FRACTURED AIR

The universe is making music all the time

Posts Tagged ‘Julia Kent

Fractured Air – August 2019 Mix

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We’re honoured to be premiering an exclusive, previously unreleased piece of music from the world-renowned Canadian cellist Julia Kent. The New York-based composer has been to the forefront of the thriving modern classical scene over the past decade and has quietly amassed a considerable body of solo works, beginning with 2007’s debut full length “Delay”. In the intervening years, Kent has released albums for such labels as The Leaf Label, Shayo, Gizeh Records, Important Records, Phinery Tapes and Gregory Euclide’s THESIS series.

Also featured this month is the gifted violinist and composer Galya Bisengalieva with her intriguing second EP release (“EP TWO”, Nomad Music Productions); original film/tv scores from recent months: Icelandic composer Hildur Guðnadóttir’s fascinating “Chernobyl” soundtrack, Bobby Krlic’s breathtaking score for the Ari Aster movie “Midsommar” and Stuart Staples’ ongoing collaborative work with celebrated independent filmmaker Claire Denis (“High Life”).
Also featuring: Carla dal Forno’s forthcoming second album, “Look Up Sharp” (Kallista Records); Andrea Belfi’s sublime “Strata” (Float); yet another marvel of a reissue courtesy of Belgian label Stroom (Vazz); plenty essential releases on the Numero Group also (Elisa Waut, Suse Millemann) and a couple of records courtesy of beloved Albuquerque, New Mexico’s LM Dupli-cation label (Thor & Friends; A Hawk And A Hacksaw).



Fractured Air – August 2019

01. Julia Kent“Ten Neighbours Road” (unreleased)
02. Stuart Staples“Willow” (High Life OST, Lucky Dog/City Slang)
03. Bobby Krlic“The Blessing” (Midsommar OST, Milan Records)
04. Hildur Guðnadóttir“The Door” (Chernobyl OST, Deutsche Grammophon)
05. Marie Davidson“Lara” (Daniel Avery Remix) (Ninja Tune)
06. Thom Yorke“Not The News” (Clark Remix) (XL Recordings)
07. Blanck Mass“Creature/West Fuqua” (Sacred Bones)
08. Galya Bisengalieva & CHAINES – “Claycorn” (NOMAD Music Productions)
09. Not Waving & Dark Mark“Persimmon Tree” (Ecstatic)
10. Andrea Belfi“Ravine” (Float)
11. The Art Ensemble of Chicago“We are on the Edge” (Erased Tapes / Pi Recordings)
12. Hi-Tek“Music for Life” (Babygrande)
13. Funkadelic“Can You Get to That” (Janus / Westbound)
14. Elisa Waut“Being Strong” (Numero Group)
15. Carla dal Forno“Took a Long Time” (Kallista)
16. Mort Garson“Baby’s Tears Blues” (ABKCO)
17. Suse Millemann“Walk in the Fire” (Numero Group)
18. Vazz“Breath” (Stroom)
19. Anna Homler“Almost Beautiful” (Präsens Editionen)
20. Thor & Friends“First Weeks” (LM Dupli-cation)
21. Calexico and Iron & Wine“The Bitter Suite (Dead Bird Evil Eye Tennessee Train)” (Sub Pop, City Slang)
22. A Hawk and A Hacksaw“Chatti Ya Dinyi” (LM Dupli-cation)
23. 75 Dollar Bill“Tetuzi Akiyama” (Tak:til)
24. Africa Express“See The World” (Africa Express)
25. Girma Hadgu“Ené Alantchi Alnorem (I Can’t Live Without You)” (Buda Musique)
26. Purple Mountains“Nights That Won’t Happen” (Drag City)

Mixtape: Fractured Air – February 2019

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Our February mix features two tracks from Dublin-based singer-songwriter Maria Somerville’s eagerly awaited debut album “All My People” (released on 1st March). The album’s title-track is an enthralling post-punk exploration immersed in ethereal pop dimensions, while “Eyes Don’t Say It” unfolds a sublime, brooding and highly immersive sound world.

The cherished U.S. songwriter and multi-instrumentalist Heather Woods Broderick delivers her most captivating and innovative work to date with her highly anticipated third full-length solo studio album “Invitation” (pre-order available via Western Vinyl). The album’s lead single “Where I Lay” emits a fragile beauty amidst anguish and doubt but ultimately becomes a deeply cathartic experience from the depths of the human heart.

