FRACTURED AIR

The universe is making music all the time

Posts Tagged ‘Kaitlyn Aurelia Smith

Fractured Air x Blogothèque – S01E11 | November mix

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fracturedair_nov16

November’s mixtape contains gorgeous new releases from a host of exceptional voices in today’s independent music world: the peerless L.A. composer and songwriter Julia Holter unveils her debut score (‘Bleed For This’, Milan Records); Australia-born & Berlin-based artist Carla dal Forno whose exceptional avant-pop debut full-length ‘You Know What It’s Like’ marks one of 2016’s finest LPs (Blackest Ever Black); the utterly compelling collaborative project between Mica Levi and Oliver Coates (in the form of ‘Remain Calm’, released recently via Slip) and A Winged Victory For The Sullen’s stunningly beautiful ‘Iris’ original score, which represents the prestigious duo’s third full length release (available digitally now).

Earlier this month marked the sad passing of Leonard Cohen at the age of 82. A true visionary and legendary songwriter, his last studio album ‘You Want It Darker’ was released just weeks before his untimely passing. Canadian prime minister Justin Trudeau’s emotional tribute to his good friend echoes powerfully the vital importance of Cohen’s sacred songbook: “Leonard, no other artist’s poetry and music felt or sounded quite like yours. We’ll miss you.”

Fractured Air x Blogothèque – S01E11 | November mix

To Read/listen on La Blogothèque:

http://www.blogotheque.net/2016/11/24/fractured-air-x-blogotheque-s01e11-november-mix/

 

Tracklisting:

01. DJ Shadow“The Mountain Will Fall” (Mass Appeal)
02. A Tribe Called Quest“The Space Program” (Epic)
03. Archangel“Julia” (Dean Blunt’s On Wine, Hashish & Molly Version Vinyl Edit) (Foom)
04. Underworld“Low Burn” (Universal Music Group)
05. Dead Light“Sleeper” (Village Green)
06. Carla dal Forno“Db Rip” (Blackest Ever Black)
07. Karen Marks“Cold Café” (Efficient Space)
08. Kaitlyn Aurelia Smith“Riparian” (Western Vinyl)
09. Mica Levi & Oliver Coates“Barok Main” (Slip)
10. Dungen“Peri Banu Vid Sjön” (Smalltown Supersound)
11. case/lang/veirs“Supermoon” (Anti-)
12. Tortoise (ft. Georgia Hubley)“Yonder Blue” (Thrill Jockey)
13. Fleetwood Mac“Albatross” (Reprise)
14. Lambchop “Writer” (Merge, City Slang)
15. Matt Robertson“Juno” (Tape Club)
16. Julia Holter“Home Movies” (Bleed For This OST, Milan)
17. Heather Woods Broderick“Glider” (Western Vinyl)
18. Loscil“Drained Lake” (Kranky)
19. A Winged Victory For The Sullen“Comme on a Dit” (Iris OST, Erased Tapes)
20. Leonard Cohen“String Reprise / Treaty” (Columbia, Sony Music)
21. Syrinx“December Angel” (excerpt) (RVNG Intl)

Compiled by Fractured Air, November 2016. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

http://www.blogotheque.net/
https://fracturedair.com/

 

Fractured Air x Blogothèque – S1E5 | May mix

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fracturedairmix_may16

 

For May’s mixtape we are delighted to present a pair of exclusive tracks by two of Ireland’s finest songwriters: Adrian Crowley and Katie Kim.

Since his debut release at the turn of the century (“A Strange Kind”), Adrian Crowley has quietly established himself as one of the finest songwriters of his generation. With seven studio albums to date (Crowley’s most recent record is “Some Blue Morning”, released in 2014 via Glasgow-based label Chemikal Underground) Crowley’s reputation has been built upon his poetic lyricism, distinctive baritone and a natural gift for storytelling. Presented here exclusively for this mix is Adrian Crowley’s haunting cover version of U.S. folk legend Jackson C. Frank’s “Milk And Honey”.

