FRACTURED AIR

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Posts Tagged ‘Bedroom Community

First Listen: ‘Cycles_1’ by James McVinnie (Bedroom Community)

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We are thrilled to premiere the new remix album ‘Cycles_1’ – a collection of remixes of London-based organist and composer James Mc Vinnie’s ‘Cycles’ opus – which comes out this Friday, 24th March 2017 via the prestigious Icelandic label Bedroom Community.

‘Cycles_1’ features Remixes by Sam Slater, Matt Huxley, Scanner, Talos, Paul Evans, Liam Byrne and Alex Groves. Taken from James McVinnie’s debut Bedroom Community album, ‘Cycles’ (music composed by Nico Muhly). 

This is the fifth release on Bedroom Community’s HVALREKI digital series.

cycles_1

 

 

 

James Mcvinnie

‘Cycles_1’  is available this Friday 24th March 2017 as part of Bedroom Community’s HVALREKI digital series. ‘Cycles_1’ can be purchased HERE.

Alex Groves:

“I wanted to take one of the shortest and most frenetic pieces on the album and flip it on it’s head, turning it into this extremely slow and very spacious piece. There are just a few tiny fragments that repeat and layer and gradually build up into this big wall of noise. It kinda feels like the original got stretched beyond recognition and all these other sounds came into view.”

Talos:

“The track itself is this beautiful, stirring set of motifs that speak to each other but never really touch. In a way I saw the remix as the aftermath of that conversation… Something ponderous and tactile.”

Scanner:

“I was looking towards expanding upon the original piece, whilst retaining its elegance and grandeur. It explores a form of cinematic expression with pulsing light and dark, with a series of repetitive motifs that gradually develop into a percussive workout that continues to envelop a skeletal adaptation of the original Prelude throughout. Most of the string and keyboard parts I added were played live with no computer trickery to improve the timing. It closes in a very intimate way with additional vocal and guitar parts. I always enjoy the flow and tension of performing live to tape.”

Sam Slater:

“My idea was to use as little as possible. I broke a plate in the kitchen, sampled it and mangled a single loop of Nadia’s breath, violin and a single organ chord from Jamie. Everything else is just processing and kick drums, all placed inside some kind of ceramic texture world. It’s meant to sound like rocks underwater, or cracking knuckles or something.”

Paul Evans:

“I have had a longstanding love for liturgical music and the interaction between sound and architecture. With this remix I wanted to explore the space between notes and to build a sonic temple to religious ecstasy.”

Matt Huxley:

“This remix was mostly made back in 2013, as a way to pass the time on the plane back from having visited Nico in New York. I wanted it to be a pure collage, so there are no extra bits added in, with everything coming from the original track. I think this was the first of all these remixes to be made, so I’m very happy to see it released.”

‘Cycles_1’  is available this Friday 24th March 2017 as part of Bedroom Community’s HVALREKI digital series. ‘Cycles_1’ can be purchased HERE.

https://jamesmcvinnie.bandcamp.com/
http://www.bedroomcommunity.net/

Written by admin

March 23, 2017 at 2:00 pm

Whatever You Love You Are: Nadia Sirota

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In celebration of the prestigious Icelandic label Bedroom Community’s tenth anniversary year, we are delighted to present the second in a series of features where the artists share their musical influences, memories and most cherished recordings. Following on from label co-founder Valgeir Sigurðsson, it’s New York’s renowned violist and composer, Nadia Sirota.

Words: Nadia Sirota

 

nadia1b-samanthawest-1-e1340049854490

Bedroom Community is an Icelandic record label/collective formed in 2006 by Valgeir Sigurðsson, with Nico Muhly and Ben Frost, later adding Sam Amidon, Daníel Bjarnason, Puzzle Muteson, Paul Corley, Nadia Sirota and James McVinnie to the intimate roster. 2015 saw two new additions to the family being: Emily Hall & Jodie Landau and wild Up.

Like-minded, yet diverse individuals from different corners of the globe all creatively orbit around an inconspicuous building and its inhabitants on the outskirts of Reykjavík Iceland – Greenhouse Studios – where the music is mostly created.

In celebration of the influential record label’s 10th Anniversary in 2016, members of the collective come together in a series of live performances known as the Whale Watching Tour. The inspirational tour is an unusual and ambitious premise. The artists, who are friends and colleagues, present what is more like a musical conversation with aspects of a show-and-tell than a formal concert.

Nadia Sirota, Valgeir Sigurðsson, Nico Muhly, Sam Amidon, Daníel Bjarnason & Jodie Landau are going for several dates on both side of the Atlantic to keep going this Whale Watching Tour 2016, celebrating the tenth anniversary of Bedroom Community. They will also deliver during Iceland Airwaves a very special performance together with the Icelandic Symphony Orchestra in Harpa, Reykjavik.