February’s mix also features new releases from Scottish composer Andrew Wasylyk’s exceptional third studio album “The Paralian” (via the ever dependable Athens Of The North imprint); New York-based cellist and composer Julia Kent’s newest sonic marvel “Temporal”; new Ghostly signing Khotin and Portand Oregon’s Dolphin Midwives.

 

Fractured Air – February 2019

01. Dolphin Midwives“Grass Grow” (Beacon Sound)
02. Mary Lattimore“Baltic Birch” (Paul Corley Remix) (Ghostly)
03. Margie Jean Lewis“Malamuut” (Soundcloud)
04. Maria Somerville“Eyes Don’t Say It” (Self-released)
05. Narwal“Track 01” (Ongehoord)
06. Stano“A Dead Rose” (AllChival)
07. Michael O’ Shea“Kerry” (AllChival)
08. Andrew Wasylyk“Journey to Inchcape” (Athens Of The North)
09. Rustin Man“Vanishing Heart” (Domino)
10. Oliver Coates“Norrin Radd Dreaming” (RVNG Intl)
11. Julia Kent“Conditional Futures” (Leaf Label)
12. Khotin“Dwellberry” (Ghostly)
13. Panda Bear“Master” (Domino)
14. Augustus Pablo“King Tubby Meets Rockers Uptown” (Yard Music)
15. Lee ‘Scratch’ Perry“The Upsetter” (Motion)
16. Helado Negro“Running” (RVNG Intl)
17. Deerhunter“What Happens To People?” (4AD)
18. Chasms“Shadow” (Felte)
19. 101 Beats Per Minute“I Cried And Cried And Cried” (Countersunk)
20. Maria Somerville“All My People” (Self-released)
21. Ela Orleans“Something Higher” (Night School)
22. Kali Malone“Bondage to Formula” (Hallow Ground)
23. Heather Woods Broderick“Where I Lay” (Western Vinyl)
24. Penelope Trappes“Burn On” (Houndstooth)
25. Nils Frahm“Sweet Little Lie” (Erased Tapes)
26. Landless“Lassie Lie Near Me” (Humble Serpent)

 

 

Guest Mixtape: Julia Kent (Canada/The Leaf Label)

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To coincide with the release of “Temporal”, the world-renowned Canadian cellist and composer Julia Kent’s majestic fifth studio album, we are excited to present a very special guest mix compiled by one of independent music’s true treasures. The New York-based composer – originally best known as cellist for Antony and the Johnsons and member of the cello-driven group Rasputina – has quietly amassed a monumental body of solo work since “Delay”, her 2007 debut full-length. Each subsequent recording never ceases to amaze in it’s immense artistic vision and graceful execution, all the while revealing Kent as one of the most consistently fascinating artists making music today. 

Spanning a breathtaking spectrum of some of the world’s most innovative contemporary composers, Julia Kent’s guest mix beautifully blends modern classical, electronic, ambient and experimental spheres to wondrous effect. “Temporal” is available now on The Leaf Label.

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Tracklist:

01. Jessica Moss“Fractals (Truth 4)” (Constellation)
02. Sarah Davachi“Third Hour” (Ba Da Bing!)
03. Resina“Procession” (130701)
04. Kelly Moran“Halogen” (Warp)
05. Galya Bisengalieva“Tulpar” (NOMAD Music Productions)
06. Helena Hauff“Entropy Created You And Me” (Ninja Tune)
07. Barbara Morgenstern “Brainfuck” (Staatsakt)
08. Fatima Al Qadiri“Breach” (Hyperdub)
09. Jlin “The Abyss of Doubt” (Planet Mu)
10. Zora Jones“Too Many Tears” (Fractal Fantasy)
11. Holly Herndon & Jlin“Godmother” (feat. Spawn) (4AD)
12. Gudrun Gut“Boys Keep Swinging” (Monika Enterprise)
13. Kali Malone“Arched in Hysteria” (Hallow Ground)
14. Félicia Atkinson & Jefre Cantu-Ledesma“Indefatigable Purple” (Shelter Press)
15. Christina Vantzou“Sound House” (Kranky)

‘Temporal’ is out now on The Leaf Label.

https://www.juliakent.com/
http://www.theleaflabel.com/

Chosen One: Julia Kent

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Creative work–whether it’s making music or writing or performing physically–can sometimes produce its own chronology and in that way seem to escape time.”

