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Posts Tagged ‘Cian Ó Cíobháin

Don’t Look Back: 2014 (Part 2)

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Final part of our “Don’t Look Back” series; which is our look back on the year from the perspective of both musicians as well as various members of the arts community at large, who — despite varying geographical locations and backgrounds — all share the following in common: a deep passion and love for music. We’re both honored and delighted to be able to share the words of these special people through their personal accounts of the year that was: 2014. 

Part 2 of a 2-part series.

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William Tyler (Nashville, USA)

William Tyler is a Nashville guitarist and composer who has played an integral part in world-renowned U.S. bands such as Lambchop, Silver Jews and Hiss Golden Messenger. In recent years, Tyler has carved out a deeply enriching solo path, beginning with 2010’s universally-acclaimed ‘Behold The Spirit’ (Tompkins Square) and its exquisite follow-up, ‘Impossible Truth’ (Merge Records), released in 2013. Last April marked the release of ‘Lost Colony’ – a limited-edition 12-inch – featuring the new song ‘Whole New Dude’, a full-band re-working of ‘We Can’t Go Home Again’ (from ‘Impossible Truth’) and ‘Karussell’; a cover of a Michael Rother (Neu!) song.

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My year in review:

Hanging with my buddy Michael Slaboch talking records and life in early January. Michael came down to Nashville from Chicago and got stuck in a rare snow storm the precluded his return to the Windy City, which I believe was suffering from some of the coldest temperatures on record. We ate bbq and watched Auburn lose to Florida State in the national championship game while Nashville buckled from the cold outside.

Touring with Califone in the dead of an intense midwestern winter.  We did “Big Ten” country: Minneapolis, Madison, Columbus, Omaha, Detroit, Chicago. I should have brought a snowplow instead of a Volvo station wagon. Beautiful people and music. Frigid temperatures. Haunting drives through cracked Michigan highways covered with snow. Listening to Bruce Hornsby in a Tim Horton’s outside of Benton Harbor.

Taking a series of trains across central and southern Europe on tour in February. Played a rock club that doubled as an indoor shooting range in Belgrade. Played a theater in Zagreb. Played a wine bar in Switzerland. Played a cinema in Lausanne, another cinema in Dresden. Watched “Dallas Buyer’s Club” with German subtitles. Read “Blues People” by Amiri Baraka and “Where the Heart Beats”, an incredible book about John Cage and Zen Buddhism. Train hopped across Italy. Wrote fragments of songs in hotel rooms like you are supposed to. Ate everything that was offered to me. Bought Fernet at an Italian gas station.

I drove across America with my buddy Garland two days after returning from Europe. One day we drove from Nashville to Omaha, the next day across South Dakota to Wyoming. Next day all the way to Coeur D’Alene Idaho. The fourth day we made it to Seattle. I did a three-week tour opening for Daniel Rossen. My other best bud Brad Cook accompanied me for most of the trip. Stoned day off driving through the redwoods for a weird evening of awesome beer and sketchy Mexican food in Eureka, California. Playing a winery in Napa valley. Playing the Hollywood Forever Cemetery in Los Angeles. Driving across the west by myself in a rental car. San Diego to Phoenix, Phoenix to Santa Fe, Santa Fe to Roswell, Roswell to Marfa, Marfa to Austin, Austin to Jackson, Mississippi. Putting about 8000 miles on that poor rental car. Up and down the east coast. Driving back through the North Carolina mountains to home finally and the ‘welcome to Tennessee’ signs greeting me.

I moved temporarily to Oxford, Mississippi for a month. Spent a lot of time writing and reflecting, walking every afternoon down to the town square and sharing a few drinks with new friends. This was the place my parents went to college and I settled into the lazy, deliberate pace of the environs. I feel like as I grow older, the pull further South is stronger. It felt like home.

Green Man festival in Wales. Epic hang with my man David Morris. Playing to a field of friendly folks as the sun set. Being cold in the middle of August and drinking lots of cider.

Some things I enjoyed:

Steve Gunn – Way Out Weather
“Citizen Four”
Harold Grosskopf – Ocean Heart
Swans – To Be Kind
Bob Dylan – Basement Tapes reissue
Bitchin Bajas
Tashi Dorji
Blake Mills
“The Soul of Designer Records” – Big Legal Mess box set
“Jodorowsky’s Dune”

My favorite modern country singles of 2014:

Blake Shelton – Neon Light
Keith Urban – Somewhere in My Car
Dierks Bentley – Drunk on a Plane
Anything by Taylor Swift

 

—William Tyler

 

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‘Lost Colony’ E.P. is available now on Merge Records.

http://www.williamtyler.net/
http://www.mergerecords.com/

 


 

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Félicia Atkinson (The French Alps, France)

Félicia Atkinson is a French visual and sound artist based between the French Alps. She also co-curates Shelter Press, an independent music label and contemporary art publishing house. Félicia Atkinson also releases music via her Je suis le petit chevalier guise and exhibits regularly across both Europe and the US. Atkinson lives presently in the French Alps and has released over 20 records and tapes with labels such as Shelter Press, NNA, Umor Rex, Aguirre, Spekk, La station Radar, Home Normal. Atkinson has performed extensively all over Europe/USA-CANADA with such artists as: Sun Araw, Grouper, Gabriel Saloman, Theo Angel and Hamish Gilmour, Mind Over Mirrors, Lee Noble. She is also involved in the duo Naked Island on the L.A based label Peak Oil (alongside Ensemble Economique’s Brian Pyle). Her new album, ‘A Readymade Ceremony’, will be out on Shelter Press during 2015. 

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2014: A YEAR OF RENDEZ-VOUS

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Caption: Félicia Atkinson painting yogo balls during the preparation of her latest art show at Saprophyt, Vienna, last November.

 

January:

New Year’s Eve, dancing with candles and flutes outside in the snowy mountains with my friends, the musicians and artists Mc Cloud Zicmuse, Anne Brugni, High Wolf, Marsh Cavern, Chicaloyoh and Bartolomé, my partner in life and in Shelter Press.
Anne Brugnu makes incredible colorful ceramics and drawings. She just published a children books with Mc Cloud called “bonjour”, published by L’artichaud, here is an image of it:

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It’s a very sensitive book about natural phenomena and the marvels of earth. And here is an example of her vivid collages:

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You can also hear Mc Cloud Zicmuse’ poetic words and music HERE.

February:

Driving from California to New Mexico with Bartolomé. We also met a series of unforgettable artists. In Joshua Tree we walked among the prickly pears with Alexander Stewart and Lilli Carre. They are from Chicago and make very interesting minimalist animated films. Lilli is also an illustrator and ceramic artist. She exhibited recently at the MCA of Chicago. Here are two images of her sculptures:

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Alexander made collaborative films with musicians from Chicago, such as Jeremy Lemos, who plays now in Acteurs and also with Disappears, two Chicago bands that I strongly recommend. I particularly like the specially designed EP Disappears published with the Belgian Sleeperhold publications with a silkscreen on the B-side by this young and talented Belgian photographer, Stine Stampers. You can see the design here:

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Here are video stills of Alexander’s films ‘Peacock’ and ‘Power’:

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March:

In March Bartolomé and I did an exhibition, ‘The Last Frontier’, at this artist-run space in Basel called OSLO 10. They are also a music venue and there was a wonderful list of music shows during the exhibition, some with shelter press artists and some with people, even if we don’t publish them, we feel related to. One of them played at Oslo 10 in March 2014, it’s the French-Japanese musician Tomoko Sauvage who plays with water and bowls: a mesmerizing and meditative music.

April:

April was a beautiful month in the Alps, with butterflies and flowers everywhere. On the 1st of April I invited Jennifer Tee, an artist from the Netherlands, to make a lecture at the art university I am teaching in: Annecy, L’ESAAA. I am a huge fan of her works that include: performance, sculpture and installation. Some examples of her works here, including her latest exhibition at Signal in Malmo:

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May:

In May I played a music show for Videoex Festival in Zürich with the experimental film-maker from San Francisco, Paul Clipson. I don’t know if you are familiar with his works, but he showed his films with a lot of interesting musicians from the Bay Area such as Grouper, Jefre Cantu and Barn Owl, who are all musicians that inspire me everyday. Here are some images of Paul’s films:

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June:

June was a month spent listening to Suzanne Ciani’s amazing re-issues by Finders Keepers.

July:

In July I toured in Canada with the amazing Sun Araw and D/P/I. I feel like I learned a lot while seeing them playing and each of their shows was a source of joy. I recommend you to see them live and to listen to their latest album. I also played in Seattle with RM Francis that month, which was the occasion to discover his beautiful and smart music.

August:

August was a month spent in Oregon. I always love Portland. It was great to hang out there with my friends and see very good shows and have such great vegetarian food. Then we spent some time camping at CAPE LOOK OUT before I recorded with my friend Peter Broderick. Stay tuned… the project will be called La Nuit and will be out next summer on Beacon Sound.
In Portland I bought a lot of records at Little Axe Records, Mississippi Records and Beacon Sound Records. One of my favorites is ‘Put No Blame On The Master’, a record of Jamaican gospel, published by Mississippi.

September:

In September 2014 I did a mini tour in Switzerland with the amazing Gabriel Saloman, with whom we just published a record on Shelter Press. I recommend also his records on Miasmah and Infinite Greyscale. When he played in Geneva​, it was so powerful that the sound engineer actually cried. We are all blown away. I also listened very much to the re-issues of K. Leimer on RVNG.

October:

In October I saw Lieven Moana / Dolphins into the future and Spencer Clark / monopoly childstars playing also in Geneva, with wonderful visuals. It was like being in another time. Lieven is a kind of Caspar David Friedrich of modern times.

November:

In November I played at Soy Festival where I had a chance to see playing some people I admire: Lee Noble, Noveller, Steve Hauschildt and Robedoor.
Do you know Lee Noble’s cassette labels NO KINGS? They do amazing artworked tapes that you should take an ear/eye at!

December:

My highlight of December was feeding and meeting the neighbor’s little cat that love to visit us and watching VANISHING POINT by Richard Sarafian and CARRIE by De Palma. I also listened a lot to Valerio Tricoli album on PAN, Miseri Lares. And Bartolomé bought me this wonderful book by and about Robert Ashley, ‘YES, BUT IS IT EDIBLE’ published by New Documents.

THE END/THANK YOU!

 

—Félicia Atkinson

 

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Naked Island’s self-titled debut, the collaboration between Ensemble Economique’s Brian Pyle and Félicia Atkinson, is available now on Peak Oil. ‘A Readymade Ceremony’ is a forthcoming release on Shelter Press.

http://feliciaatkinson.be/
http://shelter-press.com/

 


 

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Cian Ó Cíobháin, An Taobh Tuathail (Galway, Ireland)

Cian Ó Cíobháin is the presenter of An Taobh Tuathail, a music show dedicated to promoting the very best in independent music. Cian’s show is broadcasted on RTÉ Raidió Na Gaeltachta on weeknights from 22.00 to midnight, Monday to Friday. Cian also compiles a series of compilations which are made available for free download. Presently, the An Taobh Tuathail compilation series is at volume 6 (they have this year been uploaded to Ó Cíobháin’s Mixcloud page HERE). Additionally, Cian DJ’s at 110th Street, Galway, with Cyril Briscoe. As of this year Cian Ó Cíobháin has also carved a name for himself as a specialist wedding DJ.

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In January and February, I dipped my toes into English language broadcasting for the first time in eons, with a six-part series on Pulse about my ‘An Taobh Tuathail’ compilations. My thick-tongued mumbling were well received, in some instances it was the first time listeners were able to follow what I was saying on the radio. ATT was shortlisted for two awards this year. In April I visited the picturesque St. Ives in Cornwall for the Celtic Media Awards, then had a night to remember in Kilkenny in October at the PPI Radio Awards. The Lyric FM contingent were seated at our table and helped us to party with panache. The winners of both categories were utterly deserving. JJ O’Shea’s superlative ‘The Global Village’ took the gong in St. Ives and Ray Wingnut’s excellent documentary on the Community Skratch games topped the PPI list.

Two of the best DJ sets I heard this year happened at Ireland’s best off-the-radar summer festival (so secret that I’m afraid to even refer to it by name). A fine summer’s evening somewhere in deepest Longford, the intimate & enthusiastic gathering in convivial spirits, were treated to the DJ début of Roscommon-native Peter Casey who simply blew the roof off the place with a perfect festival set: a combination of bangers, anthems and sing-a-longs. Later on, underground Liverpool legend John Heckle showed what an outstanding DJ he is, reading the crowd perfectly, working some amazing disco basslines into his high-octane techno set…. Speaking of Scousers, following Liverpool last season was a riot. Sure they fell short, sure they may never win the Premiership, but what a gallant effort it was, playing some of the most scintillating football in Europe, which even Pep Guardiola tipped his hat to. Of course, we’re back to a level we’re sadly more accustomed to now, in the wake of Luis Suaréz migrating to warmer climes. In a peculiar way, like when the winter evenings begin to draw in, there’s almost something strangely comforting about being simply mediocre again. Almost.

In other sports, my native Kerry thrilled in their two game battle against Mayo in August before grinding out an unexpected All-Ireland victory in September (unexpected to everyone bar the team and management), ending a five-year Celtic Cross-less drought in the Kingdom. All this without The Gooch. Great to see Star poach an opportunist’s goal in the final. I was DJing in West Kerry a few years ago and he was right up the front urging the crowd to sing along to the words of Warren G’s ‘Regulate’.

Jonathan Glazer’s ‘Under The Skin’ was a haunting cinematic experience, made all the more powerful by Mica Levi’s superlative soundtrack. One of her featured compositions ‘Love’ is my tune of the year: somehow evoking ‘Loveless’-era MBV, Badalamenti and Bernard Herrmann. I only recently realised that the movie is based on a book by Michel Faber. I picked up his latest novel ‘The Book Of Strange New Things’, as endorsed by the wonderful West Cork-based author David Mitchell and have been in a trance reading it the past few days… Other movies I enjoyed this year were ‘12 Years A Slave’, ‘The Wolf Of Wall Street’ and I finally watched ‘The Good, The Bad & The Ugly’. How had I ignored it up to now? Simply one of the finest movies I’ve ever laid eyes on. If only I could roll a cigar around in my mouth like Clint Eastwood. The original ‘Blondie.’

Summer 2014 was one of the most consistently summer-like summers in recollection, the rain seemed to bypass our island. How good was the vibe at ‘Body & Soul’ during the shortest nights of the year? It was my first time in attendance and I was bowled over by the genuinely magical, fairy-tale atmosphere. Galway legend Mike Smalle played a beautiful set under the trees, that weaved everything from Max Romeo to Nolan Porter to Hot Natured into its fabric. Mike was busy recording again this year, his first work since B-Movie Lightning, under the Augustus & John moniker collaborating with Matteo Grassi. Check out their excellent ‘Crosslines’ EP.