While the Buffalo-born musician Jackson Carey Frank only released the one album during his lifetime (his Paul Simon-produced self-titled debut from 1965) Frank’s reputation has steadily grown in recent times, in no small part due to Ba Da Bing’s release of “The Complete Recordings” (2015) and the 10″ vinyl issue of “Forest Of Eden” (Secret Records, 2013), a collection of previously unreleased tracks and demos.

We’re equally thrilled to present an exclusive track by another of Ireland’s best-loved and consistently intriguing songwriters, Katie Kim (the pseudonym for Waterford-born Katie Sullivan). With two full-length albums to date (2008’s “Twelve” and 2012’s double LP “Cover&Flood”) a third LP, entitled “Salt”, is scheduled for release later in 2016. Katie Kim has supported the likes of Low and Slint to date while her diverse influences stem from the realms of experimental, folk, post-rock, shoegaze, ambient and outsider folk.

Also presented in May’s mixtape is a number of long-established cornerstones to the independent music scene who have debut records for their latest projects: Four-piece Liima features Efterklang’s Mads Brauer, Casper Clausen and Rasmus Stolberg who are joined by Finnish percussionist Tatu Rönkkö. The band’s 4AD debut is entitled “ii”.
Dieterich & Barnes is the new collaboration between Jeremy Barnes (A Hawk And A Hacksaw, Neutral Milk Hotel) and Deerhoof’s John Dieterich who released their scintillating debut “The Coral Casino” on LM Duplication earlier this year.
“You + Your D.Metal Friend” is the latest improvisational project from Cico Beck (Joasihno, Aloa Input, the Notwist) and Markus Acher (the Notwist, Tied & Tickled Trio, Rayon). The duo’s debut album “Sonnier” is available via the forever-dependable German independent label Alien Transistor.

Fractured Air x Blogothèque – S1E5 | May mix

To Read/listen on La Blogothèque:

http://www.blogotheque.net/2016/05/27/fractured-air-x-blogotheque-s01e05-may-mix/

 

Tracklisting:

01. William S. Burroughs“Origin and Theory of the Tape Cut-Ups” (excerpt) (Sub Rosa)
02. Jóhann Jóhannsson“Melodia (I)” (4AD)
03. Moondog“Each Today Is Yesterday’s Tomorrow” (Columbia)
04. Mark Pritchard“Beautiful People” (feat. Thom Yorke) (Warp)
05. Tim Hecker“Music of the Air” (4AD)
06. Andy Stott“Too Many Voices” (Modern Love)
07. Kaitlyn Aurelia Smith“Envelop” (Western Vinyl)
08. Joasihno“Wondrous Sibling” (Alien Transistor)
09. Dieterich & Barnes“What” (LM Duplication)
10. Liima“Amerika” (4AD)
11. Wildbirds & Peacedrums“Soft Wind, Soft Death” (The Leaf Label)
12. Max Richter“Path 5” (Mogwai Remix / Edit) (Deutsche Grammophon)
13. Adrian Crowley“Milk And Honey” (Unreleased)
14. The Beacon Sound Choir“Drone 1” (excerpt) (Infinite Greyscale)
15. You + Your D. Metal Friend“Sonnier 6” (Alien Transistor)
16. Homeboy Sandman“God” (Stones Throw)
17. DJ Danger Mouse“Interlude” (Self-Released)
18. Dick Dale & His Del-Tones“Angry Generation” (Ace)
19. DJ Shadow“Nobody Speak” (feat Run The Jewels) (Mass Appeal)
20. Ria Bartok“Tu La Revois” (Ace)
21. Julianna Barwick“Same” (Dead Oceans)
22. Georges Delerue“Paul” (Le Mépris OST, EmArcy)
23. Katie Kim“Warm Bait” (Unreleased)
24. Christina Vantzou“Stereoscope” (Steve Hauschildt remix) (Bandcamp)
25. Marissa Nadler“Waking” (Bella Union / Sacred Bones)
26. Harold Budd“Afar” (All Saints)