—Julia Kent

 Words: Mark Carry

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Last month saw the eagerly awaited return of world-renowned Canadian cellist and composer Julia Kent’s fifth studio album, ‘Temporal’: a deeply transformative journey into our very being that chronicles the fragility of human existence. The emotional world that Kent’s cello-based compositions innately unfolds – akin to the shifting of the earth’s tectonic plates in a natural, hypnotic and gradual rhythmic pulse – unleashes a haven of raw emotion and vivid textures. It is this highly emotive quality of the cellist’s captivating soundscapes – which somehow encapsulates all of life’s fleeting moments in one enthralling, soaring ocean wave – that has been a cherished constant in her storied career to date.

Temporal’ begins with the epic tour-de-force ‘Last Hour Story’; a striking piece centered on a metronomic pulse. But it is the way in which the continually morphing and mutating strings somehow navigate into the hidden depths of one’s heart and mind – constantly changing direction, and forever exploring deeper into the unknown – which conveys a celestial beauty of unknown magnitude. A timelessness is created, for the listener, is taken into the here and now, with the heart pulse as our trusted compass.

The combination of hypnotic electronic pulses and contemplative strings is masterfully employed on the luminescent ‘Imbalance’. Momentous sound worlds of neo-classical, electronic and drone soundscapes are interwoven, overlapped and joined in synergy. The journey is undeniably taking its course: to here knows when.

Experimentation with vocals (bringing to mind kindred spirits of Kelly Moran’s latest Warp full-length or Kara-Lis Coverdale) on the dazzling ‘Conditional Futures‘ creates an utterly transcendent drone-infused-ambient creation. The hidden details are sculpted together into a labyrinth of time, wherein the strings serve the vital link.

The modern-classical splendour of ‘Floating City’ shares the timeless spirit of Hauschka and Olafur Arnalds such is its sublime spell. Heartwarming and enlightening, in equal measure.

An inner dialogue forever occurs deep within the very heart and soul of Kent’s glorious sound worlds. The album’s gripping penultimate track, ‘Through The Window’ encapsulates the empowering nature of the Canadian composer’s immense talents: it is as if our very inner reflection – both the darkness of fears, tension, doubts and the light of love, hope and joy – becomes reflected through the looking-glass. Music that becomes part of you.

‘Temporal’ is out now on The Leaf Label.

https://www.juliakent.com/

http://www.theleaflabel.com/

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Interview with Julia Kent.

 

Congratulations on the stunningly beautiful and transformative latest full length ‘Temporal’. An album title that epitomizes the intense spirit and emotive energy that permeates throughout: reflecting at once the transient nature of life and human existence but also a celebration of life’s ripple flow of fleeting moments. Please discuss the narrative of this latest solo work, Julia and recount your memories of witnessing these hypnotic pieces come to fruition?

Julia Kent: Thanks so much! The album came together over a few years and rather than there being a narrative thread running through the pieces, there is more the idea that they were reflecting on, as you say, the passage of time and the way in which we can sometimes seem to arrest it by creating something that intersects with it. Creative work–whether it’s making music or writing or performing physically–can sometimes produce its own chronology and in that way seem to escape time.

You have collaborated quite often in the field of dance and I was very interested to discover many of these pieces were born from your work in the world of dance/theatre. Please discuss the relationship between sound and movement and how your subconscious responds to these cues, so to speak? 

JK: I love working with dance because there’s a really specific and amazing energy that happens with dancers on a stage. What they do is so physical, obviously, but also transcends physicality. Dance turns our existence, as bodies negotiating our way through the constraints of gravity and the construct of chronology, into art.

‘Last Hour Story’ forms a significant foundation to ‘Temporal’s captivating sound world. The gorgeous textures of strings and subtle electronics creates this otherworldly, far-reaching stratosphere. I’m curious as to the song title and how this epic piece develops gradually over time. I can imagine the space – be it your headspace or indeed this ‘other’ space the music brings you deep inside – is very much apparent during the making and construction of ‘Last Hour Story’?

JK: “Last Hour Story” was originally developed to accompany a theatre piece called “Il Tempo Scolpito,” which of course references Tarkovsky’s autobiography, and that was my original working title for it, until I realized I just couldn’t presume to use that title. The whole piece unfolds over an unchanging metronomic beat, and I used it as an opportunity to explore how musical ideas can develop over something that remains unchanged and, in a way, inexorable. “Last Hour Story,” as a title, came from the idea of how time can compress or dilate, depending on how we’re experiencing it: the concept of how it changes depending on our perspective, like the way, allegedly, at the end of our life we could potentially have a bird’s-eye view of it.