In late August, with the help of Galway’s Electric venue, 110th Street hosted a boat party on the river Corrib, where Cyril Briscoe & I were joined by Jon Averill and Sol O’ Carroll. Between the genial atmosphere on the boat, where everyone was best friends by the end of the voyage, followed by a hothouse atmosphere in the club, created by a combination of our guest DJs being on top form and the visiting influx of revellers, it was a day and night that will live long in my memory.

I read shed-loads of books this year but the two that stood out were ‘The Casual Vacancy’ by JK Rowling, a brilliant take on that peculiar and specific genre of ‘English village’ literature and ‘I Am Pilgrim’ by Terry Hayes, one of the most breathtaking thrillers I’ve ever read. Re-reading Oscar Wilde’s ‘The Portrait Of Dorian Gray’ was a great pleasure. Two evocations of hedonistic life in our capital city in different eras also provided food for thought. Anthony Cronin’s ‘Dead As Doornails’ recounts the lives of Patrick Kavanagh, Brendan Behan & Myles na gCopaleen in the pubs of post-war Dublin. The drinking and the poverty they endured to keep on drinking is utterly startling. Rob Doyle’s ‘Here Are The Young Men’ recounts a different Dublin, that of the early to mid-‘noughties’. If the pre-mentioned literary giants had access to the drugs that the characters in Doyle’s début novel binge on, well … the mind boggles at the consequences. Both books shine a torch into our nation’s gluttonous, booze-centric culture and reveal long, dark shadows extending well into the background.

The best TV show I saw this year was ‘Fargo’ but I was also impressed by ‘Boardwalk Empire’ (seasons 3 & 4), ‘Ray Donovan’, ‘Vikings’ (second season), ‘Love/Hate’ (which found its groove again – though I’d love to sort out their often incongruous soundtrack choices for them) and ‘The Fall’. Caught the first season of ‘Sherlock’ too, the opening episode was particularly good. I waded my way through most of the first season of ‘Game Of Thrones’ but was left cold by its clunky pace and prolixity.

My best nights DJing all happened at weddings. I was lucky to be invited by some remarkable people to play at their nuptials, more often than not in memorable, bucolic settings to intimate gatherings of sound heads. The atmosphere at these evenings were off-the-hook and has encouraged me to launch myself in the specialist DJ wedding market in the year ahead. So (here comes a plug) if you’re getting married and want to avoid the usually stodge, I’m available through cianociobhain.com or the One Fab Day site.

And what about the night the Sleaford Mods came to Galway? Like Gang Of Four, The Fall, Jello Biafra, Henry Rollins & Bez rolled into one Tour(ettic)-de-force. Middle-aged rock stars showing everybody else how it’s done. Proper.

Oh! One of my music moments of the year was when my truelove bowled me over by playing the soundtrack to ‘Tales Of The Unexpected’ out of the blue at a party last summer. I hadn’t heard it in decades and it completely transported me another place. Somewhere special, beyond mere nostalgia.

 

—Cian Ó Cíobháin

 

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There will be two An Taobh Tuathail Christmas specials on Christmas Eve & Christmas Day, 22.00 – 00.00. Cian Ó Cíobháin is also now taking bookings as a specialist wedding DJ at cianociobhain.com

Web: http://www.rte.ie/rnag/an-taobh-tuathail

Facebook: https://www.facebook.com/AnTaobhTuathail
DJ bookings: http://cianociobhain.com/

 


 

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Seán Mac Erlaine (Dublin, Ireland)

The Dublin-based woodwind composer (saxophonist and clarinetist) and music producer Seán Mac Erlaine is one of Ireland’s best-loved musicians and composers. Mac Erlaine is also a member of the Irish/Swedish four-piece This Is How We Fly and has collaborated with numerous musicians in the past in both live and studio settings (The Gloaming, Bill Frisell, Lisa Hannigan, The Smith Quartet, Iarla O’Lionaird). This Is How We Fly had an extensive European and Irish tour this year promoting their remarkable debut self-titeld album (having been released at the end of 2013 via Playing With Music) while Mac Erlaine also released his latest solo album ‘A slender song’ via Dublin-based label Ergodos. Earlier in the year, Mac Erlaine contributed to the Ergodos-released ‘Songs’ album which featured numerous re-interpretations of songs by members of the Ergodos roster of musicians. In September, Mac Erlaine performed at Dublin’s annual Bottlenote Festival (which Mac Erlaine co-runs) for a site-specific “The Walls Have Ears” series of live improvisations. 

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Two thousand and fourteen began in an urban idyll: Prenzlauer Berg. Waiting on fingers to defrost to record a range of songs from John Dowland to Richard Thompson. That record, released a few months later, turned out to be a beautiful thing – listen to Michelle O’Rourke sing! Germany has a lot of saxophone players and a lot of dead saxophone players – I bought a sleeping beauty from a dusty shop – a Martin alto saxophone from 1968.

Nobody saw it coming but in February I made my dancing debut in Willfredd Theatre’s CARE, this was a great eye-opening process working with super people looking into the work of hospice workers.

I was very lucky to find myself lost in Pauline Oliveros’ near infinite reverb chambers in the company of fine musicians broadcasting live to the nation on my favourite medium, radio. More radio followed later in the year working with director Dylan Tighe on a new sound piece celebrating one of our favourite poets, the late Michael Hartnett. We poured many hours into this work and in every moment (almost) there was a richness that can only come when your two singers are the incomparable Nell Ní Chróinín and Iarla O’Lionaird.

Spending time with the three other members of This is How we Fly has been such a rewarding and important aspect over the last few years. In 2014 we got to play in France, Sweden and all over Ireland (Baltimore Fiddle Fair does seem in fact to be the best festival here!).

Other high points included: sharing the stage and shaking the soft, soft hand of maestro Bill Frisell… The honour of playing solo to many rooms of silent listeners over the year… Playing Bowie’s back catalogue in NCH with such a killer band… Walking around Cork City in the very early morning… Walking around the Lower East Side in the almost late night… Swimming through a lake in Northern Sweden at midnight watching the paling sky… Cycling thousands of kilometers through the mountains of Wicklow, the flatlands of Kildare and the streets of Dublin… Cycling a 180km round-trip to play a gig in a sauna…

I loved seeing Ger Wolfe sing in Dublin – gotta be one of the most honest songwriters out there these days. Steve McQueen’s ‘12 Years A Slave’ didn’t hit me quite in the same way his first two features did but this was a fine piece of work. Irish film-maker Pat Collins produced another beautiful work with ‘Living in a Coded Land’ and Lenny Abrahamson’s ‘Frank’ was superb. Contemporary fiction isn’t a strong point for me but I was astounded by the beauty of Tarjei Vesaas’ ‘The Ice Palace’, a Norwegian novel from 1963. Gabriel Rosenstock’s monumental collected poems ‘The Flea Market in Valparaíso’ seems to have slipped under the radar but that can happen easily. Richard Mosse’s work ‘The Enclave’ got a lot of lookers, it blew many of us away. Israeli choreographer Danielle Agami had me up out of my seat whooping after her dance piece as did Irish actor Shane O’Reilly’s piece ‘Follow’ in The Abbey Theatre. A great time for Irish music: The Gloaming album made many revolutions on my CD player (I hope they press it on vinyl!), seems to have classic album written all over it. Deaf Joe’s ‘From The Heights Of A Dream’ is refreshingly really going for something and presented so beautifully – strongly recommended. Caoimhín Ó Raghallaigh and Dan Trueman’s fiddle duo record ‘Laghdú’ (also presented as a highly covetable good) is a tender thing of beauty.

 

Seán Mac Erlaine

 

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‘A Slender Song’ is available now on Ergodos.

http://www.seanmacerlaine.com/
https://ergodos.ie/

 


 

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Kat Epple, Emerald Web (Los Angeles, USA)

Kat Epple has released 30 music albums internationally, composes music for film scores and television soundtracks, and performs live original music featuring synthesizers and flutes with her various ensembles, including the legendary “Space Music” band Emerald Web (comprising Epple and her late husband Bob Stohl), whose hugely influential music continues to impact music audiences worldwide through many recent re-issues. ‘The Stargate Tapes’ album was re-issued in November 2013 via Finders Keepers, and consists of music originally recorded from 1978-1989; earlier this year, Emerald Web’s ‘Whispered Visions’ has also been re-issued by Finders Keepers, while ‘Catspaw’, Emerald Web’s seminal recording (first issued by Larry Fast’s Audion label) will be re-issued by Anodize in January 2015.

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Highlights of my year 2014 include: a concert for dolphins, ancient dead Indians, growling dinosaurs, and ‘Whispered Visions’. These events transpired as I concert toured, recorded new albums, did session work, archived old reel-to-reel masters, and enjoyed some amazing adventures!

“Legends of the Giant Dinosaurs” is a film for which I composed music, sound effects and Foley, for The Hong Kong Science Museum. The high-tech digital animation was projected onto a sixty-foot-wide HD screen with my music and sound effects in surround sound. I enjoyed creating the music, but especially making the sounds of the dinosaurs as they tromp, fight, and perish as a meteor strikes the earth. CRUNCH…….GROWL……..RUMBLE…….SCREAM………EPIC CRASH!

Playing native flute at sunset, on the top of a burial mound built by the extinct Calusa Indian tribe, may have been one of my concert highlights of the year. I felt as though their spirits were surrounding me, and softly singing. Now THAT is surround sound!

My favorite jam session happened one night as I was playing flute for a star-gazer cruise on a beautiful ship on the Gulf of Mexico. A pod of dolphins arrived, then surrounded the ship as they lifted their ears above the waterline, apparently to listen. They all joined in as they clicked, splashed, and squeaked along with the sound of my flute.

There has been a resurgence of interest in the music of my vintage synthesizer and woodwind band, Emerald Web. In fact, this year, our second album, “Whispered Visions” was released on vinyl LP, thirty-four years after its original issue. The master tapes had to be baked and archived after sitting on the shelf for decades. It was very moving to hear the music again after all those years, as it transported me back to the moment it was created so long ago. Music has the power to do that, especially when it is your own music!

I recorded acoustic tracks for a new album with World Percussionist, Nathan Dyke. I played World Flutes in the session, and am now in the process of overdubbing synthesizer tracks to the album. Yep……Thirty four years later, I am still pissing off the purists who don’t like it when I mix ancient primitive instruments and technology. Yay!

My session work on flute, EWI, and synthesizers for albums by a variety of musicians include: New Age pioneer Steven Halpern, enchanting folk musician Mariee Sioux, electronic guitarist Barry Cleveland, and legendary heavy metal guitarist Devin Townsend.

I did manage to get out of the studio once in a while to go camping, running on the beach, and to attend concerts, including King Crimson, the “Hardly Strictly Bluegrass” festival in San Francisco, and a variety of amazing house concerts.

I am grateful for the wonderful experiences that 2014 brought, and look forward to 2015 being even better!

 

—Kat Epple

 

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‘The Stargate Tapes’ and ‘Whispered Visions’ by Emerald Web are available now via Finders Keepers Records. ‘Catspaw’ by Emerald Web is to be re-issued on 20 January 2015 via Anodize (pre-order HERE).

http://www.katepple.com
https://www.facebook.com/KatEppleMusic

 


 

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Roll The Dice (Stockholm, Sweden)

Roll The Dice comprise the Stockholm duo of Malcolm Pardon and Peder Mannerfelt, who released their hugely anticipated third LP this year, ‘Until Silence’, via the renowned UK-based independent The Leaf Label. ‘Until Silence’ sees a brave and intriguing shift in the duo’s sound (most noticeably with the addition of a 26-piece string section ensemble during the recording sessions with an even greater focus this time around on an intensity of emotion across an ever-expanding sound palette) while the conceptual framework of the album draws inspiration from World War One (the album’s title is inspired by a book on the period). To date, Roll The Dice have released a trilogy of monumental albums, beginning with their self-titled debut LP (Digitalis, 2010);‘In Dust’ (Leaf, 2011); ‘Until Silence’ (Leaf, 2014), confirming the Swedish electronic group as one of independent music’s most intriguing and compelling contemporary artists.

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Tracks of 2014 by Roll The Dice:

Malcolm:
Future – ‘Look Ahead’
The groove and the sample and the 123 /15 hi hat pattern. Lovely.

Aphex Twin – ‘Produk 29’
Surprisingly likable. As I haven’t been a big fan in the past, I had no “issues” with him putting out a new album whatsoever.

Vessel – ‘Red Sex’
Simple and to the point monotony as it should be.

Nils Frahm – ‘Says’
A bit cheesy in the best possible way. Reminds me about us…

Katy Perry – ‘Roar’
I have been force-fed this track every morning all spring by my 10 year-old daughter. A bit like a musical stockholm syndrome…I have fallen in love with my tormentor.

Peder:
Gazelle Twin – ‘Anti Body’
Just found out about this record, totally feeling the attitude and impact of it. Really got a sound of it’s own which is pretty rare these days.

Klara Lewis – ‘Msuic II’
Klara is probably the artist that has had the biggest impact on me this year. It’s a real privilege to be able to work with such a unique and gifted talent.

DB 1 – ‘Nautil 1/3 B1’
The whole Nautil series on Hidden Hawaii is so amazing but if I have to pick a favorite from the 3 records this has to be it. Perfectly balanced and executed.

Surgeon – ‘Fixed Action Pattern’
The best techno 12″ this year from the best label, Token.

QT – ‘Hey Qt’
The PC music camp is the most punk of 2014. The fact that both my girlfriend and my 3 year-old daughter told me that it was the worst thing they ever heard me play at home makes me like it even more.

2014 Highlights Roll The Dice:

Putting out ‘Until Silence’ of course but also the fact that it turned out exactly the way we wanted.

Semibreve festival in Braga, Portugal: it was a delight to get to play in this beautiful old theatre where they have hosted the festival off the beaten track for several years. The organisers and everything surrounding this small and heartfelt festival was a delight.

 

Highs 2014: 

Malcolm:
My 10 week old Staffordshire puppy, Billie.

Peder:
Being able to do what I do for another year, to be able to make music and do whatever I want is something I am truly grateful for.

Lows 2014:

Malcolm:
The Swedish parliamentary situation which is going from bad to worse rapidly.
We all hope that the re-election in march will clear things up a bit, but as is now its just a farce, with very sinister undertones.

Peder:
See Mal’s answer. One love, fuck fascism.

