for Calexico’s Joey Burns on his musical journey (the band often cover both “Corona” and “Jesus and Tequila” live), Minutemen’s “Double Nickels On The Dime” album was released on the legendary Californian independent label SST in 1984 and continues to inspire new generations of musicians. The double album, containing a stunning 45 songs, was the third studio LP released by the band who consisted of D. Boon, Mike Watt and George Hurley. Tragically, in December of 1985, Boon was killed in a van accident. However, Boon’s legacy and Minutemen’s songbook will live on forever.

————