The first piece of classical music you fell in love with?

When I was very little I was OBSESSED with the Overture from Bernstein’s Candide. Obsessed.

A recording whose arrangements floored you?

David Bowie ‘Blackstar’ sounds so bonkers-good.

A masterful composition which made a huge impact on you?

Olivier Messiaen Quartet for the End of Time

An unforgettable live performance you have been part of?

My very first BedCom performance at Airwaves, of KIT, in 2006. It was also the first time I’d played a long-ass viola piece for a bunch of drunk and sweaty festival-goers and and I became addicted to it.

A defining record that led you onto your own musical path?

Kim Kashkashian’s Brahms Viola Sonatas

Nadia will perform along with Nico Muhly on the album launch concert on September 27th, and during Bedroom Community’s Whale Watching Tour.

 

WHALE WATCHING TOUR

27.09.2016 New-York, Subculture**

01.10.16 Krakow, Sacrum Profanum **

03.10.16 Copenhagen, Bremen Teater *

04.10.16 Leipzig, UT Connewitz*

05.10.16 Amsterdam, Paradiso*

06.10.16 Bristol, Colston Hall*

07.10.16 London, Barbican **

03.11.16 Reykjavík, Iceland Airwaves **

Nadia Sirota*

Nico Muhly & Nadia Sirota**

Over the past decade, Sirota has been involved with unique interpretations of new scores and for commissioning and premiering works by some of the most talented composers. The New York Times has heralded Sirota as “a bold new-wave music interpreter and the violist of choice among downtown ensembles these days.” Sirota has been an integral part to luminaries of both the modern-classical scene (Stars Of The Lid, Max Richter, Jóhann Jóhannsson) and indie giants such as Arcade Fire, The National and Grizzly Bear, to name but a few. Similar to her close friend and colleague, Nico Muhly, Sirota graduated from the Juilliard School where she created the Juilliard Plays Juilliard programme for student composers and performers. Furthermore, Sirota is also a founding member of ACME (the American Contemporary Music Ensemble).

Keep In Touch’ is the new album from Nico Muhly & Nadia Sirota and features The Detroit Symphony Orchestra and Alarm Will Sound. ‘Keep In Touch’, especially in its original version, was premised on the fear of never quite managing to make that connection. Its two soloists—violist Nadia Sirota and vocalist Anohni, of Antony and the Johnsons—were recorded separately, so that Anohni was virtually present, her part constructed from pass after pass of vocal improvisations, while Nadia’s was added later, all in one long, live take.

Every dimension of the piece accentuates what Muhly calls the “in-betweenness” of these two strange voices: Antony’s singing and the equally sweet falsetto of the viola. The solo part, with its bow-scrapes and awkward passagework, affectionately emphasises the instrument’s flaws, its unevenness’s of tone, and its idiosyncratic character as the neglected middle child of the fiddle family. (Even the percussion on the electronic track is constructed from the little noises a violist usually makes only by accident.) And Antony’s voice, so stately on his own records, is here reduced to abrupt, extemporaneous gestures” mirroring, not alleviating, the viola’s isolation.

– Program Notes, Daniel Johnson (2007)

‘Keep In Touch’ is released via Bedroom Community on 30th September.

https://bedroomcommunity.bandcamp.com/album/keep-in-touch

http://www.nadiasirota.com/

http://www.bedroomcommunity.net/

 

Written by admin

September 12, 2016 at 6:13 pm

Whatever You Love You Are: Valgeir Sigurðsson

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In celebration of the prestigious Icelandic label Bedroom Community’s tenth anniversary year, we are delighted to present the first in a series of features where the artists share their musical influences, memories and most cherished recordings. First up is label co-founder Valgeir Sigurðsson.

Words: Valgeir Sigurðsson

valgeir

Bedroom Community is an Icelandic record label/collective formed in 2006 by Valgeir Sigurðsson, with Nico Muhly and Ben Frost, later adding Sam Amidon, Daníel Bjarnason, Puzzle Muteson, Paul Corley, Nadia Sirota and James McVinnie to the intimate roster. 2015 saw two new additions to the family being: Emily Hall & Jodie Landau and wild Up.

Like-minded, yet diverse individuals from different corners of the globe all creatively orbit around an inconspicuous building and its inhabitants on the outskirts of Reykjavík Iceland – Greenhouse Studios – where the music is mostly created.

In celebration of the influential record label’s 10th Anniversary in 2016, members of the collective come together in a series of live performances known as the Whale Watching Tour. The inspirational tour is an unusual and ambitious premise. The artists, who are friends and colleagues, present what is more like a musical conversation with aspects of a show-and-tell than a formal concert.

The Whale Watching Tour is an opportunity to manifest what we, as a record label and a collective of disparate musical personalities, do behind the closed doors of the studio. To create something uniquely belonging to the live experience from source material that is very familiar to us. These shows are fuelled by joyful energy and appreciation for each other but also tension, blood and sweat that makes it all the more rewarding at the end of the day.”