 

—Roll The Dice

 

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‘Until Silence’ is available now on The Leaf Label. 

https://www.facebook.com/rollthedicesthlm
http://www.theleaflabel.com/

 


 

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Klara Lewis (Stockholm, Sweden)

Earlier this year marked the eagerly awaited debut full-length release from Swedish electronic artist, Klara Lewis, on the prestigious Editions Mego label. ‘Ett’ was recorded, sampled, edited, manipulated, mixed, produced and arranged by Lewis. A collection of four new works — contained on the sublime ‘Msuic’ EP — would later see the light of day on the Swedish imprint, Peder Mannerfelt Produktion (released on 12″ vinyl last November). ‘Msuic’ sees Lewis further expand the sonic envelope with her signature explorations of field recordings, electronics, rhythm, sound and atmosphere; confirming the Swedish artist as one of electronic music (and independent music at large)’s most exciting new talents.

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My top albums:

1. ‘Under The Skin’ OST, Mica Levi
2. ‘Because I’m Worth It’, Copeland
3. ‘All Over + All Under’, Edvard Graham Lewis
4. ‘The Epic Of Everest’, Simon Fisher Turner
5. ‘The Aquaplano Sessions’ (re-release), Donato Dozzy & Nuel

 

—Klara Lewis

 

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‘Ett’ is available now on Editions Mego. ‘Msuic’ (12″ & Digital) is available now on Peder Mannerfelt produktion. 

http://klaralewis.bandcamp.com
http://editionsmego.com

 


 

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Seti The First (Dublin, Ireland)

Seti The First is the Ireland-based cello-led group comprising the songwriting duo of Kevin Murphy (cello) and Thomas Haugh (drums, marxophone, percussion). ‘Melting Cavalry’ was the band’s debut album, released in 2012 to widespread critical acclaim. The band’s distinctive sound draws inspiration from a wide number of diverse sources (Steve Reich, Philip Glass, Arvo Pärt, John Tavener, Henryk Gorecki, The Haxan Cloak). 2015 will see the highly anticipated follow-up to their mesmerizing debut, ‘Melting Cavalry’, entitled ‘The Wolves of Summerland’.

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Kevin: It’s probably a question of tunnel vision but for me 2014 was all about finishing our second album which is called ‘The Wolves of Summerland’. We toiled relentlessly and finally put it to bed in December. It marks a bit of a departure from our first album ‘Melting Cavalry’ and therefore was a bit of a nerve-wracking adventure, however, we’re thrilled with the results. Cellos still provide the bedrock but there is much more frantic Marxophone and Zither leading the way; overall there is a more aggressive intend this time out. We had strong themes of unrest and revolution in mind––the dynamics of denial & delusion and the blindness to rising tides of societal upheaval among those in power; and of course, the recurrence of these things time and time again. So we focused on some extraordinary historical events, the rise and demise of entire empires and the regimes that followed, huge moments of passion, bloodshed, tragedy and melancholia. This became the canvas unto which we offered our wandering brush. In November we collaborated with visual artist Brian Kelly at the Cork Film Festival which took these ideas into the live arena, something we’ll hopefully further explore going forward.

Other than that, highlights of the year include playing on Adrian Crowley’s brilliant album ‘Some Blue Morning’. Myself and Seti’s live cellist Mary Barnecutt also played at Adrian’s launch in The Workman’s Club in Dublin which was a special night.

Thomas: Working on the second Seti album likewise dominated my year, rhythm made an unexpected return to my musical outpouring. As we got into the spirit of the music–with all of these big themes and ideas, it just became necessary to have that kind of foundation. It’s been a long time since I got behind the drums to really drive the bus, I just let it happen and it more or less flowed. Some new discoveries for me here too–the Persian Daf (drum), an incredibly versatile instrument. It’s a powerful and sacred centre piece in lots of Sufi music of which I’m very fond. Some Hurdy Gurdy made it on there too and I’ve loved that instrument since my teenage years when I first heard a Nigel Eaton album.

As for the music of others in 2014, Perfume Genius and Wildbirds & Peacedrums come to mind, both of which also took rhythm to new levels on their latest releases. Mica Levi’s incredible soundtrack for ‘Under The Skin’ thrilled me, also Grouper’s ‘Ruins’ and Arca’s ‘Xen’. Hildur Gudnadóttir’s ‘Saman’ took some time to settle with me but it was worth the effort. I also took some time to listen to the works of Ligeti–the music of whom most of us are probably familiar with through it’s prolific usage in films, music that is both terrifying and thrilling in equal measure. Not a bad aul year.

 

—Seti The First

 

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‘Melting Cavalry’ is available now; its much-anticipated follow-up, ‘The Wolves of Summerland’, is due for release in 2015.

http://setithefirst.bandcamp.com
https://www.facebook.com/SetiTheFirst

 


 

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Adrian Crowley (Dublin, Ireland)

2014 marked the special return of Irish songwriter Adrian Crowley with his hugely anticipated (and career-high) seventh studio album, ‘Some Blue Morning’, via Glasgow-based independent label Chemikal Underground. ‘Some Blue Morning’ is the follow-up to Crowley’s masterful 2012 Choice Music Prize nominated ‘I See Three Birds Flying’, and features contributions from Seti The First’s Kevin Murphy on cello; Dublin-based songwriter Katie Kim on vocals and members of London string ensemble Geese, amongst many more.

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When I cast my mind back to the beginning of 2014 I am brought back to the familiar recording den with my old friend Stephen. I remember a few crisp mornings where the sun was shining in its wintry way. I’d walk from the north of the city all the way to the south reaches, along the grand canal, the path on the bank with the weeping willows near Portobello and on and on towards Dolphin’s Barn… thinking all the while about the day’s recording that lay before me and wondering how it would all sound by the evening when I’d walk back along the same way along the canal banks to Portobello…and turning then towards Kelly’s corner, up Camden Street and onto Wexford Street, South Great George’s Street… continuing through the city and finally on to the home stretch of North Strand. Those walks were times I would relish every day with a spring in my step for the record that was beginning to take shape. That daily ten-mile leg-stretch became a part of the process of making the record. Yes, I’m pretty sure there is no joy quite like the joy of recording new songs and building an album from the those first glimmers of ideas. And then I finished the record that, later in the year, I would call ‘Some Blue Morning’. 
I suppose much of early 2014 was taken up with making ‘Some Blue Morning’. It is all-consuming and, really, I found little time for anything else. I remember thinking that until I had something complete I would hide myself away. Even after the recording there was that matter of coming up with suitable artwork for the album. Which brings me to Steve Gullick.
2014 was the year I first met the fine gent that is Steve. We had ‘spoken’ over the years and talked about maybe making some pictures and indeed had planned to meet once or twice, usually when I was in London for a gig. But things happened and we never seemed to manage to get to the same spot at the same time. Not until Easter, ‘14, that is.I remember waiting in a café down the street from Highbury and Islington tube station across from Union Chapel. I sat in the window seat with a huge coffee staring out at the brick portico of the chapel. Then the door of the café swung open and Steve was greeting me in person for the first time. He was carrying three cameras. We sat there chatting for some time. About the world, about making records, about people, about life and mutual friends. About Jason Molina who had tragically passed away the year before. Something that has deeply effected me and so many others. Then Steve said, “okay, let’s get started” and we left the café and walked across the busy street and approached the heavy locked doors of Union Chapel. A quick phone call to Les who was working in the chapel that day (installing a new lighting rig) and we were inside wandering about corridors and back stairwells. Steve must have taken more than 800 photos and by the end of the afternoon we were sure that he had captured something that would be the cover art for ‘Some Blue Morning’.
Oh, 2014 was the year I discovered I could play clarinet. There is a charity shop near where I live. One day I ducked in for a quick look round. And there at the back of the shop in a glass cabinet was an opened black box with a dissembled clarinet inside. I knew it had to be mine and a few minutes later I was at home checking on YouTube how to put a clarinet together. A few minutes after that I was getting some sounds. I suppose all those years of playing saxophone in my bedroom had some bearing. I told Thomas and Kevin of Seti The First about this “haunted clarinet” I had found. Thomas called me a few weeks later and asked me to have a go at recording some parts for the new Seti record.
So the next thing you know I’m on a 123 bus to Thomas’ house with the charity store black box under my arm. I’ve been listening to the finished record and I have to say that I am proud to have played a small part in it. I’m so happy that my clarinet notes didn’t end up on the cutting room floor.
I’m trying to remember what films I went to see in the cinema. I spent a week in London by myself in the summer in a little house in Golders Green by Hampstead Heath. A friend of mine kindly let me stay there and I thought it would be a nice way to work on some writing. I did get some writing done but I also did a lot of walking around. One day I went down to Soho and headed for the Curzon Cinema. That’s where I saw ‘Boyhood’ by Richard Linklater. What an incredible film. I didn’t feel the three hours pass. I loved ‘The Double’ by Richard Ayoade which I saw at the IFI in Dublin, the Nick Cave documentary ‘20,000 Days on Earth’ at The Lighthouse Cinema in Dublin. ‘Under The Skin’ was creepy and great.

Oh, and speaking of London, I’m brought back to a late night taxi ride with my sister. It was late September. We had hopped in a cab in Hammersmith and didn’t speak once all the way to Woolwich Arsenal where our younger sister lives. Why didn’t we speak? Well, we both suffer from car sickness and we had just been on a pilgrimage, you see, and were still trying to process the three hours or so that had just passed. I’m talking about Kate Bush. Kate Bush at Eventim Apollo. The opening bars of ‘Running Up That Hill’. Now there was a moment.

But that was the night there was a power outage on stage before the show was due to start. We, the audience, sat waiting for around 50 minutes. At one point when the house lights went up, we all thought the show had been cancelled but a few minutes later Kate is onstage telling us matter-of-factly and down-to-earthedly that “it had been sorted”.

I managed to see a lot of great concerts. Bill Callahan at the Olympia, Dublin in February. Cat Power in July, also at the Olympia. Eels at Muziekgebouw, Eindhoven for Naked Song festival. I was playing at the festival and I managed to duck in behind the sound desk an watched the whole concert (at the end of the concert Mark jumped off the stage and went around the entire auditorium giving hugs to everyone in his path before ending up back on the stage to play an encore).

My Brightest Diamond at The Workmans Club. Shara Worden’s voice is incredible and it was so great to finally see her live. Violinist Cora Venus Lunny played an astonishing improvised set at her album launch in The Grand Social in Dublin. The National at The Iveagh Gardens in Dublin. Speaking of the Iveagh Gardens, I got to see some great comedy there… namely Eddie Pepitone.

Albums released in 2014… I really loved ‘Brothers and Sisters of The Eternal Sun’ by Damien Jurado and wonderful albums by Cora Venus Lunny, Caoimhín Ó Raghallaigh, Kate Ellis, Tindersticks, Einsturzende Neubaten, Marissa Nadler… I’m sure I’m missing others and I’ll probably kick myself later.

Well, my own album came out towards the end of the year…early November. I had a kind of belated album launch at The Workmans Club on December 12th. I am pretty confident that was the favourite gig of mine in 2014. I had been rehearsing with the twin cellos of Kevin Murphy and Mary Barnecutt, and also with Katie Kim who sang on more than half of ‘Some Blue Morning’. It felt so good having Katie, Mary and Kevin on stage with me not to mention my good friend Matthew Nolan who plays guitar on ‘The Wild Boar’ when we perform it live (just saying “plays guitar” feels like a gross understatement, though, considering the vast soundscapes he conjures).

Other favorite live moments from the point of view of the stage were the Daylight Music event at Union Chapel with Katie Kim (it just so happens it fell on the Summer solstice. I remember waking up that morning at 4am to the near deafening sound of birdsong from Hampstead Heath. It was quite something). Explore The North Festival in Leeuwarden, Netherlands was special too. That was in a church also, a Lutheran church with a lot of history. Oh, singing some David Bowie songs in The National Concert Hall in July was much fun.

And there was a special show that I was invited to be a part of during the East Cork Early Music festival. Justin Grounds and Ilsa de Ziah who play baroque violin and baroque cello respectively rearranged an hour-long set of my songs which we performed together at L’Atitude for a late night show. It was the first time I sang my songs on stage without playing an instrument. It felt like a new discovery. What incredible musicians. Also sharing the stage with David Thomas Broughton, Roddy Doyle, Mark Andrew Hamilton of Woodpigeon at the Golden Factories event for Young Hearts Run Free at St. Michians Church was quite special.

In theatre… I saw the final show of a seven-day run of ‘A Girl Is A Half Formed Thing’ performed by Aoife Duffin. She was incredible. It was intense and staggeringly impressive. I wondered how long it must have taken her to unwind after giving so much.

This Is The Kit played in the engineering library of The National concert Hall as a part of the Brassland weekend there in December. Well, that was a beautiful show but equally sweet was having them sing happy birthday to my five-year old daughter in the hallway of my house at 7:30am before they rushed out the door to catch the ferry to Holyhead. I hope they didn’t miss it.

 

—Adrian Crowley

 

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‘Some Blue Morning’ is available now on Chemikal Underground.

https://www.facebook.com/adrian.crowley
http://www.chemikal.co.uk/

 


 

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David Westlake (London, UK)

The Servants formed in 1985 in Hayes, Middlesex, England, by singer and songwriter David Westlake (Luke Haines would later join The Servants in ‘87). Their unique blend of poignant lyrics, intricate arrangements, and utterly compelling indie-pop sounds was a world away from the mundane and noisy lo-fi scene heralded by the NME’s C-86 compilation the band would later appear on. ‘Small Time’/‘Hey Hey We’re The Manqués’ re-issued double album is available now on 2CD via Cherry Red and on double LP via Captured Tracks. David Westlake’s ‘Play Dusty With Me’ will be re-issued next year by U.S. independent label Captured Tracks.

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2014? Deficit, devolution, free movement, Remembrance, Crimea, Ebola, ISIS, One Direction, Rolf Harris. But you know all this already. My 2014 – I got married, I played the NME C86 show, and first time since 1991 I played music with Luke Haines.

I am 49, so the best 2014 music release is unsurprisingly a reissue. It’s the Kevin Ayers Original Album Series five-disc set. The award for best latter-day recording (that I’ve heard) goes to Morrissey, from whom the very existence of new work is always an event. Cherry Red Records reissued C86 in 2014. I am on the compilation, but I always hated that song. Captured Tracks Records will issue my album ‘Play Dusty For Me’ in April 2015. Highly recommended.

Best book of 2014 has to be ‘Coming Up Trumps’ by Jean Trumpington. Multitudes of dull and deluded people trot out self-satisfied memoirs nowadays. Many can claim worth only as purgative toilet-seat reads. ‘Coming Up Trumps’ earns its right to exist – a remarkable life winningly told. Aurum’s paperback selection of John Betjeman newspaper pieces, ‘Lovely Bits of Old England’, is a treat.

Best film – ‘Grand Budapest Hotel’. Impeccable in every respect. Ralph Fiennes delivers a tour-de-force performance. Tenacious and good as Leslie Howard’s Scarlet Pimpernel. Or Anthony Valentine as Raffles, the Amateur Cracksman. There’s one for the teenagers. Someone would have to have a pretentious heart of stone not to love ‘Paddington’, too.