Compiled by Fractured Air, May 2016. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

http://www.blogotheque.net/
https://fracturedair.com/

Fractured Air x Blogothèque – S1E2| February mix

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Part Two of our mix series for La Blogothèque. We’ve tried to include something here from as many of our favourite labels as possible. Also included is a short excerpt from an interview we did with the legendary Los Angeles-based folk singer Linda Perhacs (to coincide with the release of her second solo LP “The Soul Of All Natural Things” on Asthmatic Kitty in 2014). February’s mix also comprises a few original scores to films (“Belladonna of Sadness”, “#HORROR”, “Mistress America” and “Mustang”) where each soundtrack certainly conveys a very singular mood and spirit for their respective subjects (and films). While it’s a little foolish to single out a particular song/artist (isn’t that the complete opposite of what a mixtape is supposed to be?) we would like to conclude by mentioning someone very special whom we only recently discovered: Tia Blake (thanks to Josh Rosenthal’s gorgeous book “The Record Store of the Mind”); her sole album was 1971’s “Folksongs And Ballads” (by “Tia Blake and her folk-group”), a most beautiful and precious thing indeed.

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Fractured Air x Blogothèque – S1E2 | February mix

To Read/listen on La Blogothèque:

 english: http://en.blogotheque.net/2016/02/23/fractured-air-x-blogotheque-s01e02-february-mix/

 

Tracklisting:

01. Fire!“She Bid a Meaningless Farewell” (Rune Grammofon)
02. Dawn of Midi“Ijiraq” (Erased Tapes)
03. nonkeen“chasing god through palmyra” (R&S)
04. 1115“The Drowned World I” (Alien Transistor)
05. Julia Holter“Vasquez” (Domino)
06. Kaitlyn Aurelia Smith – “Arthropoda” (Western Vinyl)
07. Cool Maritime“Spring” (Leaving)
08. Linda PerhacsInterview (excerpt) (Fractured Air)
09. Linda Perhacs“Parallelograms” (Kapp/Sunbeam)
10. Jóhann Jóhannsson with Hildur Guðnadóttir & Robert Aiki Aubrey Lowe“End of Summer Part 4” (excerpt) (Sonic Pieces)
11. Bob Dylan“Father Of Night” (Columbia)
12. Lubomyr Melnyk “Sunshimmers” (Erased Tapes)
13. Lee Hazlewood“Hands” (MGM, Ace)
14. Masahiko Sato“Valle Incantata” (Belladonna of Sadness OST, Finders Keepers)
15. The Fabulous Luckett Brothers“Help Me to Carry On” (Honest Jon’s)
16. A Hawk And A Hacksaw“Wedding Theme (Ukraine)” (LM Dupli-Cation)
17. Calexico“When Only The Ashes Are Left” (Our Soil, Our Strength)
18. Thomas Köner“Tiento de la Luz 4” (excerpt) (Denovali)
19. Ricardo Donoso“Morning Criminal” (Denovali)
20. EMA“Amnesia Haze (Vox & Guitar Only)” (#HORROR OST, City Slang)
21. Dean Wareham & Britta Phillips“Mistress America” (Mistress America OST, Milan)
22. Alex Smoke“Fair Is Foul” (R&S)
23. Lord RAJA“Footwork” (Ghostly International)
24. Roly Porter“In System” (Tri Angle)
25. Warren Ellis“Mustang” (Mustang OST, Milan)
26. Tia Blake “The Rising of the Moon” (Water)
27. Langley Schools Music Project“Space Oddity” (Bar/None)
28. Qluster“In deinen Händen” (Bureau B)

Compiled by Fractured Air, February 2016. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

http://www.blogotheque.net/
https://fracturedair.com/

 

Step Right Up: Kaitlyn Aurelia Smith

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Interview with Kaitlyn Aurelia Smith.

“I try and always have in my mind, ” I wonder what will happen if I try this…” For me, if curiosity is the driving force when I make music, it’s always a good time.”