Can you discuss the processes and techniques utilized on ‘Temporal’ and indeed if any new avenues were navigated on this latest exploration? As a composer, do you find you approach – in essence – has remained a constant throughout your storied career? 

JK: I think I do make music in the same way always: for me it really is about communicating emotion. For “Temporal,” because much of the music was created in response to external concepts, either from choreography or from text, I think perhaps it might have ended up being less interior than some of my other records. The compositional process definitely had one more step than some of my other music in terms of the pieces developing in a really immediate way in rehearsal or in response to concepts and then being refined over time as it became clear that this music could come together to be an album.

‘Conditional Futures’ conveys your masterful use of vocal textures and how these textures are interwoven with the cello instrumentation unleashes a fragile beauty amidst a dark undercurrent. Can you outline any challenges posed by adding these vocal treatments to your music? I wonder how much time goes into the production of ‘Temporal’, after which the tracks are put to tape?

JK: I’m always interested in processing organic textures and combining them with electronic textures in a way that blurs the boundaries between both, so that it’s hard to tell where one leaves off and the other begins. I think in “Temporal” I’ve done that more than in my other records. I did a lot of processing of the cello sound and the “found” voices that I used to turn them into textures. It makes them almost into ghosts of what they are. That’s something also, that seems inherent to looping. Someone in a recent interview referenced the concept of “hauntology” with reference to looping, which I thought was so interesting. It seems relevant in terms of the way repetition can create a phantom existence.

I’m in awe of the inner dialogue that forever occurs deep within the heart and soul of your sonic explorations. I feel ‘Through The Window’ encapsulates the deeply empowering nature of your cello based compositions. Can you discuss the act of layering pieces of strings and indeed how you – in effect – respond to musical ideas and build a piece from a starting idea to its finished, gleaming whole?

JK: That is a lovely way to describe the end result–thank you!–but, of course, my process is very much a process, and all the errors and imperfections contribute to the whole, the way our faces and bodies reflect the lives we live. There are always lots of side roads taken on the way to the destination, but those are the most interesting journeys!

Lastly, what music, film, theatre, books (or one or any of these) has inspired you in a big way?

JK: It’s not necessarily a direct inspiration on anything but, in New York, I just recently saw Elevator Repair Service’s production of “Gatz,” which is “The Great Gatsby,” turned into theatre, every word read onstage, and every character inhabited. It’s something like eight hours long and was so demonstrative of how art can intersect with time. It takes what is already an incredible work into another dimension. And so resonant to the American experience, historically and, especially, now.

‘Temporal’ is out now on The Leaf Label.

https://www.juliakent.com/

http://www.theleaflabel.com/

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February 11, 2019 at 9:39 pm

Posted in CHOSEN ONE

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Mixtape: When Time Flies [A Fractured Air Mix]

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When Time Flies [A Fractured Air Mix]

To listen on Mixcloud:

https://www.mixcloud.com/Fractured_Air/when-time-flies-a-fractured-air-mix/

 

Tracklisting:

01. David Allred ‘When Time Flies’ [Oscarson]
02. Beach House ‘Levitation’ [Bella Union/Sub Pop]
03. Air ‘Empty House’ [‘The Virgin Suicides’ OST / Virgin]
04. Laurel Halo ‘Focus I’ [Honest Jon’s]
05. Arthur Russell ‘This Is How We Walk On The Moon’ [Audika]
06. Dawn of Midi ‘Algol’ [Erased Tapes]
07. The Bad Plus ‘Never Stop’ [EmArcy]
08. Sun Ra ‘Plutonian Nights’ [Strut]
09. Cheech & Chong ‘Basketball Jones’ [‘Being There’ OST]
10. Peter Broderick + Gabriel Saloman ‘Lament For Philip Seymour Hoffman’ [Beacon Sound]
11. Guillaume Roussel ‘Meurtre du fou’ [‘La Connection’ OST / Gaumont, Légende Films]
12. Symmetry ‘Streets Of Fire’ [Italians Do It Better]
13. Max Richter ‘Lullaby’ (feat. Robert Wyatt) [130701]
14. Julia Kent ‘Heavy Eyes’ [The Leaf Label]
15. Julia Holter ‘Have You In My Wilderness’ [Domino]
16. Harold Budd & John Foxx ‘Adult’ [All Saints]
17. The Band ‘I Shall Be Released’ [Capitol]
18. Georges Delerue ‘Camille’ [‘Le Mépris’ OST / EmArcy]

This mixtape will be our final post on Fractured Air. We’d both like to take this opportunity to thank each and every person who has helped or supported us in one way or another over the last 3½ years. It has been a real pleasure for us to have found ourselves in a position to be able to do our small part in helping promote the true wonder that is independent music. Most of all, we’d like to say a heartfelt thank you to each and every one of our readers who helped us keep going as long as we did. Thank you.