Memorably best new TV – Andrew Graham-Dixon’s BBC documentaries on Paul Nash and William Sickert, with the centennial focus on World War One. Most momentous TV – a repeat in March 2014 of a 1979 episode of ‘Top of the Pops’. Momentous because my wife was on-screen in the audience, then aged 14. Who could have known that thirty-five years later we would be thanking our lucky stars that the presenter she found herself standing next to that week was blameless Mike Read?

 

—David Westlake

 

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‘Play Dusty For Me’ by David Westlake will be re-issued by Captured Tracks (LP & CD) on 18 April 2015. ‘Small Time’/‘Hey Hey We’re The Manqués’ by The Servants is available now on Cherry Red Records (2CD) and on Captured Tracks (2LP).

http://www.lostsheep.com/davidwestlake
http://www.cherryred.co.uk/
http://www.capturedtracks.com/

 


 

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K. Leimer (Seattle, USA)

For the third installment in Brooklyn-based RVNG Intl.’s archival series, the tape is wound back to 1970s Seattle, home place of ambient music pioneer K. Leimer. ‘A Period of Review (Original Recordings: 1975 – 1983)’ unearths unreleased portions of Leimer’s vast archives and highlights the work of a self-taught visionary whose use of generative compositions ferried his music to infinite resonance. Kerry Leimer was born in Winnipeg, Canada. He was raised in Chicago before his family permanently settled in Seattle in 1967. This year’s ‘A Period of Review’ heralded one of 2014’s most prized re-issues. K. Leimer’s forthcoming full-length player, ‘The Grey Catalog’ will be released on Palace Of Lights in January 2015. 

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It’s odd that highly obscure music, written and recorded more than 34 years ago, would matter in any way at all today. So despite performing again and completing and releasing a few albums on our little label, much of the past year was spent talking and writing about the germinal work that was assembled as ‘A Period of Review’. Which made 2014 seem more like 1979 to me. But between bouts of studio time and grappling with miles of tape there was some remarkable listening: Gudnadóttir’s ‘Saman’; the Jakob Ullmann ‘Fremde Zeit’ / ‘Addendum’ box; Taylor Deupree’s ‘Faint’; David Sylvian’s ‘There’s a light that enters…’; Nils Frahm’s ‘Screws’; and A Wing Victory for the Sullen’s ‘Atomos’. impossibly rich diversity and innovation. And now wrapping up the year with ‘Different Every Time’, a book that’s unevenly written but compelling all the same. And the recording — especially important to me because it includes Wyatt performing one of the ‘Experiences’ by John Cage from a record, also thirty+ years old, originally issued on the Obscure label. Now if i could just find the piano pieces from that same document! The free hours that remained were given over to compiling another reissue, based on ‘The Neo-Realist’ (at Risk). A compilation for my fake rock band Savant which will be released in the first half of 2015. Titled ‘Artificial Dance’, it seems set to guarantee that my experience of 2015 will seem more like 1982. But beyond the solace and joy of such sustained musical innovation and accomplishment, the overriding experience of 2014 remains the naked violence and injustice that my country visits upon so many people. Our own citizens routinely and unjustifiably killed by police; The published and redacted details of the Bush administration’s torture program; pornographic levels of wealth set beside unprecedented income inequality; blanket denials of our shared environmental crisis. Just who is meant to be left solvent and able to purchase the refrigerator magnets and iCrap that drives most of the culture?

 

—K. Leimer

 

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‘A Period of Review (Original Recordings: 1975-1983)’  is available now on RVNG Intl.

http://www.palaceoflights.com/
http://igetrvng.com/

 


 

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Matthew Collings (Edinburgh, UK)

Matthew Collings is a Scotland-based composer. In addition to his solo recording and live output, he collaborates regularly with artists from disparate backgrounds, including musicians Dag Rosenqvist from Jasper TX and Denovali label-mate Talvihorros, dancers and filmmakers. 2014 marked the release of Collings’ new sophomore full-length, ‘Silence Is A Rhythm Too’ on the prestigious German-based independent label, Denovali Records.

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So, 2014.

Has been another year of slow growth. I spent much of the year wrestling with the idea of Edward Snowden. Realising that my work is much better off with other people, and made with other people…and so am I.

It saw various births and deaths of beautiful people who I will miss and look forward to getting to know. I wonder what role I will play in people’s lives.

This year saw a furry of releases – a beautiful vinyl/photobook with Elin Svennberg, the dark yet uplifting pop of Graveyard Tapes, and a new record in ‘Silence is a Rhythm Too’ and a re-release of ‘Splintered Instruments’ on Denovali. 2015 will expect the Snowden monster to rear it’s head, as well as a record with Dag Rosenqvist which I’m finishing right now.

I’ve been incredibly lucky this year to meet so many amazing, inspiring people. The thought of them keeps me positive when I start to complain about my place and position in the world, which I really have no ground to do.

I’m a very very lucky person.

Some music to listen to this year: These New Puritans, Ben Frost, Talvihorros, Numbers are Futile.

Here’s to 2015 ; chasing sound, not chasing my tail.

 

—Matthew Collings

 

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‘Silence Is A Rhythm Too’ is available now on Denovali.

http://mcollingsmusic.com/
http://www.denovali.com/

 


 

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Sophie Hutchings (Sydney, Australia)

‘White Light’ is the latest collection of mesmerising piano music from Sydney-based composer and pianist Sophie Hutchings. Beginning with 2010’s debut ‘Becalmed’, the gifted composer has crafted her unique blend of neo-classical, piano-based compositions, which would later be followed-up with the spellbinding ‘Night Sky’ LP in 2012. Both records are available now on the Australian independent label, Preservation. Hutchings is currently working on her third studio album – and follow-up to ‘Night Sky’ – which will be released in 2015.

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Does anyone get nostalgic as midnight creeps towards the closing of a year, the beginning of another…… Reminiscent. Looking back over years, contemplating life…….

As a child I often created a sacred moment as the year wound down. Preparing for the approaching strike of midnight, setting up the record player with one of mum or dad’s records. I took life very seriously! Always allowing a moment over midnight to ponder over life… And so we should…… Casting our minds back and then casting it ahead in view of a new beginning.

I often start the year with the goal of uncomplicating my life. Uncluttering my brain… Simplfying and yet as weeks and months go by, slowly or quickly enough, the complicated starts to work its way back in. Whether it be the things in your life or the things you fill your mind with…

There was a lot of creative purging this year associated with writing the new album.. The highs and lows that come with that and life in general. So as I venture down the beautiful south coast of Australia this week, and make my way through the diverse landscapes of Myanmar in January, I want to remind myself of a basic fact. The simple things in life can offer so much contentment…

A boundless vast ocean, lying under a star lit sky, or gazing into an open fire……..Things like these..
I’m going to press the reset button and see how it goes for me this year ….

 

Inspiring Highlights of 2014:

Reads and Watch:
First read of 2014 – Donna Tarts ‘The Goldfinch’ one of the best contemporary authors to date. Her compelling narratives lead to not being able to put the book down!..

‘Tracks – The documented Solo Journey of Robyn Davidson’ (also known as ‘The Camel Lady’) through the Australian West Desert. The cinematography and soundtrack by Garth Stevenson created for the actual film was also a highlight.

Reading Solzhenitsyn’s contemplative and symbolic story ‘The First Circle’ depicting the lives of a secret research development made up of Gulag inmates set in Moscow. His sayings and philosophy on life pack some punch… Indeed an author to respect.

I watch so many movies so this is a hard one, but first one that comes to mind is Lao film ‘The Rocket’. It wasn’t released this year but was a standout for me. After living in Laos for sometime, Kim Mordaunt (director) was inspired to write the film whilst working on the documentary ‘Bomb Harvest’, and discovering Laos was the most bombed country on the planet, per capita. Two young children play the main characters in the movie, both whom had never actually acted before. It was a really inspiring film and gives insight to a country that has suffered at the hands of war.

I wanted to watch Béla Tarr’s 8 hour epic film ‘Satantango’ this year and it’s on my film hit list for 2015! There’s some beautiful shots HERE from it set to one of my all favourite composers Arvo Pärt.

Music:
I’ve been embracing a few new musical eras and genres. 60’s Vietnamese rock, Gamelan and also Turkish singer songwriter Fikret Kızılok!…
Also, ‘Open’ by The Necks was on high rotation.
Cleaning the house to this year’s Liars release ‘Mess’.
Touring with Ólafur Arnalds…
Creatively purging and mapping out the journey for the new album which will continue into the new year…….

All the best to everyone’s start to 2015.

 

—Sophie Hutchings

 

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‘White Light’ is available now as a free download via Bandcamp HERE. ‘Becalmed’ and ‘Night Sky’ are out now on the Preservation label.

http://www.sophiehutchings.com/
http://www.preservation.com.au/

 


 

To read Part 1 of Don’t Look Back, click HERE.

To read our Albums & Re-issues of 2014, click HERE.

With very special thanks to all the wonderful contributors for their contributions.
Wishing all our readers a very happy new year and best wishes for 2015.

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Web: http://fracturedair.com

Facebook: https://www.facebook.com/FracturedAir
Twitter: https://twitter.com/Fractured_Air
Mixcloud: http://www.mixcloud.com/Fractured_Air/

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Don’t Look Back: 2013

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‘Don’t Look Back’ is a retrospective of sorts, looking back on the year that was — 2013 — and reminiscing on some of the cherished memories from the year. Having had the great fortune of crossing paths with many wonderful musicians, artists and all-round music enthusiasts these past twelve months, we would like to share with you a snapshot of the year from the perspective of some of these wonderful people. 

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ADRIAN CROWLEY (Dublin, Ireland)

Across a rich body of work (comprising six solo albums culminating with 2012’s magnificent ‘I See Three Birds Flying’), the Irish singer-songwriter’s peerless baritone immerses you into a deeply contemplative listening experience. The prose and storytelling of the master poet’s songs heightens all that surrounds you. This December marked the long-awaited release of the collaboration between Crowley and James Yorkston, ‘My Yoke Is Heavy-The Songs of Daniel Johnston’ released on the Glasgow-based independent label, Chemikal Underground.

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Forgive in advance, if you will what is sure to be a rambling and disjointed part reflection of the year gone by.
When I cast my mind on 2013, scenes like this spring to mind:
I’m in Amsterdam Central Station… or Amsterdam Centraal.
Before heading to the platform for Gare Du Nord, Paris, I decide I need to take care of some business.
There are plywood partitions everywhere, the sound of drills and circular saws fill the air and workmen are milling around in hi-vis jackets and jack boots. It’s freezing as it is January and icy blasts pervade the corridors and hallways of the station. I follow temporary signs. It soon becomes clear that all elevator service has been suspended because of the works so I find a stairs and haul myself up with all my things ( A hard case containing my guitar, a faltering wheelie case and a small rucksack that feels like it is filled with hard back bibles). The stairs bring me to a platform and there at the other end of it I see a *massive* WC sign. Huge black Roman letters on a white plastic board background. I put 50 c in the slot and as I’m squeezing through the turnstile I notice an old vagrant madwoman has commandeered the toilet attendant’s booth. I hang back for a moment, all my things slung around my person, bags and instruments. Then she squalks and barks at me and with a twisted painted index finger, she waves me by screeching something that rhymes with ‘men’.
I walk into the Heern area there are no cubicles just a sad row of improvised urinals and no wash hand basins. I head for the ladies area instead as they have cubicles in there. The unkempt toilet attendant turns into a typhoon of fury and screams that the cubicles are for women only. I try and wedge all my things through the narrow door all the while yelling back to her asking how she expects a gentleman to take care of business. A petite girl with a head scarf and long grey coat timidly holds the door open for me, quiet as a mouse.
Later as the Eurostar pulls away bound for Gare du Nord I sit back in my seat with my things stowed and tucked away. I reach for my headphones and wonder if it’ll be snowing in Paris.

I may have fallen asleep to the strains of Seti The First or Colleen and I may have dreamed of the furious toilet attendant starting to slowly rotate and gather her dark tendrils from every corner of the train station causing scaffolding to shudder and papers to fly about in a vortex as she transforms into a typhoon or a tropical revolving storm and disappears down a dark tunnel leaving shards and splinters in her wake and decimated suitcases.

2013 has seen me travel alone across Europe, station to station, in a sometimes delirious state.
It’s been a dream though. And at the same time it’s funny how things are reduced to basic things, like time keeping, eating, sleeping etc. All these things take on extra weight and magnitude.
There is a sense of the epic with otherwise innocuous things. Things that you would take for granted if you weren’t a voyager. It’s in this state of transit and transition that music shows another side to me.
And books too when I can manage to read. I must say that my affliction of a sometimes crippling motion sickness precludes me from reading on trains. It’s something that is always there. Gets worse at night and especially if I lie on my left side. Then I am spun around in a vertiginous whorl and wake in a panic. But music soothes.
And after a concert when I wearily trundle down a hotel corridor relishing the thought of my waiting room I sling my things across the floor and armchair and turn on the television. Hungry for some stimulation of drama /plot / humour English language/ …an antidote to the adrenaline that comes to me each night. A distraction. My records and CDs in boxes stacked on the sideboard. Again I think of myself as a lone traveling salesman / preacher from the last century selling bibles in some erratic trajectory across the map. I don’t know why. There must be a parallel somewhere.
And many is the time, be it in Zwolle or Copenhagen, Zarautz or Barcelona….I’ve found myself flicking on my laptop and searching for unwatched and new episodes of my new favourite series.
And it has been that the only way I could fall asleep was to the sound of a zombie apocalypse as The Walkers (The Walking Dead) invade the compound of the last survivors on Earth somewhere in the former middle America.

I remember one evening back in Dublin I was meeting a friend for a pint on Wellington Quay and we got talking about Breaking Bad and I was telling her who my favourite characters were and why Hank was my hero and how I had seen every episode including the finale…when the barman suddenly materialised at our table (only two seconds previous he had been behind the bar unloading glasses from the steam washer).
And there he stood in silent fury shaking his head slowly and making a zip gesture across his lips and then pointing his finger in my face. My friend Julie looked on in utter surprise. Then he spoke.
‘I can’t believe you are actually talking about Breaking Bad when it’s clear that most people in this room may not have finished Season 5 yet. You’re barred’.

This year I found myself queueing for a ticket in the lobby of The Lighthouse Cinema, or The Screen or The IFI..
I think my favourite film of this year was ‘Ain’t Them Bodies Saints’. Oh my golly gosh.
Casey Affleck is amazing. One of my favourite ever actors.
I went to Oblivion with my son. We love science fiction and he is at the age now where if we go to the cinema together it doesn’t have to be some CGI of an annoying remake of a talking cat. It was pretty slick but still I think ‘Moon’ by Duncan Jones towers high…my favourite science fiction since Solaris by Andrei Tarkovsky.