—Kaitlyn Aurelia Smith

Words: Mark Carry

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The Italian American music pioneer Suzanne Ciani has described Kaitlyn Aurelia Smith’s music as “sheer poetry…showing mastery of her medium”. The Bay Area composer’s debut full-length, ‘Euclid’ – released back in January on the ever-dependable Western Vinyl imprint – reveals a plethora of scintillating soundscapes that forges an utterly captivating voyage into new horizons of possibilities. Primarily written on a Buchla Music Easel Synthesizer, ‘Euclid’ contains seamless layers of immaculate sounds, from the album’s vital pulse of Smith’s synthesizer instrument to wordless vocals and electronic wizardry. The musician’s timeless creation draws a lovely parallel to musical luminaries such as Laurie Spiegel, Suzanne Ciani and Terry Riley that further pushes the sonic envelope and music’s endless possibilities.

Kaitlyn Aurelia Smith’s formative years were spent communing with nature on Orcas Island in the northwest region of Washington state. Undoubtedly, the sum of these experiences with the natural world is transplanted into the medium of music, masterfully sculpted by Smith (and etched across ‘Euclid’s sprawling canvas of otherworldly sound). Later, Smith left the island to attend Berklee College of Music, where she studied composition and sound engineering. During this time, Smith was one of the core members of indie folk band Ever Isles but it was a chance encounter with a Buchla 100 Synthesizer that changed the course of Smith’s music path.

Part A of ‘Euclid’ were initially structured using Euclidean geometry, an idea which Smith explored while attending a class at the San Francisco Conservatory. The stunning album opener ‘Careen’ and the utterly transcendent ‘Stunts’ offers just a glimpse into the disparate sounds on display throughout the debut record. In contrast, part B comprises twelve short pieces, (appropriately) entitled ‘Labyrinth’- originally composed as new soundtracks to old silent films – that brings to mind the serenity and natural beauty of Orcas Island through its kaleidoscope of visionary tones and textures.  ‘Euclid’ is a towering achievement where evocative experiences are rendered into vital being.

‘Euclid’ is out now on Western  Vinyl.

http://www.kaitlynaureliasmith.com/
http://westernvinyl.com/

kaitlynsmith-12.9.2014

Interview with Kaitlyn Aurelia Smith.

Congratulations Kaitlyn on the stunning debut solo record, ‘Euclid’; it’s an utterly captivating and mesmerising sonic voyage into new horizons of possibilities. Firstly, can you please discuss the Buchla Music Easel synthesizer from which ‘Euclid’ was primarily centred on. What are the possibilities you see in this particular instrument and please also discuss the different techniques utilized (or the central process you have developed with this instrument) that forms the basis of this exceptional debut full-length offering?

Kaitlyn Aurelia Smith: Thank you for your kind words. The Buchla Music Easel is a Modular Synthesizer made by Don Buchla in the 70’s. It was designed to be a complete performance instrument in the size of carry-on luggage. It is difficult to discuss the possibilities of this instrument because as I feel with all modular synthesizers, there are endless possibilities. I am always experiencing novelty when I interact with one.

I was very interested to read how part A of ‘Euclid.’ was initially structured using euclidean geometry, an area you explored at the San Francisco Conservatory. Listening to these six multi-layered compositions, one striking aspect is indeed the three-dimensional shape and sphere of musical imagination exhibited throughout. Can you please talk me through part A of ‘Euclid’’s journey and the relationship between euclidean geometry and sound exploration?

KAS: Sure, ‘Careen’ (the first track on ‘Euclid’) was creating with the shape of a Vellela in mind. Not sure if you have ever seen one, but where I live they cover the beach at certain times of the year. So my first process was to count how many aspects made up that shape. In that particular case, I counted 78. So that was how many tracks / parts I was going to create for that song. Next I assigned each arc and straight line a different note value and rhythm value. Then I would see where they intersect and what harmony that would create and use it as a guide to writing my parts. This process would change for each shape / song. 

In terms of the recording of ‘Euclid’ what were the recording sessions like? There are so many layers of immaculate sounds with such varied sounds from wordless vocals to electronic loops and synthesizers, did it prove challenging to find the right balance to these songs? It’s clear there is a beautiful sense of equilibrium where moments of transcendence are dotted like stars across a night sky. I would love to know what precise equipment and tools you had at your disposal in the studio?

