FRACTURED AIR

The universe is making music all the time

Posts Tagged ‘Arthur Russell

Mixtape: Fractured Air – January 2019

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Our January mix features a host of sumptuous sonic gems that surfaced – for the most part – throughout last year. Vital reissues from Amercian dream pop artist Happy Rhodes (Numero Group); Robert Rental’s sublime post-punk explorations culled from 1980 demo tapes (Optimo Music) and Dublin artist Stano’s seminal 1983 solo debut released on Dublin’s Allchival re-issue imprint.

More sensational African funk emanates from the formidable Berlin Habibi Funk imprint (the label’s latest two releases are featured). With thanks to the XLR8R top tracks of 2018 piece, we’ve been introduced to the remarkable ambient opus ‘Nothing To Loose’ by DJ Healer, released last year to widespread acclaim. Peter Broderick (with a little help from his friends) has released his eagerly awaited “Sings Arthur Russell” album. His gorgeous rendition of “The Ballad Of The Lights” closes out our January mixtape.

Thanks as always for listening.


Fractured Air – January 2019

01. Christina Vantzou“Glissando for Bodies and Machines in Space” (Kranky)
02. DJ Healer“Great Escape” (All Possible Worlds)
03. Cucina Povera“Demetra” (Night School)
04. Eno Moebius Roedelius“Old Land” (Skyclad)
05. Beverly Glenn-Copeland“Color Of Anyhow” (Super-Sonic Jazz Records)
06. Sarah Davachi“Gloaming” (Ba Da Bing!)
07. Thom Yorke“Open Again” (XL Recordings)
08. James Heather“Ruqia” (Echo Collective Rework) (Ahead Of Our Time)
09. Djrum“Sparrows” (R&S Records)
10. GOSSIWOR“Fields of Helyon” (5 Gate Temple)
11. Severed Heads“Gashing the Old Mae West” (excerpt) (Ink, Virgin)
12. Lucrecia Dalt“Tar” (Jan Jelinek Remix) (RVNG Intl)
13. Happy Rhodes “When The Rain Came Down” (Numero Group)
14. Jinjé“Solace” (Kicks & Drums Records)
15. Robert Rental“Moving My Blue” (Optimo Music)
16. Kamal Keila“Al Ashafir” (Habibi Funk)
17. The Scorpions & Saif Abu Bakr“Shaikan Music” (Habibi Funk)
18. Noname“Blaxploitation” (Self-released)
19. El Perro del Mar“Walk On By” (Saint Etienne Remix) (Self-released)
20. Leon Vynehall“Envelopes (Chapter VI)” (Ninja Tune)
21. Yves Tumor“Licking An Orchid” (Warp)
22. Stano“Out of the Dark, Into the Dawn” (Scoff / Allchival)
23. Stuart A. Staples“Step into the Grey” (City Slang/Lucky Dog)
24. David Shire“Theme From The Conversation” (The Conversation OST) (Intrada)
25. Barnes & Trost“Holidays in the Old City” (LM Dupli-cation)
26. The Beach Boys“All I Wanna Do” (Reprise)
27. Kaitlyn Aurelia Smith“Tides III” (Bandcamp)
28. DJ Healer“End of the World” (All Possible Worlds)
29. Peter Broderick & Friends“Ballad Of The Lights” (Pretty Purgatory)

Chosen One: Peter Broderick

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“When covering someone else’s work, one can’t help but wonder sometimes, what would the artist think about these new renditions?”

—Peter Broderick

 Words: Mark Carry

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Released initially on Christmas day, “Peter Broderick & Friends Play Arthur Russell” is a loving tribute to the 20th century musical visionary.

Many parallels exist between these two cross-generational composers, for Russell and Broderick’s genre-defying and deeply moving musical works are boundless (in terms of crossing a myriad of styles and many times within the same record) and limitless (in terms of the sublime beauty that soars from each artist’s wholly unique song-craft). The full spectrum of Arthur Russell’s compelling songbook is celebrated – and re-interpreted – across the album’s ten pristine recordings, from post-disco (‘That’s Us/Wild Combination’); sparse folk (‘Words of Love’) to soul-stirring minimal wave of ‘Losing My Taste For The Nightlife’ and folk country gems (‘You Are My Love’).

This deeply heartfelt record reflects just how these American composers are in fact, kindred spirits and this precise timeless spirit emanates from the album’s captivating narrative (of which spans many of Russell’s divine records). On ‘Ballad Of The Lights’, a young boy’s voice (replacing Allen Ginsberg’s original spoken word) talks about life and mortality and hopes and fears: “He wonders about life and he wonders if he will ever get old”. It is one of the most beautiful and deeply moving recordings to grace your ears, to hear a boy (full of innocence, sincerity and hope) that “mystifies his younger years” and hits you profoundly.