I haven’t seen ‘Blue Is The Warmest Colour’ yet. Maybe I’ll go next week.
Oh there was another film I loved but I can’t for the life of me remember what it was called.
It was a new American independent shot in black and white and involved a girl going to Paris for the weekend. What the hell was it called again? It had half her name in the title…

This Summer was good for reading. I went away for a few weeks to France and go through a few novels and short stories. ‘Cathedral’ by Raymond Carver. ‘Miss Peregrine’s Home For Peculiar Children’ by Ransom Riggs…. ‘Shall We Gather At The River’ by Irish writer, Peter Murphy…
‘Kafka On The Shore’ by Haruki Murikami..‘True Tales Of American Life’ – edited by Paul Auster..
I have ‘Lights Out In Wonderland’ by DBC Pierre in my pocket at the moment.
And I bought a book of poetry at a reading in Ranelagh a couple of months ago. It’s beautiful.
It’s by Patrick Chapman and is called ‘A Promiscuity Of Spines’.

This Summer I went to The Galway Film Fleadh. There was the world premiere of an Irish directed feature film called Love Eternal. As I took my seat in The Town Hall..(with my folks and sister) I remembered this was where I saw my first ever film in the cinema. Directed by Brendan Muldowney and starring Pollyanna Mackintosh among others it prominently features a song of mine The Wishing Seat. At the risk of giving too much away, the songs occurs at the climax of the film. It’s uncanny how well the song fits. When the producer Conor Barry first approached me with the request to use the song, he gave me viewing copy to see what I thought. Like I said, it was uncanny how it fitted. I think that was my cinematic experience of the year when the opening chords of my song filled the cinema, accompanied by the beautiful cinematography. It’s still touring the festivals of the world and won’t be out for a while. It’s a fine, fine film.

2013 is also the year I rediscovered Blixa Bargeld. And the album he released last spring with Teho Teardo has got to be my favourite album of 2013.

Which lead me to discover for the first time a beautiful duet he recorded with Meret Becker called Stella Maris.
I asked two friends of mine in Cologne (Rita and Sabine) to teach me German.

Oh and this year I saw the Northern Lights for the first time in my life.
But that is another story.

Oh and how can I not mention:

playing with Emma and Vince from Geese to a full house Upstairs at The Grand Theatre in Groningen in January at Eurosonic…

seeing Kris Kristofferson play at Oosterpoort (also in Groningen ) in September while playing Take Root Festival…

Seeing Kevin Barry’s short film ‘Breakfast Wine’ at The Galway Film Fleadh – a gem.

The dream trip to Iceland with ‘Young Hearts Run Free’. A totally moving week and an honour to be invited and to share the adventure with such beautiful people. My heart is a flutter thinking about it.

Catching up with old friends in Reykjavik.

Fresh in my mind is the wonderful (three date travelling festival ) Stille Nacht which I joined in on in December…(a favourite of mine was the show in Lelystad – great atmosphere.)

Seeing Marissa Nadler play in Copenhagen while on tour there.

Crossing the bridge between Copenhagen and Malmo.

Sharing the bill with Efterklang, William Tyler, broeder Dieleman…in The Netherlands..

playing The Kevin Barry Room (not the same Kevin Barry as mentioned above!) in The National Concert Hall in Dublin with two cellists, Kevin Murphy and Mary Barnecutt … and a Steinway Grand Piano.

Playing my first concert in shorts and sunglasses (during a July heatwave) at The Iveagh Gardens, Dublin (opening for Beach House). My guitar pedals nearly melted.

Playing a very memorable show in Barcelona after the ceiling collapsed shortly before I was due to go onstage. No injuries…the show went on in an adjacent room. I still have a piece of plaster as a souvenir.

Recording with Seti The First. A mighty band.

Seeing Katie Kim play several times.

Playing in an old cinema in Zarautz, the Basque Country.

Touring, touring and more touring.

Starting a new album in November…(going to finish it soon)

Going to ‘The House Presents’ monthly club in North Strand, Dublin.

Releasing ‘My Yoke Is Heavy’ on Chemikal Underground.

Working on the ‘Age Of Not Believing’ project in London with Ben Eshmade, Harry Escott and loads and loads of others (album coming out soon).

Playing in the very beautiful Triskel Christchurch in Cork in November.
A very special place.

Oh and did I mention I saw the Northern Lights…?

—Adrian Crowley

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‘My Yoke Is Heavy: The Songs of Daniel Johnston’ by Adrian Crowley and James Yorkston is available now on Chemikal Underground.

http://www.chemikal.co.uk/artists/adrian-crowley
http://www.chemikal.co.uk

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goat

MR. STONEGOAT, GOAT (Korpilombolo, Sweden)

Hailing from Korpilombolo in Northern Sweden, Goat are responsible for some of the most transcendental rock ‘n’ roll creations for quite some time. The band’s universally-acclaimed debut record ‘World Music’ (released last year on Rocket Recordings) sees a spectrum of sounds and styles that are effortlessly combined: from psychedelia, afro beat, African, funk and soul to disco, rock, garage, blues. This December marked the release of the double-album ‘Live Ballroom Ritual’  which captures Goat’s live performance at Camden’s Electric Ballroom in London. 

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This year I haven’t read a book or seen a film. I never keep track with new releases of music. I have been listening to a lot of Beach Boys this year. There is just to much going on in popular culture. For me it’s always been like that. I have to shut off. Otherwise I can’t make music. And I haven’t seen a show either. Just fragments of bands playing at the festivals we’ve been playing on. No, that is not true. I loved seeing Holy Wave every night while we where touring in the US in march. Fantastic band. For the rock-group Goat it has been an interesting year for sure, learning how to play live and doing it on big stages. But more than that it has been like any other year. The commune has had it’s problems with tourism which has forced us to keep a low profile with our origin from now on. Other than that many children have been born and we have celebrated and rejoiced as normal. 2014 I look forward to play and travel with the Goat band some more and also finishing of our next album. I’m also gonna have my seventh child and I will become 25 in January, so I’m gonna have a couple of good reasons to party next year. What I wish more is that the world 2014 comes a little bit closer to acknowledge that individualism is our enemy, spirituality is our guide, and togetherness is happiness. We are all one. There is no boundaries. Peace out!

—Mr. Stonegoat

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‘Goat – Live Ballroom Ritual’ double album is available now on Rocket Recordings.

http://goatsweden.blogspot.ie
http://rocketrecordings.blogspot.ie

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laurelhalo

Cian Ó Cíobháin, An Taobh Tuathail (Galway, Ireland)

Cian Ó Cíobháin is the presenter of An Taobh Tuathail, a music show dedicated to promoting the very best in independent music. Cian’s show is broadcasted on RTÉ Raidió Na Gaeltachta on weeknights from 9 to 11pm, Monday to Friday. Cian also compiles a series of compilations which are made available for free download, at present the An Taobh Tuathail series is at volume 6. Additionally, Cian DJ’s at 110th Street, Galway, with Cyril Briscoe.

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In 2013 I LOVED…
LPs by My Bloody Valentine, Jessy Lanza, Laurel Halo, Oneohtrix Point Never & Chequerboard; surprise LP of the year was from These New Puritans, well worth spending time marinating in it; spending a magical break with my truelove in south Kerry last May, that lovely time of year as summer is slowly getting into her groove; successfully having laser eye surgery in mid-summer after a serious injury which resulted in six months of corneal pain made a huge change — for the positive — to my mood and sense of wellbeing; Thurston Moore live in Róisín Dubh, Galway accompanied by John Fahy simply confirmed that the former Sonic Youth frontman might still be the coolest man on the planet; continuing to meet great new people in clubs and at after-hours sessions; The Great Heatwave of July 2013; resurrecting old club night The Hive (a club for music lovers, by music lovers); being in Croke Park for Kerry V Dublin, possibly the greatest game of football I ever saw in the stadium, the superlative display from both teams numbed the pain of defeat; wonderful nights playing records in the Blue Note, Galway with my good friend Cyril Briscoe to people who truly know how to get down; genuinely amazing & unexpected fun DJ-ing at weddings in Co. Down and Co. Mayo (with a Funktion1 soundsystem), a whole new experience for me, I’m already taking bookings for weddings in 2014; the last season of ‘Breaking Bad’ was the most perfectly written season of TV I’ve ever had the privilege of seeing; having only made two pods/mixes during the first ten months of the year, I hit a November purple-patch with 4 new expressions of my musical interests VIA mixes & pods for The Hive, 110th Street, ATT & Shock; immersing myself in the books of Carl Sagan, what a wonderful & wondrous human being he was, indeed I read a great number of books this year … aside from immersing myself in music, reading is my sanctuary; those wonderful and inspiring mails I get from listeners of my show, from the most personal to the most flippant, I love each and every one of you, keep them coming, they are my Ready Brek during these dark winter mornings.

—Cian Ó Cíobháin

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‘An Taobh Tuathail VOL 6’, compiled by Cian Ó Cíobháin, can be downloaded for free HERE.

http://www.rte.ie/rnag/an-taobh-tuathail/

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Moonface

Siobhán Kane, Young Hearts Run Free (Dublin, Ireland)

Siobhán Kane runs Dublin-based collective Young Hearts Run Free, which (since 2008) organizes music and literary events in unusual spaces across Dublin, in aid of the Simon Community. The next event being organized by Young Hearts will be a very special concert at Dublin’s Christ Church on New Year’s Eve. The gala concert comprises an extensive lineup featuring the wonderful talents of Moonface (Jagjaguwar) and Alasdair Roberts (Drag City). Siobhán Kane’s journalistic and literary talents can be seen in many musical and cultural sections of the press, and has written in the past for The Wire, Thumped, The Irish Times and The Quietus. 

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In a way, looking back on the year feels like remembering light, as it has been a year full of unexpected, heartening experiences.

One of my favourite things this year has been some of the experiences running Young Hearts Run Free. I have been doing it since 2008, and it has been a real labour of love. I have about three jobs that are quite time-consuming, and didn’t realise that Young Hearts was also going to take up so much time, but it is worth it. It kind of places everything out of a fuzzy focus, and distills so much of what I love about living in Dublin; particularly people’s open-heartedness, and sense of adventure, which is good, as I am always thinking of unusual venues, and odd ideas to carry out.

This year saw some real highlights of the project so far; Andy Irvine singing The Blacksmith (among other things) in the House of the Dead on Ushers Island, providing a very emotional evening for many of us, or our pub skip around the city with an intimate, willing audience with musicians like Alasdair Roberts, and Lisa O’Neill, or taking the project to Iceland Airwaves, with Dónal Lunny, Adrian Crowley, Katie Kim, The Spook of the Thirteenth Lock, and Conor O’Brien.

That whole experience in Reykjavik now resembles a misty dream I feel I had once. I felt like my teenage self had burst through the pages of my novel as an adult and made it happen. We raised a good amount for Konukot, the homeless women’s shelter there, and had two brilliant showcases; one in Lucky Records, and the second in the Volcano Museum. Before the musicians had gone to Iceland, they had been in touch with each other about potentially collaborating on some songs together, and they eventually landed on Cúnla, A Pair of Brown Eyes, and On Raglan Road.

It’s hard to describe the feeling when those collaborations eventually happened live, and the tender excitement and enthusiasm shown by each musician was humbling, and the experience rejuvenated my fatigued self, because it reminded me of partly why I wanted to set up Young Hearts in the first place, in the hope that some kind of magic might happen. I couldn’t have imagined going with a better group of people, we had so much fun, and even now, writing about it, reminds me of how lucky I am to know such lovely, generous people, who have become friends.

We are now getting ready for our New Year’s Eve concert in Christ Church Cathedral, which to be honest, doesn’t really seem real. From the days of doing crazy events in the basement space of Clarendon House to this, has been an unexpectedly emotional journey, and at times severely anxiety-inducing, but ultimately it has meant so much, not least because of the money we raise for the Simon Community, but how it raises hearts, and brings out some really great people, and that has been something of an anchor in really difficult times the last few years.

It also reminds me of one of my favourite records of the year, because we are bringing over Moonface/Spencer Krug to play, who has always been an intriguing musician, whether when playing as part of Wolf Parade, or Sunset Rubdown, or his collaborations with Dan Bejar, I am always interested! And I really fell in love with his new record on Jagjaguwar, Julia with Blue Jeans On – it is possibly my favourite record of the whole year; elegant, epic, and emotional music – just his voice and the piano, everything is stripped right back to reveal something so true – anguish, pain, and love, it’s all there.

Some of my other favourite records of the year come from Alasdair Roberts, with his A Wonder Working Stone (Drag City) and his recent collaboration with the poet Robin Robertson Hirta Songs (Stone Tape Recordings) – both are very different, but they  harness an unusual tone of storytelling, it is so singular, and with Hirta Songs, the two singular artists totally transport you into a different world filled with sea imagery and sad farewells.

In a slightly different sense, this could also be said of Adrian Crowley and James Yorkston’s record – a loveletter to Daniel Johnston’s work – My Yoke is Heavy (Chemikal Underground) – this came as quite a late gem in the year, and has kept me quietly moving company ever since; sad and brilliant.

It does seem like so many of my favourite records tend to be sad ones – so I need to jazz this up a little by hurtling through some other, more rather upbeat compositions. I was very excited by Beyoncé’s record, and am enjoying that at the moment, Fuck Buttons’ Slow Focus is excellent, as was Colin Stetson’s New History Warfare Vol. 3: To See More Light – he is such an exceptional musician, and his work on the saxophone is so subtle, and fascinating, and when experienced live honestly provides goosebumps – as for him, the work is almost an athletic endeavour as well as creative. I loved Villagers {Awayland} – particularly songs like My Lighthouse and The Waves, and Julia Holter’s dreamy Loud City Song, and Laurel Halo’s Chance of Rain.

There have been so many good records this year, like John Grant’s Pale Green Ghosts, and Pusha T’s My Name is My Name – he is just so good, and I have always been a fan of his from his Clipse days. M.I.A.’s Matangi has some mind-bending production, as does Jon Hopkins’ Immunity, and the atmosphere on Forest Swords’ Engravings is slow-burning and immersive – off-kilter brilliance. And I am also now thinking about El-P’s and Killer Mike’s collaboration Run the Jewel’s because I have always been slightly obsessed with El-Producto, and think him a wonder, and was a willing lemming for most Def Jux releases – as I was for Rawkus – it’s nice when you have a fidelity to a label, I still check in with Stones Throw, but there are so many great independent labels trying to make wonderful things happen – I am a devotee of Light in the Attic Records in particular, they bear witness on so much good unheralded or out of print work, as well as underrated and unusual artists. Goodness, if I start writing about record labels I won’t stop.