– Valgeir Sigurðsson

Valgeir Sigurðsson, Nico Muhly, Nadia Sirota, Sam Amidon, Daníel Bjarnason & Jodie Landau are going for several dates on both side of the Atlantic to keep going this Whale Watching Tour 2016, celebrating the tenth anniversary of Bedroom Community. They will also deliver during Iceland Airwaves a very special performance together with the Icelandic Symphony Orchestra in Harpa, Reykjavik.

Running alongside this, though, is a commitment to releasing new music. The label has launched the Hvalreki series, a platform for inquisitive producers to group together and focus on fresh innovation. The title means ‘beach whale’ in Icelandic, and it aims to become a regular showcase for ideas that sit outside the norm. The Hvalreki series launches with material from Nico Muhly and Valgeir Sigurðsson. ‘Scent Opera‘ owes its origins to a project at the Guggenheim back in 2009, and it’s a lengthy, hypnotic work.

‘Scent Opera’ by Nico Muhly & Valgeir Sigurðsson is available now:

For full dates of Bedroom Community’s forthcoming Whale Watching European Tour, visit HERE

First piece of classical music you fell in love with?

Air on G string – Johann Sebastian Bach

 

A recording whose arrangements floored you?

Talk Talk Spirit of Eden

 

A masterful composition which made a huge impact on you?

Piano & String Quartet – Morton Feldman

 

An unforgettable live performance you have been part of?

A disastrous gig in Magdeburg on a joint tour with Ben Frost in the early days.

A defining record that led you onto your own musical path?
The Clash London Calling

 

Composers/records/musical voices you feel you have learned the most from?

Nico Muhly / Selmasongs / Mark Bell

Most cherished moment(s) from Bedroom Community’s first ten years?

WhaleWatching Tour 2010

Favourite film score(s)

Bernard Herrmann Vertigo

 

One musical philosophy that has always remained true for you?

“It doesn’t matter what you can, only what you do” – Einar Örn Benediktsson 1982

A piece of music / recording / song that speaks to you like no other
Nick Drake River Man

 

‘Scent Opera’ by Nico Muhly & Valgeir Sigurðsson is available now:

For full dates of Bedroom Community’s forthcoming Whale Watching European Tour, visit HERE

 

 

Fractured Air x Blogothèque – S1E4 | April mix

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fracturedairmix_april16

 

We’re delighted to present an exclusive unreleased track by U.S. composer and songwriter Peter Broderick (Bella Union, Erased Tapes) in April’s mixtape. For well over a decade now, the world-renowned Portland Oregon-born artist has been to the forefront of the thriving independent music scene, amassing a considerable body of work across a multitude of labels and platforms in the process. While originally a member of both Efterklang and Horse Feathers, Broderick’s reputation as a gifted solo composer would be heralded by the release of both folk-based “Home” (Bella Union) and the piano-based “Float” (Type) in 2008. Since then, Broderick has released a plethora of records for labels such as Erased Tapes and Bella Union, highlights including: 2009’s “Music For Falling From Trees”, 2011’s “Music For Confluence”, 2012’s “These Walls Of Mine” and 2015’s “Colours Of The Night” albums. Collaboration has also been of vital importance to Broderick’s artistic output to date. Duos have been formed with U.K.’S Greg Haines (Greg Gives Peter Space) and France’s Félicia Atkinson (La Nuit) while other collaborations have featured: Nils Frahm, Machinefabriek, Gabriel Solomon, Heather Woods Broderick and The Beacon Sound Choir. In recent years, Broderick has produced, recorded, and guested on many musicians’ works from his home-based studio, “The Sparkle” (Corrina Repp, Brumes, David Allred).
Here is how Peter describes his track, “Boom”:

“It’s a thing I call Boom, and it’s basically just some effected casio loops with live drums over the top… I’ve enjoyed listening to it several times and don’t really have any plans to do anything with it.”

Also appearing on April’s mixtape is Irish composer and pianist Conor Walsh. Born in County Mayo, Conor Walsh released his debut E.P. (“The Front”, via Ensemble Music) last year to widespread critical acclaim. Despite it being Walsh’s debut recorded release, Walsh was a firmly established artist who had toured regularly across Ireland and additionally composed for both film and television to date. It was with such great sadness to learn of Conor’s sudden and untimely death in March. We’d both like to take this opportunity to dedicate this month’s mixtape to the memory of Conor Walsh, such an inspiring and beautiful composer and person who has touched many people’s lives with his music.