 

https://fracturedair.com/

 

 

Mixtape: With the Dark Hug of Time

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With the Dark Hug of Time [A Fractured Air Mix]

To listen on Mixcloud:

https://www.mixcloud.com/Fractured_Air/with-the-dark-hug-of-time-a-fractured-air-mix/

 

Tracklisting:

01. Nordic Affect ‘Clockworking’ [Sono Luminus]
02. Masayoshi Fujita ‘Tears of Unicorn’ [Erased Tapes]
03. Julia Kent ‘Tramontana’ [Leaf]
04. Cork Gamelan Ensemble ‘The Three Forges’ [Diatribe]
05. Jerusalem in My Heart ‘A Granular Buzuk’ [Constellation]
06. Colin Stetson and Sarah Neufeld ‘With the dark hug of time’ [Constellation]
07. Roll The Dice ‘In Deference’ [Leaf]
08. Dawn of Midi ‘Dysnomia’ [Erased Tapes]
09. Lower Dens ‘Quo Vadis’ [Ribbon Music]
10. Micachu & The Shapes ‘L.A. Poison’ [Rough Trade]
11. The Fall ‘Early Days of Channel Führer’ [Narnack]
12. Helen ‘City Breathing’ [Kranky]
13. Time Is A Mountain ‘Alicetti’ [Repeat Until Death]
14. Musette ‘Send In The Clown Clones’ (excerpt) [Häpna]
15. Roslyn Steer ‘Gently’ [KantCope]
16. Rafael Anton Irisarri ‘Will Her Heart Burn Anymore_00’ [Self-Released]
17. Ólafur Arnalds & Nils Frahm ‘Wide Open’ [Erased Tapes]
18. Ellll ‘Now’ [Unreleased]
19. Holly Herndon ‘Home’ [4AD]
20. Julia Holter ‘Night Song’ [Domino]
21. Eleni Karaindrou ‘The Weeping Meadow I’ [ECM]

The copyright in these recordings is the property of the individual artists and/or their respective record labels. If you like the music, please support the artist by buying their records.

You can follow Fractured Air on Twitter HERE or on Facebook HERE.
http://fracturedair.com

 

 

Mixtape: Holding Pattern [A Fractured Air Mix]

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Holding Pattern [A Fractured Air Mix]

To listen on Mixcloud:

http://www.mixcloud.com/Fractured_Air/holding-pattern-a-fractured-air-mix/

 

Tracklisting:

01. Miles Davis ‘Julien Dans L’Ascenseur’ [Fontana]
02. Seán Mac Erlaine ‘Dingle’ [Ergodos]
03. Loscil ‘Holding Pattern’ [Kranky]
04. Klara Lewis ‘Msuic III’ [Peder Mannerfelt produktion]
05. Edvard Graham Lewis ‘Bluebird’ [Editions Mego]
06. Julia Kent ‘Missed’ [Important]
07. Fikret Kızılok ‘Haberin Var Mı?’ [Pharaway Sounds]
08. Sattar ‘Kashki’ [Pharaway Sounds]
09. Tallinn Chamber Orchestra, Tõnu Kaljuste ‘Für Lennart In Memoriam’ [ECM]
10. Nico ‘Wrap Your Troubles In Dreams’ [Verve]
11. The Stepkids feat. Krondon & Percee P ‘Legends’ (Remix) [Stones Throw]
12. Homeboy Sandman ‘America, the Beautiful’ [Stones Throw]
13. HTRK ‘Feels like Love’ [Ghostly]
14. William Basinski ‘Melancholia I’ [2062]
15. Lewis ‘Things Just Happen That Way’ [Light In The Attic]
16. Mica Levi ‘Love’ [Milan]
17. The Langley Schools Music Project ‘In My Room’ [Bar/None]
18. Laura Nyro ‘The Wind’ [Columbia]
19. Tom Waits ‘Rainbirds’ [Island]

The copyright in these recordings is the property of the individual artists and/or their respective record labels. If you like the music, please support the artist by buying their records.

Fractured Air. The universe is making music all the time.

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