Bill Callahan’s Dream River is one of my favourite records of the year. I used to have quite a fractious relationship with some of Callahan’s earlier work, but I genuinely love it now, there is so much poetry in it, and his voice just knocks me over into a swoon. His new record is pared back beauty, and his imagery is so evocative, he always returns back to the idea that though acute ecstacy can be achieved, you must always fall back to earth, but need to continue to pursue true happiness, continue getting back up. The record possesses a calm that I have really responded to. He has recently said that he knows what his next record is going to be, and it is going to be his “best yet”, so I am giddy in anticipation. The National’s Trouble Will Find Me has also kept me good company, with its interesting lyrics, and Matt Berninger’s yearning, crumpled vocal that captures such true feeling. Mark Kozelek & Jimmy Lavelle’s Perils from the Sea is a great meeting of minds, as Lavelle’s subtle electronica is a perfect foil for Kozelek’s heavy load, and Deerhunter’s Monomania was all delightfully creaky dream pop bric-a-brac. I thought Arcade Fire’s Reflektor contained a strange joy, and then there were people that came back that I had missed, such as Paddy McAloon – one of my favourite ever musicians, and I really enjoyed Prefab Sprout’s Crimson/Red – it’s so much about love, maybe, and McAloon does it so elegantly, cleverly, and always from the heart. I also liked Boards of Canada’s Tomorrow’s Harvest a lot, and Oneohtrix Point Never’s R Plus Seven, Low’s Invisible Way, Charles Bradley’s Victim of Love, and it was nice to have Nick Cave & The Bad Seeds go away from Grinderman work and towards Push the Sky Away – I just really liked the luscious composition and erudite lyrics. The same could be said of David Bowie’s The Next Day, I was so glad that he just popped up with such understated elegance.

There are so many other great records, but this is getting too long and this is without writing about the books I have lived with, concerts gone to, and films and television watched, so I will whittle down as best I can to a semblance of other things from the past year.

Music and books are probably the things I love most, so it’s hard to go back on the year, but I just got round to reading Grant Morrison’s excellent Supergods: Our World in the Age of the Superhero,and Eimear McBride’s surreal and gripping A Girl is a Half-Formed Thing. Morrissey’s Autobiography was a delight, as was Tracey Thorn’s Bedsit Disco Queen, it was so well-written and revealing, and she zaps you right into the period, the politics, and the cultural references. In a weird way, her book, and Morrissey’s, greatly complemented each other, although Morrissey’s book often made me laugh out loud, he has such a gift with language, that I was often quite dazzled by it. I always have some John McGahern on the go, and am re-reading some of his earlier short stories at the moment in the collection Nightlines. I am also reading Lockout by Padraig Yeates – it has been so inspiring, all this work around the Lockout, and so topical. Alex Ferguson’s autobiography was illuminating and David Peace’s Red or Dead was an epic achievement. I also re-read Mary Robinson’s autobiography Everybody Matters, as she is a great beacon, and there are so many other things! I also liked the children’s book Heap House, by Edward Carey, it is so funny and imaginative. and James Salter’s All That Is, and also the really sad, but completely engaging Woody Guthrie’s Wardy Forty: Greystone Park State Hospital, about the five years Woody spent as a patient at the Greystone Park State Hospital – it’s really moving, and I read the reissued Stoner by John Williams, which just floored me – it made perfect sense that John McGahern did the introduction to it – there is a definite sympathy between those two writers, somewhere – perhaps in the examination of a quiet tragedy, which are almost always the worst.

Concert-wise it is so hard to write highlights, because there have been so many, but some that come to mind would be The National in the Marquee in Cork, The Walkmen at La Maroquinerie, Paris, and The Walkmen at the End of the Road festival in Dorset, and there they dedicated a song “to the late, great Seamus Heaney” as he had passed away only a few days before, little did I know that would be the last time I saw The Walkmen together – live – as a band (for now, hopefully). One of my other highlights was seeing Grizzly Bear in Iveagh Gardens in Dublin. Iveagh Gardens is very special to me, and I never thought I would see one of my favourite bands there – it was very magical, very surreal, and very moving. There were a few lovely evenings there, including the dreamy Beach House, but really all my heart was full of for so long was Grizzly Bear in Iveagh, they spin a magic that is hard to describe, it transports and means so much (to me).

Dan Deacon in Whelans in the earlier part of the year was just brilliant but he always somehow lifts, no matter what is going on in your life, he radiates so much warmth and fun and love, also Winged Victory for the Sullen at the National Concert Hall was genuinely beautiful, Angel Olsen in Whelans was another highlight, just her and her guitar, she was mesmerising, and kind of resembled a lovely cat singing, and then Thee Oh Sees in Whelans were another highlight, they make you feel like you are 14 and you are going to take on the world and win. That was how I felt also with Konono No.1 in Whelans. Looking back there were so many great concerts, how lucky I was to have gone to so many; Public Enemy in the Button Factory, Egyptian Lover in the Sugar Club was hilarious and great, Why? in Whelans, Colleen in the Unitarian Church supported by Seti the First was shimmering, subtle beauty, Immortal Technique in the Sugar Club was raw, indignant and great, Chromatics/Glass Candy in the Village. Lee Fields in the Sugar Club was one of the best things I have ever been to, experiencing Ennio Morricone at IMMA was a really special thing, and The Music Tapes in the Workmans Club were so charming, and had a little game for the audience to play at the end. I really loved Low in Whelans, and the day after Tame Impala in the Olympia – I felt quite delirious about those two days. Also, Charles Bradley in The Sugar Club was fizzing with energy, and he had a costume change or two, which I admired, and I also enjoyed Villagers Christmas homecoming with Stargaze in Vicar Street.

There were many other things too, like experiencing comics such as Reggie Watts, Stewart Lee, Eddie Pepitone and David O’Doherty, and recently I got to see Harry Shearer in London do a Christmas revue of sorts, with his wife and several guests, and on the same trip, I caught Dan Bejar at Bush Hall doing a solo set, it was around the release of his latest EP, but he also revisited so much of his work from Destroyer’s Rubies, Kaputt and other records – it was such a delight to experience – particularly as he said he won’t be playing again until 2015. My memory is quite scattered at present, and I am sure that I will have forgotten experiences that have made my year, but I know it means that there have been lots – I look to mainly experiences shared with people, such as festivals like Primavera, or End of the Road, or Iceland Airwaves – I think of the feeling of being glad to be alive when David Byrne and St. Vincent performed on the Friday night at End of the Road, or when Belle & Sebastian took to the stage at the very same festival, or when John Grant and Conor O’Brien duetted on Glacier at Wiltons Music Hall in London, or feeling devastated in Croke Park with my Dad when Mayo lost the All-Ireland (again), but happy for Dublin to win, if someone else had to. On the other end of the spectrum, there are all those things you might experience alone sometimes – and for me, this year, it has been cackling at Louis CK on his perfect show Louie, or anything Larry David has done or will ever do, or being freaked out by the most violent bits of Homeland, revisiting one of my favourite shows Northern Exposure, feeling genuinely bereft when Breaking Bad finished, being immersed in Eileen Gray’s show at IMMA, and just all those simple times spent reading, walking by the sea and cycling – those things are great things to look back on with fondness in 2013, and all the cosy times spent with family and friends.

Lastly, all the films that have come out this year – there have been so many good ones – I really loved Philomena, and Good Vibrations, and Woody Allen’s Blue Jasmine elicited an astonishing performance by Cate Blanchett, Before Midnight was charming and sad and true, and hopeful (hopefully), and made me want to take off for Greece, Blue is the Warmest Colour was so affecting, and I got to see the Coen Brother’s new film Inside Llewyn Davis, which is beautiful and has such an odd atmosphere, and the documentary Big Star: Nothing Can Hurt Me – was good, and sad (a common theme!), and another interesting music documentary Beware of Mr Baker – about drummer Ginger Baker was excellent, though he is quite scary, and The Selfish Giant was lovely.

It’s strange to look back on the year, I know I will have forgotten so much, but it is a great exercise, because it reminds me of all that is good in the world, when things are so often difficult. The arts, like Laurie Lee once wrote (although it was about love) are like “the oil that plumps us up, dilates the eyes, puts a glow on the skin, lifts us free from the weight of time”. I hope that 2014 provides more of the same, where we can all live in the “private grip” of such beauty and inspiration. It helps us to understand ourselves more.

Siobhán Kane

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Young Hearts Run Free present: Moonface, Alasdair Roberts, Dónal Lunny (and more) at Christ Church, Dublin, this New Year’s Eve. Doors 8pm, tickets in aid of the Simon Community.

http://youngheartsrunfree.ie

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SONY DSC

Benoît Pioulard (Seattle, USA)

Benoît Pioulard is the alias for Seattle-based composer Thomas Meluch, who has to date released a string of formidable albums on Chicago-based independent label Kranky, culminating with this year’s stunning ‘Hymnal’. A very special compilation ‘Hymnal Remixes’ will be available on 21 January 2014, featuring remixes by Brambles, Fieldhead, Loscil, The Remote Viewer and many more. Pre-orders can be made now (including exclusive immediate download of 5 tracks) HERE.

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My favorites of the year:

Book : ‘Tenth of December’ by George Saunders
Film : ‘Leviathan’
Album : ‘Tomorrow’s Harvest’ by Boards of Canada

—Thomas Meluch

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‘Hymnal’ by Benoît Pioulard is available now on Kranky.

http://pioulard.com
http://www.kranky.net

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marylattimore

MARY LATTIMORE (North Carolina, USA)

Mary Lattimore is a Philadelphia-based harpist whose name has become synonymous in independent music circles as both a gifted solo composer as well as a versatile and accomplished collaborator. ‘The Withdrawing Room’ is the debut solo album by Mary Lattimore, released earlier this year on Desire Path Recordings. Limited to three hundred copies on black vinyl, the album draws from drone, ambient, folk and world music traditions. Lattimore’s harp compositions can be compared with Julianna Barwick’s choral-based harmonies, where both artists loop their chosen instrument to magnificent effect. Mary Lattimore has collaborated with a vast array of musicians to date, including Thurston Moore, Ed Askew, and Sharon Van Etten.

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Hi from North Carolina, here on my parents’ farm.

Favorite Things of 2013 List

Favorite Records (in no order)
Grouper – The Man Who Died In His Boat
Julianna Barwick – Nepenthe
Nils Frahm – Spaces
Daniel Bachman – Jesus I Am A Sinner
Sarah Neufeld – Hero Brother
Kurt Vile – Wakin on a Pretty Daze
True Widow – Circumambulation
Brent Arnold – Night, Exquisite
I Am The Center: Private Issue New Age In America compilation
Chris Forsyth – Solar Motel
Purling Hiss – Water on Mars
Emerald Web – The Stargate Tapes (Reissue)
Neil Young – Live at the Cellar Door
My Bloody Valentine – MBV
Steve Gunn – Time Off
William Tyler – Impossible Truth
Body/Head – Coming Apart
Mark Kozelek and Jimmy LaValle – Perils From the Sea
Michael Chapman – Wrecked Again (Reissue)
Chance – In Search (Reissue)
William Onyeabor – Who is William Onyeabor? (Reissue)

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Favorite song of 2014
https://www.youtube.com/watch?v=bsoqmFL1vlU

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Favorite new place
Asbury Park, NJ

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Favorite shows of 2013
Body/Head at Union Pool (NYC)
War on Drugs New Year’s Eve at Johnny Brenda’s (Philly)
Cass McCombs at Boot and Saddle (Philly)
Ed Askew Band (Philly and NYC)
Sun Ra Arkestra at Union Transfer (Philly)
Spiritualized at Union Transfer
Julianna Barwick at Mann Music Center (Philly)
Sarah Neufeld and Colin Stetson at World Cafe (Philly)
Chris Forsyth and the Solar Motel Band residency at Ortlieb’s (Philly)
Spacin at the Philly Record Exchange
Animal Collective Halloween at Union Transfer
Belle and Sebastian at Mann Music Center (Philly)
Woods/Parquet Courts at Morgan’s Pier (Philly)

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Favorite performance experiences of 2013
Playing in Grand Central Station (NYC) accompanying 60 dancers wearing visual artist Nick Cave’s Soundsuits twice a day for a week. Was truly an amazing experience.

Playing a few covers with Jeff Zeigler, Sharon Van Etten, and Adam Granduciel (War on Drugs) for a benefit for the Rail Park in Philly. We played a Big Star song, a Lou Reed song, and one of Sharon’s. Sooo much fun with those guys.

Little tour with Jeff Zeigler and Daniel Bachman, sleeping in this beautiful room in the incredible Coward Shoe in Baltimore.

Opening for Jeff Mangum with my great Tall Firs friends Aaron and Dave.

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Favorite Art I Saw in 2013
Mike Kelley at MoMA P.S.1 (NYC)
James Turrell at Guggenheim
Outsider Art exhibit at Philadelphia Museum of Art
Wharton Esherick House in Malvern, PA
Anthony Campuzano: Local Color
Psychedelic poster exhibit at Smith College in Northampton, Mass

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Favorite Day
Greatest birthday this year, thanks to my friends Gary O, Adam, Faryal, Dana and Jan. Yogurt with fruit, the beach, recording with the War on Drugs, tarot reading, Eric Copeland/Kid Millions/J Spaceman show, going down late at night to get close to those towers of light that they project to represent the World Trade Center, with all of the hundreds of white birds spinning and swirling in the light, so unreal. Was a perfect day. 

—Mary Lattimore

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‘The Withdrawing Room’ by Mary Lattimore is available now on Desire Path Recordings.

http://marylattimore.net
http://www.desirepathrecordings.com

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mctaylorphoto-by-Harlan-Campbell

M.C. TAYLOR, HISS GOLDEN MESSENGER (North Carolina, USA)

Hiss Golden Messenger comprises the Durham, North Carolina songwriter M.C. Taylor and multi-instrumentalist Scott Hirsch, who resides in Brooklyn, New York. Additionally, Terry Lonergan plays drums and percussion and – together with Hirsch and Taylor – combine to form one of the finest rhythm sections around. Hiss Golden Messenger’s four studio albums to date – culminating in 2013’s magnificent ‘Haw’ (available now on the North Carolina-based label Paradise Of Bachelors) – confirm Hiss Golden Messenger’s place to the forefront of the Americana music tradition, like Whiskeytown and Uncle Tupelo before them.

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Your personal favorite album from the year?

As far as new records, I’d probably say William Tyler’s Impossible Truth. I spent a lot of time on the road with William and heard those songs in various iterations. I think what William is doing — his whole process and aesthetic — is really beautiful and singular, very thoughtful and inspirational. There’s nobody else making music like he is.

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The music you found yourself listening to the most during the year?