Fractured Air x Blogothèque – S1E4 | April mix

To Read/listen on La Blogothèque:

http://en.blogotheque.net/2016/04/26/fractured-air-x-blogotheque-s01e04-april-mix/

 

Tracklisting:

01. Days Of Heaven“You’d give him a flower…” (Paramount Pictures)
02. HKE“Awake” (Olde English Spelling Bee)
03. Nico Muhly/Sam Amidon“The Only Tune: I. the Two Sisters” (Bedroom Community)
04. Nonkeen“The Invention Mother” (R&S)
05. Peter Broderick“Boom” (Unreleased)
06. Micachu & The Shapes“Oh Baby” (Rough Trade)
07. Babyfather“God Hour” (feat. Micachu) (Hyperdub)
08. Samiyam“Animals Have Feelings” (Stones Throw)
09. Mo Kolours“A Soul’s Journey” (One-Handed Music)
10. John Forbes, Teach, Earth, Roots & Water“Awakening” (Summer)
11. Van Dyke Parks“Occapella” (Warner Bros.)
12. Tindersticks“How He Entered” (City Slang/Lucky Dog)
13. Ravel“Pavane Pour Une Infante Défunte” (Decca)
14. Pantha du Prince“The Winter Hymn” (feat. Queens) (Rough Trade)
15. Solar Bears“Wild Flowers” (Sunday Best Recordings)
16. The Field“Pink Sun” (Kompakt)
17. DJ Koze“Marilyn Whirlwind” (Victoria OST, Erased Tapes)
18. Grizzly Bear“A Simple Answer” (Liars Remix) (Warp)
19. Lindstrøm“Closing Shot” (Feedelity/Smalltown Supersound)
20. Tropic of Cancer “Stop Suffering” (Blackest Ever Black)
21. Linda Buckley“Haunt” (The Wake OST, Soundcloud)
22. Bonnie “Prince” Billy“When Thy Song Flows Through Me” (Drag City/Domino)
23. Colin Stetson, Megan Stetson & The Sorrow Ensemble“Sorrow – A Reimagining of Gorecki’s 3rd Symphony: II” (extract) (52Hz)
24. Conor Walsh“K Theory” (Ensemble Music)
25. Hauschka“Stromness” (Eluvium Remix) (City Slang)
26. Peter Broderick “And Its Alright” (Nils Frahm RMX) (LateNightTales)
27. Ryuichi Sakamoto & Alva Noto“The Revenant Theme” (Alva Noto Remodel) (The Revenant OST, Milan)
28. Nils Frahm“Our Own Roof” (Victoria OST, Erased Tapes)

Compiled by Fractured Air, April 2016. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

http://www.blogotheque.net/
https://fracturedair.com/

 

Whatever You Love You Are: Emily Hall

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Earlier this year marked the release of ‘Folie à Deux’, a highly ambitious concept album detailing a modern-day relationship of love and loneliness by the award-winning British composer Emily Hall. Commissioned by Mahogany Opera Group, the album’s lyrics were written by long-term Björk collaborator Sjón, while the album was released by world-renowned Iceland independent Bedroom Community. ‘Folie à Deux’ was written for two singers – Swedish vocalist Sofia Jernberg and British tenor Allan Clayton – while a specially created electro-magnetic harp was also made for the recordings. Emily Hall studied composition at York University and the Royal College of Music, London. She has written for many different ensembles and orchestras including the London Sinfonietta, LSO, BBCNOW, the Brodsky Quartet, Opera North, LCO, Hungarian Radio Choir.

Words: Emily Hall

emilyhall_Kate Benjamin and Rob Orchard

 

Grisey: Partiels

I couldn’t believe my ears and my eyes when I first heard this. Grisey deconstructed sound then reconstructed it with a live orchestra to this insanely beautiful effect. I took a lot from Grisey for a long while and it’s stayed with me.

Owen Pallet: Heartland

Here’s a great concept album which can be appreciated on so many levels and which has a narrative you have to work to discover (in a good way). It was definitely a reference when I decided to create my own opera/concept album in Folie.

Dido and Aeneus: When I am laid in earth: Henry Purcell

The harmony of the suspended vocal line against the strings in this aria is probably perfect. I love the zoomed in and heightened emotional state he creates.

Tracey Emin: words

I see Tracey Emin as a benchmark for honesty in art – the transparency of her art and words has a direct hit for me which I always aspire to.

tracey-emin-she-lay-down-2011-etching

Debussy: Pelléas et Mélisande

I saw this in my early 20s and it had a massive impact on me. It has a really distinct dreamy atmosphere and a good production will fold you into Debissy’s dreamy world and keep you there. I think it is the kind of opera that can only be felt live.

Olivia Chaney

Voices are always a major inspiration for me. Here’s Olivia Chaney one of my favourite singers and someone I’ve had the pleasure to write for.

 


 

folie

‘Folie à Deux’ is available now on Bedroom Community.

http://www.emilyhall.co.uk/
http://bedroomcommunity.net/