KAS: I had a ribbon mic, laptop, motu interface, buchla music easel, my voice, and the sounds of objects around me. The recording sessions were A LOT of fun. They always are. I try and always have in my mind, ” I wonder what will happen if I try this…” For me, if curiosity is the driving force when I make music, it’s always a good time. And allowing days or weeks between listening sessions when I mix is key.

My current favourite must be ‘Stunts’. I particularly love the harmonies and celestial pop sounds that are masterfully woven together. It feels meditative and a piece of music belonging to a space in time we have not yet arrived upon. Can you reminisce please writing and recording this track and the layers of sounds that comprise ‘Stunts’. I wonder is the Buchla instrument always the starting point for each of the musical compositions and a case of adding more elements at a later stage? 

KAS: That song in particular has a lot of sounds I love in my house. I have a homemade water carbonator that I used a lot in that song. I also wanted to use a classic pop chord progression for that one

Part B is a collection of twelve short pieces; bringing in turn, new dimensions and aesthetics to the album as a whole. The ‘Labyrinth’ pieces were originally composed as new soundtracks to old silent films. I’m immediately intrigued by the beauty of this creative project (even in writing before ever hearing a musical note!) I would love to know what these particular silent films were and if there were certain scenes that resonated powerfully for you? An ethereal feel radiates throughout and feels like one cohesive whole or one large mood piece (rather than many short pieces).

KAS: I actually just recently added the videos that used to my website www.kaitlynaureliasmith.com

They can be found on the Euclid page. My personal favourite is one of hang gliding.

Please discuss the sources of inspiration behind your singular works, Kaitlyn?  

KAS: Always nature and curiosity.

What new avenues do you want to explore next? In terms of the Buchla potential, are there certain aspects of this instrument you want to further explore and experiment with on forthcoming projects?

KAS: I am excited about blending my work with orchestral instruments and synthesizers together. I look forward to collaborating with other composers, synthesists, film makers, and dancers.


 

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‘Euclid’ is out now on Western  Vinyl.

http://www.kaitlynaureliasmith.com/
http://westernvinyl.com/

 

Written by markcarry

April 14, 2015 at 2:28 pm

Mixtape: Illusions and Dreams

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Illusions and Dreams [A Fractured Air Mix]

To listen on Mixcloud:

https://www.mixcloud.com/Fractured_Air/illusions-and-dreams-a-fractured-air-mix/

 

Tracklisting:

01. K. Leimer ‘Allegory’ [Palace Of Lights]
02. Kaitlyn Aurelia Smith ‘Careen’ [Western Vinyl]
03. Circuit Des Yeux ‘Lithonia’ [Ba Da Bing!, L&L]
04. Hildur Guðnadóttir ‘Birting’ [Touch]
05. The Gloaming ‘The Girl Who Broke My Heart’ [Real World]
06. Planxty ‘Time Will Cure Me’ [Polydor/Shanachie]
07. Arthur ‘Sunshine Soldier’ [Light In The Attic]
08. Cem Karaca ‘Bir Of Çeksem’ [Pharaway Sounds]
09. Calexico ‘Woven Birds’ (Cinematic Orchestra Remixico) [City Slang]
10. The Notwist ‘Scoop’ [City Slang]
11. Aphex Twin ‘xmas_EVET10 [120] [thanaton3 mix]’ (excerpt) [Warp]
12. Theo Parrish ‘Tympanic Warfare’ (excerpt) [Sound Signature]
13. Wildbirds & Peacedrums ‘Soft Wind, Soft Death’ [Leaf Label]
14. Disappears ‘OUD’ [Kranky]
15. Mount Eerie ‘This’ [P.W. Elverum & Sun, Ltd.]
16. Dirty Three ‘I Really Should’ve Gone Out Last Night’ [Bella Union/Anchor & Hope]
17. Jonny Greenwood ‘Spooks’ [‘Inherent Vice’ OST/Nonesuch]
18. Richmond Fontaine ‘Valediction’ [El Cortez]

The copyright in these recordings is the property of the individual artists and/or their respective record labels. If you like the music, please support the artist by buying their records.

To follow Fractured Air you can do so on Facebook HERE, or Twitter HERE.
http://fracturedair.com