Anytime anyone asks me what I’ve been listening to, I suddenly can’t remember. But I just looked at my phone, and was reminded how much I love Steve Gunn’s Time Off . Also, Lal Waterson’s Teach Me to Be a Summer Morning was a gorgeous set of recordings; she later made Bright Phoebus with her brother Mike, which drew on some of this material, and is a pretty foundational album for me. Gal Costa’s India is something I’ve spent a lot of time with lately, as is African Songbird, by Sathima Bea Benjamin. Oh, and the Cocteau Twins’ Heaven or Las Vegas is something I’ve been revisiting. What a great, great album. Anything by Ann Peebles too, I really like her music — Straight From the Heart is the album of hers that I’ve listened to most recently.

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Fondest memories of touring ‘Haw’ in US and EU?

It’s rare for me to not have a good time playing music anywhere, but my 2013 was bookended by some very special shows. In February of 2013, I was honored to take part in a round robin performance with my pals Heather McEntire (of Mount Moriah), Phil Cook (of Megafaun) and Amy Ray (of the Indigo Girls) in my hometown of Durham, North Carolina. Then, at the end of October, I played my last show of the year at the Haw River Ballroom in the rural town of Saxapahaw, NC, with friends The A’s (Amelia and Alexandra from Mountain Man) and Brad and Phil Cook (from Megafaun). The Haw River Ballroom is, in my opinion, among the most beautiful performance venues in the Western Hemisphere, and it was a real gift to play there.

William Tyler and I also toured the UK by train for the second time in May, which presented its own unique set of challenges but is a pretty incredible way to see that part of the world. Our last show of that trip was recorded and is available to hear as London Exodus.

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Most special moments from 2013?

My wife and I had a baby girl, Ione Clare, on July 1st, 2013. Everything about this year was centered around her arrival. Now we’re learning about life with two kids!

I’ve been very lucky to continue to make music with my longtime friend and musical partner Scott Hirsch (who also had a baby girl, Issa, this year). We just completed the recording for the next HGM album, which will come out sometime this fall, and we were so fortunate to involve many of our friends, including Brad and Phil Cook, Terry Lonergan, Matt McCaughan, Alexandra Sauser-Monnig, Chris Boerner, William Tyler, Matt Douglas and others.

—M.C. Taylor

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‘Haw’ by Hiss Golden Messenger is available now on Paradise Of Bachelors.

http://hissgoldenmessenger.blogspot.ie
http://www.paradiseofbachelors.com

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Sorcha-Richardson

SORCHA RICHARDSON (New York, USA / Dublin, Ireland)

Born in Dublin, Ireland, Sorcha Richardson is a New York-based songwriter. 2013 saw the release of Sorcha Richardson’s latest EP ‘Last Train’ on Paris-based independent label Crosswalk Records. An earlier EP  ‘Sleep Will Set Me Free’ from 2012 (featuring ‘I Heart NYC’ and ‘Birds Of Summer’) would establish recurring themes in Richardson’s songwriting — longing, connection, and a deep sense of place — where the surroundings of New York would have a growing impact on her musical output. To date, Richardson has also collaborated with numerous acts, including New York electronic outfit Colossal Mantis and the hip hop-infused project CON VOS, who release their debut EP ‘Cocoon Bloom’ in January 2014. 

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I rang in 2013 at a New Years party in a cottage in Wicklow. I was home from New York at the time, with a five-week Christmas break from college, so I packed as much music into those winter weeks as I could. By the end of January I had played at Whelan’s Ones To Watch Festival, travelled to London to meet with some music folk, played a sold out show Upstairs in Whelan’s (with a beautiful set from Little Rivers to open the night), travelled to Kaiserslautnern, Germany with my two bandmates, where we stayed in a hotel that had just been renovated from a prison (the hotel rooms kept all of the features of the prison cells), did some German radio promo, played to a packed out venue and then went on a bar crawl with the locals before flying home and going straight to the studio from Dublin airport to finish recording some songs for my EP. While at the studio I received an email from a hip-hop duo in New Jersey, interested in starting an indie-pop group and recording an EP. That was not an email I was expecting to get or a project I thought I’d become involved with, but within three weeks CON VOS was formed and our debut EP was complete.

Music took a bit of a backseat from February to May while I was busy finishing college. I majored in fiction writing and minored in film studies the nature of my degree meant that my final projects consumed a huge amount of creative energy. It feels like I spent every spare minute either reading or writing for those four months. But before I graduated, I skipped out of New York for a few days to visit some friends in LA. Then we drove down to Southern California for Cochaella, a festival I have wanted to visit for years, long before living I had any idea of living in America in my late teens and early twenties. That was one of the most fun weekends of the year.

I graduated college in May and then flew home to Dublin for a string of Irish shows. I played a headline show at The Workman’s Club with the super talented Liza Flume supporting, as well as festival sets at Knockanstockan, Castlepalooza and Indiependence and a really enjoyable show at Roasted Brown Café in Temple Bar with I Have a Tribe and Kinds & Cavaliers.

When I flew back to New York at the end of August, I had no idea what I would do when I arrived. It was the first time I was coming into the city with no plan in place. Since returning, some of the highlights have been moving to Brooklyn, spending a weekend at the Toronto Film Festival, releasing my EP, Last Train via Paris indie label Crosswalk Records, seeing Stevie Wonder play a show in Central Park, seeing Drake and Kanye West play at the Barclay’s center, seeing Laura play in a little church in Borough Hill, introducing CON VOS to the world in the form of Coast and Central Park, two tracks taken from our forthcoming EP, and have a very quintessential Thanksgiving with college friends in New Jersey and Philadelphia.
I’m really looking forward to getting home for Christmas and to be finishing out the year with a gig at Whelan’s on Dec 30th. Sails and Fears, two of my favourite Irish bands of the year, are supporting, so I’m really happy to have them on the bill. I’ve had both bands on repeat since discovering their music. Some other musicians that have soundtracked my year include Daughter, Wilsen, Foals, Jessie Ware, Haim, Lorde, Sampha, Drake, Kendrick Lamar, Kanye, Kyson, Volcano Choir Polica, FKA Twigs, Villagers, Blood Orange, Winter Aid, Slow Skies, I Have a Tribe, Rae Morris, Lovelier Other, Pale Seas and London Grammar. American Hustle, Behind the Candelabra and Enough Said were all films that I enjoyed a lot and Breaking Bad, VEEP, Modern Family and Friends were most commonly played on TV.

—Sorcha Richardson

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‘Last Train EP’ by Sorcha Richardson is available now on Crosswalk Records.

http://sorcharichardson.com
http://crosswalkrecords.com

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James-Murphy

YVONNE MCGUINNESS (London, UK / Cork, Ireland)

Yvonne McGuinness is an Irish artist who is currently living and working in London. McGuinness’s practice encompasses performance, video, photography and writing. Her work often takes the form of video works, which are sometimes a documentation of a performance or a stand alone film. Recent works such as ‘Procession’ (2012) where she staged a procession on the island of Inis Oírr off the West Coast of Ireland which was documented and made into film. Another recent work the film ‘This is between us’ (2011), was about the artists relationship with her mother. 

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2013. It was a good one for me. I got out more, I saw more things, I heard more things. I went to Body and Soul for the first time and never wanted to leave. Apart from the the bigger gigs (Jon Hopkins and James LCD Soundsystem my favs) I never wanted to leave the ‘our house’ tent. Every night it rocked with unpretentious hands in the air songs and I haven’t danced liked that since 1999. I try to be an artist but most of the time I lament on not being one but then I see certain shows and I think there’s a place for me and desperately want to make things. Laure Prouvost and her show at the Whitechapel, London was one of those catalyst moments. She’s French, she’s just won the Turner Prize — a bit too prematurely I think — so you’re going to know a lot more about her. She makes films that are funny, odd and brilliant and they stay with you despite their constant shift in register with sound and image. Place and event and all time good community festival and just a really positive weekend was Feile Na Bealtaine in Dingle. This is run by the community which is what we Irish are good at. It was heartfelt and uncommercial and I met some amazing people. Every night there was something great on, one of my best gigs of the year was This Is How We Fly at the St James Chapel, home of Other Voices, get their new album it’s stunning. On a closing note I’m reading ‘The Golden Notebook’ again, by Doris Lessing. She just died, she was a fierce lady, a Nobel Lauriet and she’s off somewhere now with Seamus Heaney, Lou Reed, Nelson Mandela and Peter O’Toole doing the do.

—Yvonne McGuinness

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http://yvonnemcguinness.com

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jon-Hopkins-Immunity

MARY NALLY, DROP EVERYTHING (Galway, Ireland)

Mary Nally is the creative force behind Drop Everything, a free contemporary cultural event which takes place in the picturesque surroundings of Inis Oírr, Galway. Designed to encourage and inspire creative exchange between artists and audience alike, 2013’s programme included No Way Back featuring Frank B, John Daly & Ger Z, Bande Apartment, February & Mars, White Collar Boy — among others — and a live set from Steffi & Virginia on Inis Oírr in July. Drop Everything’s 2014 festival will take place on Inis Oírr, Galway from 23rd to 25th May 2014.

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I’ve been asked for my highlights in everything. Now there’s been quite a few from breaking in the backdoor of the Nicolas Jaar party at some palazzo during the Venice Biennale to having the chats and super lolz with Richard James at Pleasure Principle.

Between 15 festivals, at least 7 significant parties, 5 live shows, a fair few art exhibits, one or two clubnights, a few random mad ones and all else in between… these, in no particular order but sort of chronologically are my top memories, highlights and magic moments from 2013.

1. –Lightshow at my absolute favourite Gallery ever the Hayward, David BatchelorCerith Wyn Evans and Jim Campbell’s pieces were particularly captivating and class in this group show.

2. –Beirut, one of the most interesting places I have ever been. I now am on first name terms with half of the publicans there, enjoyed more than one world class lunch at the restaurant Tawlet and can’t wait to go back and take up smoking and hang with the aul lads in the deadliest fucking record shop on earth.

3. -Dublin City’s most interesting festival (in my opinion) OFFSET, three days of not stop design talk brilliance. Kate Moross won with this line, “If you can’t do it. Learn how.”

4. -A roadtrip to Carrick-On-Shannon to the Phase One festival with the gent that is Cian Ó Cíobháin, the tunes & sandwiches he made us for said roadtrip definitely get a “the highlight of the year” award.

5. –Pleasure Principle in Cornwall. Not one bad set all weekend but TNGHT took the overall gold from me.

6. –Ballymaloe Lit Fest for some random foods, drinks and garden walks.  Alys Fowler is definitely one of my hero’s of the year.  Check out her column in the Guardian and have a go at planting things.

7. -VENICE,  The Venice Biennale, the highlight of my every two years. It needs no introduction and there’s no point in an explanation. It’s just everything. Art overload. Party overload. Prosecco overload. 2013 included moments like James Lavelle giving me his phone number, losing the phone ten minutes later and missing the flight home. Time of my life!

8. – Boris Festival of Writing and Ideas where PJ Harvey was the main draw but Michael Craig-Martin was the main event. What a legend.

9. – Body&Soul Festival, a given. JON HOPKINS was beyond a doubt the superstar of this show, although Mother’s rave in the woods under the stars and the sparkle of a discoball did hit all the magical notes.

10. – Inis Oírr, particularly the sunset on our impromptu party with Steffi & Virginia, a super special one that one will last long after the sun goes down on this year.

11. – John Gerrard’s show and lecture for this years Galway Arts Festival. Mindblowingly good.

12. – Inis Turk, lolled out there with a new crew of keepers, midnight swims and falling stars make for yearly highlights but our charted boat to Inishark to find the 4Bothies Gallery is stand out sensational.

13. – No Way Back – a party myself and my lil friends threw. I can safely say the John Daly/Ger Z combo dropping this track at 5am is the stuff that highlights are made from. But following nights lolz and stories with the bff crew on a rollover in a hotel called The Rio are the extra special moments that really count.

14. -The Electric Picnic gets a shout out, not for it’s messy site but for sets from BjorkThe Knife and the David Byrne/St.Vincent duo. Perfection at its best.

15. -Dinner and a Show with Neil Watkins and Co. Exceptional night at Dublin Fringe.

16. –Leonard Cohen one week and Fleetwood Mac another.

17. -Without a doubt the ultimate highlight of my year has nothing to do with music or lolz or amazing food, mind blowing art or a Rick Owens fashion show. It was October 1st, when a man named Herman Wallace was freed from prison. He spent over 40 years in solitary confinement for a crime he didn’t commit and finally his conviction was overturned. A bitter sweet victory. Know this mans story. A true, true hero.

18. -Watching a Saints game in a bar that is really more like a garage called Little’s People Place in New Orelans is major memorable as is the polar opposite tour of NeueHouse in Manhattan, incredible set up for the creative elite.

19.- October turning to November in Iceland. The Aurora Borealis lighting up the sky as I stepped out of Keflavík Aiport and waited for a bus to Reykjavík. There for Iceland Airwaves and it’s stars were Jon HopkinsSin FangMúm and Omar Souleyman. Also Sóley’s secret gig in her garage and the party we threw in a bar called Dolly with Clareman Daithí.

20. – The last weekend of November spent in a country manor somewhere in Meath surrounded by deadly pals when this tune dropped.

21. – The Dingle Peninsula. There for some Other Voices lolz – Alice Maher talking about life at Banter and scoring a ticket to see John Grant close the show in St James’ are up there in highlight territory… but looking out at the Blaskets on an overcast Monday afternoon and a drive over the Conor Pass seeing the December sun begin to set over Dingle Bay in the rear view mirror is how I’ll remember this trip.

And so it goes 2013. All that’s left now are a few debauched Christmas parties, reading all the newspapers ‘A Year in Pictures’, brandy & baileys with the bffs on Christmas Eve and dancing from 23.59 New Year’s Eve until the sun rises on 2014.

2013, done.
2014, let’s do this.
*update – oh and meeting this lad.

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Drop Everything will take place May 23-25, 2014 at Inis Oírr, Co. Galway, Ireland.

http://www.dropeverything.net

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Lucurecia_Dalt_by_Catalina_Perez_2

LUCRECIA DALT (Berlin, Germany)

Colombian-born and Berlin-based artist Lucrecia Dalt released her latest album — ‘Syzygy’ — this October on Berlin-based independent label Human Ear Music. The album (follow-up to the wonderful ‘Commotus’) confirms Dalt’s status as one of the most intriguing composers making music today. Whereas previous album ‘Commotus’ stemmed from bass-driven compositions, ‘Syzygy’ finds Dalt shifting the sonic palette to a more dreamy, ambient-textured palette (she could not use the bass notes as her apartment was in close proximity to the metro line). Film provides much inspiration for Dalt’s practice as a musician, and cites the film work of John Cassavettes, Michelangelo Antonioni and Ingmar Bergman as influences for ‘Syzygy’. 

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List of favorite things from 2013

I have a top 2 records of the year: Jerusalem in my heart – Mo7it Al-Mo7it and Connan Mockasin – Caramel.
but,
there are random things I enjoyed a lot this 2013 like (just as they appear in my memory):

Mac Demarco – Rock and roll night club (the first song of this album)
the concert that “Don The Tiger” gave at Miscelanea in Barcelona
the concert that “za!” gave at Apolo in Barcelona
the concert that Stephan Mathieu gave at KW in Berlin
Julia Holter performing “try to make yourself a work of art”, Corey (the drummer) suggested once to do an extended version of it, I couldn’t agree more!
Touring with Suuns
I hate absinthe
Touring with Julia Holter
I love German wine
I also love Catalan wine
moving to Berlin
I miss the fruits in Colombia
there’s this track by Holden called ‘Seven Stars’
Playing darts with Jason Grier and Ekkerhard Ehlers.
I love Landjäger
Strangely, I stopped liking coffee this year, but I still like to smell it, prepare it, watching people enjoying a cup of coffee.
Realising that a group of people a la “Savage detectives” of Bolaño, existed in Berlin (and they are friends of mine)
Realising that Gena Rowlands is my favorite actress after seeing ‘Opening Night’ by John Cassavetes (and ‘Gloria’ and ‘A Woman Under The Influence’)
I think I saw ‘Deserto Rosso’ around 8 times this year, it was the movie that guided ‘Syzygy’ along with ‘Daydream’ (pink film from 1964), and ‘The Hour Of The Wolf’
I watched ‘Wild Blue Yonder’ by Herzog on a train.
I realised I love to make music on trains, I can say that I could make an album only on trains but that won’t happen.
Working in the production of a series of podcasts called “the utopia is possible: ICSID Ibiza, 1971” for the Radio Web Macba.
I like this Tirzah – Micachu song, a lot!
Best discoveries: Lauren Fairon, Camino al desván “581”, Krzysztof Komeda – “Alfred Behind Sledge”, Tools you can trust.
Most played song in November: Ween – “I play it off legit”
I’m not a library music geek, but there are two library music records that changed my life: Alessandro Alessandroni – Romance and Drama and Eric Vann – Bass Moods.
I realised that the music I like the most have a sixtisomething Italian touch to it.
I’m happy that the “meridian brothers” exist.
I still haven’t finished ‘Glass Bead Game’ by Herman Hesse.
I started to read ‘The House Of Leaves’ by Mark Z. Danielewski yesterday.
I made “inframince” on the 8th of January of 2013.
I tried to get lost in Barcelona but I couldn’t, it’s easier to get lost in Berlin.
I’m learning German, and trying not to forget Catalan.
I like Mirage Hall and Elli by Dirty Beaches.
Something important: I became a Spanish Citizen in 2013.
I became a better cook, it’s a bit scary because I could see myself being only a cook and…. ok ok, I will keep up with my music, promise!
but, maybe I could just do mixtapes? oh nein.
My dearest (experienced) filmmakers: I wish I was working more in music for films, give me a call.
I liked doing shows on banana scent fog, light engineers always got a shiny eye look when I requested the fog machine.

—Lucrecia Dalt

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‘Syzygy’ by Lucrecia Dalt is available now on Human Ear Music.

http://www.lucreciadalt.com
http://www.humanearmusic.de

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directorsound

NICHOLAS PALMER, DIRECTORSOUND (Dorset, UK)

Directorsound is the moniker for Dorset-based musician Nicholas Palmer. As well as comprising one half of the musical duo The A. Lords (who collaborated with Mark Fry on 2012’s ‘I Lived In Trees’ album), Palmer’s Directorsound project has thus far created a string of gorgeous pastoral folk, jazz and exotica-inspired albums, culminating this year with the release of current studio album ‘I Hunt Alone’ (Second Language) and ‘Other Rivers’, a collection of fourteen previously unreleased Directorsound tracks (available now on Directorsound’s Bandcamp Page). 

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I’ll confess that fairly typically I’ve been largely ignorant of new musical releases this year. From what I have heard though the obvious standout was Áine O’Dwyer’s ‘Anything Bright Or Startling?’, a triumphant studio recorded culmination of the vast talents of its maker. Otherwise it’s been a year of boxsets. So, the 10 disc complete works of Mahler dominated my listening for several months. Then, partly for research for a record I’m due to make next summer I exploited the 50 year expiration of copyright of a whole load of classic Blue Note records by picking up a whole load of reissues for next to nothing. Art Blakey’s ‘Orgy in Rhythm Volume 2’ and Stan Getz’s ‘Cool Velvet’ being the standouts. I also finally completed my purchasing of all of Pharoah Sanders Impulse album’s with the superb ‘Elevation’.

Live highlights included the two-day Gamelanathon festival at the Southbank and catching the Diamond Family Archive a couple of times over the year. A little like watching Crazy Horse fronted by Robert Wyatt in the backroom of a London pub. I also had the great honour of playing the Second Language night at Café Oto on a superb bill with Colleen and Áine O’Dwyer who I had to dauntingly follow.

But mainly it’s been a year of staying in watching far too many films to mention. I had a period where I re-watched the entire filmography of Dario Argento films over successive nights. Only this time I finally bothered with Phenomena and was amazed by what I’d been missing. It could quite possibly have the most gloriously absurd end set-piece of any film I’ve watched in 2013 or indeed any other year. Then the Herzog season at the BFI gave me the wonderful and rare opportunity to see some of his films on the big screen. Worth noting too is John Pilger’s ‘Utopia’, that saw him return to the issues of his 1985 film ‘The Secret Country’ concerning Australia’s historical and contemporary treatment of its indigenous population.

This year’s reading has been somewhat dominated by academic musings and policy documents of which I won’t bore the reader with. But Steinbeck’s ‘East Of Eden’ perfectly accompanied me on a week’s rare unmusical holiday to Kerry at the end of a fine summer. Profound and ambitious family sagas are a wonderful traveling companion it would seem.

—Nicholas Palmer

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‘I Hunt Alone’ by Directorsound is available now on Second Language.

http://directorsound.bandcamp.com
http://www.secondlanguagemusic.com

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jamesmcvinnie

James McVinnie (London, UK)

James McVinnie is a highly prolific organist and keyboardist who released ‘Cycles’ – an album comprising organ pieces written by his Bedroom Community labelmate Nico Muhly – and also features Nadia Sirota, Chris Thompson and Simon Wall. McVinnie’s musical career to date has been a fascinating one; he was Assistant Organist of Westminster Abbey between 2008 and 2011 and he previously held Organ Scholarships at St Albans Cathedral, and at Clare College, Cambridge. McVinnie has also collaborated with many contemporary musicians – including Valgeir Sigurðsson, Sufjan Stevens, Sam Amidon and Beth Orton – demonstrating his immense musicianship and impressive versatility as a composer. ‘Cycles’ is available now on Icelandic independent label Bedroom Community. 

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One of the highlights of my 2013 was playing in Irene Buckley’s new score for Carl Dreyer’s iconic early film The Passion of Joan of Arc. Dreyer’s direction together with Renée Jeanne Falconetti’s astonishing portrayal of Joan of Arc has given this film cult status and is widely accepted as one of the most outstanding, harrowing and emotionally charged films of all time. If you haven’t seen it, then get on to it. Tragically, two separate fires destroyed two original versions of the film in quick succession soon after it was made, and for decades it was impossible to find an authentic version of what Dreyer had originally intended. In 1981 an employee of a Oslo mental hospital found several film canisters in a closet that were labelled as being The Passion of Joan of Arc. Miraculously, this version was found to be a copy of Dreyer’s original film prior to censorship by the church and state, and so in recent years this film has been in widespread circulation. We don’t know what music would have accompanied this film when it was premiered in 1928. Irene Buckley’s score was commissioned by the Cork International Film Festival and premiered in 2012 and is for organ, electronics and soprano. For me it is hard to imagine this film without this music. Irene’s skill at moulding and melding plainsong-like vocal melodies with ambient soaked electronics, punctuated and coloured by the organ adds another dimension to this harrowing piece of cinema. The bass frequencies of a pipe organ in a large acoustic are largely impossible to recreate successfully using even the best of sound systems. At several points throughout the film, Irene’s score calls for the lowest notes of the organ (made by sending air through pipes which are up to 32 feet in length) to be played simultaneously, creating throbbing, visceral sounds which are felt in the pit of the stomach rather than heard by the ear. We had three wonderful and highly charged showings of the film in Glasgow, Cork and in London’s Union Chapel and we drank buckets of Chablis after each one in order to recover.

Midsummer for me this year, as in previous years, was spent in Iceland. There is something wildly exhilarating about being there during the month of June. With nearly 24 hours of sunshine, everyone buzzes around on cloud nine. [There was a bizarre moment when Nico Muhly and I flew back to England for 48 hours to play at the St John’s May Ball in Cambridge – bizarre because it was suddenly dark at 11pm and people went to bed.] Whilst in Iceland I celebrated the wedding of two dear friends with many other dear friends on Viðey Island and then I got a tiny plane to the North West Fjords to play Bach for a week. I’ve been going to Iceland for years to holiday or to play in various music festivals, but it is wonderful to now be an official part of the diverse and inspiring group of artists at Bedroom Community. You can read about Cycles, my debut release of music by Nico Muhly here and you can buy it here. I’m really pleased with how this recording has turned out, both in terms of its sound but also how the physical CD looks. I returned to Iceland in August via concerts in Sweden to give a concert at the HallgrÍmskirkja, Reykjavik’s landmark church on top of the hill. It houses a spectacular Klais organ which is stunning both to look at and to listen to. Later in the year, in late October Bedroom Community offered an off-venue concert in the same church at the start of the 2013 Iceland Airwaves Festival. For me, this was one of the most memorable concerts of the year. It was wonderful to have played to a huge appreciative capacity crowd, many of whom were lying in the aisles gazing up at the church’s vaulted ceiling, and who would not necessarily have even considered the pipe organ as an instrument worth listening to. I also played a little concert in Kaffibarinn on the Yamaha home organ (think 1980s bossa nova, but expect much more), much of which you can hear on Yule 2013, Bedroom Community’s Christmas special album (get it here). There is a fun little clip of Bedroom Community’s Airwaves contributions here.

December has been busy with the usual round of Christmas carol services and concerts including appearances with various groups including the Royal Philharmonic Orchestra the choir of St James’s Palace. I’m looking forward to a busy start to 2014 with a couple of weeks of swimming and intensive music-learning in Iceland in preparation for a concert I’m giving in the Royal Festival Hall at London’s Southbank Centre on March 30th. Everyone should come – I’m playing works by Bach and a new piece specially composed for me by Martin Creed, artist and composer. I’m also planning recordings of Bach and another featuring more new music for the organ.

James McVinnie

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‘Cycles’ by James McVinnie is available now on Bedroom Community.

http://www.jamesmcvinnie.co.uk
http://www.bedroomcommunity.net

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Julia Kent by Fionn Reilly 06

JULIA KENT (New York, USA)

Vancouver-born and New York-based cellist Julia Kent released her third full-length solo album, ‘Character’, this year on the Leaf label. Alongside previous solo works ‘Delay’ and ‘Green and Grey’, Julia Kent has produced an immensely innovative and highly distinctive body of work to date. Kent had previously collaborated with numerous bands including Antony and the Johnsons’ ‘I Am A Bird Now’ album, where Kent’s cello playing provides the perfect counterpoint to Antony Hegarty’s distinctive vocals. 2013 saw Julia Kent tour extensively both in the US and Europe promoting her current solo album ‘Character’.

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For me, 2013 was a year filled with glorious music: records by The Necks, Helen Money, Teho Teardo, Lubomyr Melnyk, Lori Goldston, and many other artists were essential accompaniment to what felt like a lot of time spent in transit. Music is always a fascinating travel companion: it can take you on a parallel journey to the actual journey you are undertaking, creating a soundtrack to wherever you might find yourself. Different environments inflect what you are listening to, and vice versa. The records that I loved this year brought their own atmospheres to wherever I listened to them, whether a subway in New York City, a train somewhere in Europe, or an airport in that limbo territory that is unique to airports.

In terms of live shows: this year I had the joy of playing with Teho Teardo live for the first time: He’s a multifaceted composer whose music I have admired for a long time; he has a really special energy and it was wonderful to have the experience of playing with him and his fabulous cellist Martina Bertoni in Ferrara. Also in Italy, over the past year, I have been lucky enough to play in some spectacularly beautiful venues: churches, theatres, palaces, mountain towers and magical gardens. In Italy the venues and the audiences are always special, and I feel fortunate to have the chance to play there often.

This past year I also encountered the amazing pianist and composer Lubomyr Melnyk live for the first time, in a church, at the Reeperbahn festival in Hamburg. His performance was completely transcendent: an incredible flow of music like a waterfall, or some other natural phenomenon. And just last week here in New York I saw an equally transportative concert by Stars of the Lid (also in a church…churches are always such wonderful environments to hear music—but also chilly!).

Jordi Savall’s concert at the White Lights festival at Alice Tully Hall was another high point of the past year. It traced the relationships between various ethnic musics in the Balkan regions and was both conceptually and historically fascinating while, at the same time, immensely moving in a very elemental way. It demonstrated that, however trite it may sound, music is, indeed a universal language; a way of communication that I am very grateful to be able to share. I hope that this new year brings more opportunities to do that…

—Julia Kent

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‘Character’ by Julia Kent is available now on Leaf.

http://www.juliakent.com
http://www.theleaflabel.com

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happy holidays from nyc!

‘Happy Holidays from NYC!’, Julia Kent, December 2013.

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colleen_theweighingoftheheart

To conclude, we’d like to add our own list of our favourite albums (in no order) from 2013:

Nils Frahm – Spaces (Erased Tapes)
Julia Holter – Loud City Song (Domino)
William Tyler – Impossible Truth (Merge)
Holden – The Inheritors (Border Community)
Colleen – The Weighing Of The Heart (Second Language)
Julia Kent – Character (Leaf)
Hiss Golden Messenger – Haw (Paradise Of Bachelors)
Lucrecia Dalt – Syzygy (Human Ear Music)
The National – Trouble Will Find Me (4AD)
Jon Hopkins – Immunity (Domino)
William Onyeabor – Who is William Onyeabor? (Luaka Bop)
Laraaji – Celestial Music 1978-2011 (All Saints)
Eden Ahbez – Eden’s Island [Re-Issue] (Righteous/Cherry Red)

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We’d like to give our heartfelt thanks to everyone who has contributed their words, shared their wisdom, reflected on their music and — most importantly — given their time over the last twelve months. Most of all, we would like to say a very special thank you to each and every person for reading. We feel really fortunate to be able to do this and we hope to feature many more musicians and albums in the coming year.
Happy New Year.

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