This album invites a cast of family and friends to offer new insights into Russell’s music. ‘Come To Life’ sees the gorgeous harmonies of Brigid Mae Power’s blend effortlessly with Broderick’s, creating a divine avant pop folk odyssey. The two previously unreleased Arthur Russell recordings are also captured to tape here, further revealing (yet again) the endless mystery and innovative nature of Russell’s tower of songs.

‘Peter Broderick & Friends Play Arthur Russell’ is available now via Pretty Purgatory:

https://prettypurgatory.bandcamp.com/album/peter-broderick-friends-play-arthur-russell

http://www.peterbroderick.net/
https://arthurrussell.bandcamp.com/

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Interview with Peter Broderick.

 

Congratulations Peter on the truly spellbinding Arthur Russell covers record, it’s such a loving dedication to a special voice in music. One of the lovely aspects of this collection is how you interpret Arthur’s songs, and in many ways make them your own (or at the very least, put your own unique fingerprint to these songs). Please take me back to the recording sessions and this beautiful ensemble you had by your side? Having played several live shows in the recent past with this concept, I wonder did you have quite a clear picture in how this album would become?

Peter Broderick: Thank you Mark. As you say, I had already done a number of Arthur Russell tribute shows, so it felt like a natural next step to record some of those songs. And after getting the chance to meet Arthur’s niece and nephew in Maine, as well as making some other friends in Maine whom I wanted to collaborate with in some way, I got the idea to record the songs there, in Portland, Maine, and to invite Rachel and Beau to contribute to these new versions of their uncle’s songs. After recording the basic tracks there, I put the finishing touches on the recordings at home in Ireland, inviting some more friends and family to contribute.

Can you recount your memories of first discovering Arthur’s music? Which record or musical period did you first fall in love with his unique sound? I must say there is a lovely correlation between you and your musical hero, in particular how you both really have created a plethora of wide-ranging musical journeys (in terms of the boundless nature of your music)…in the process of delving into this album, were there new insights and learnings you feel you uncovered about Arthur Russell’s songbook and musical genius?

PB: The first record that caught my ear was Another Thought, which I heard at a friend’s house in 2008 or 2009. I had already heard of Arthur Russell quite a bit before then, and even had quite a few people tell me I reminded them of Arthur Russell . . . but for whatever reason that was the first time the music really caught my attention. But once my attention was caught, I quickly went down into the rabbit hole. I just love everything he did, and how much musical exploration there is in his catalogue. I tracked down everything of his I could get my hands on. The most expensive record I ever bought is an original pressing of ‘Tower Of Meaning’ . . . I’m not gonna tell you how much I payed for that!

Two songs are previously unreleased, never to have been released by Arthur Russell. I was very interested to hear that you were given full access to his vast treasure chest of unreleased recordings. Can you perhaps discuss the reasons why you picked these two particular songs, Peter? I’d love for you to describe this experience and indeed how you crossed paths – and collaborated closely – with many of Arthur’s family, not least his partner Tom Lee?

PB: I wouldn’t say I was given full access to the archives. But Steve Knutson, who manages the Arthur Russell Estate, handed over to me several hours of unreleased material, which I then combed through to retrieve anything listenable . . . some of which needed considerable finessing to get into a decent sonic state. But the whole process was deeply fascinating to me, and along the way I discovered some absolute gems of songs, including those two on the record, which Steven and Tom Lee so graciously allowed me to release. And it’s been wonderful getting to know Tom. He has such a pure love for Arthur’s work, and he creates such beautiful works of art himself. I’m really honoured to have his painting on the cover of my little record of covers.

Portland Maine is the place of birth for both you and Arthur Russell. What was Maine like as a place to grow up in? The coast must be something that served a big inspiration for you, throughout your life?

PB: I was born near a small town called Searsmont, a couple hours away from Portland, Maine. And Arthur was actually born in Iowa. But much of Arthur’s surviving family is based in Maine nowadays. My family relocated to Oregon when I was just 3 or 4 years old, so it’s only in the last few years that I’ve been reconnecting with my birth place a bit. I’ve come to realize that I really love Maine.

Your beloved step son – and a big hero of mine! – Seán Power is prominently featured on the gorgeous and deeply moving cover of ‘Ballad Of The Lights’. I just love how Seán’s spoken word segments are beautifully interwoven with your heavenly harmonies. Please take me back to the recording (and even your initial ‘sketches’ so to speak) of this incredible song (and new recording)? Needless to say, it must have been a fun session to participate in…

PB: I’m not sure when exactly I got the idea in my head to ask Seán to recite those lines, which are spoken by Allen Ginsberg on the original recording . . . but once I got the idea, I couldn’t shake it. I asked Seán if I could hire him for the job, and I believe we settled on €30 plus a trip to the toy store immediately after the recording session. I am absolutely delighted with the result, and I think he was pretty happy with his new toys. It seems like people are enjoying that part of the record, which I’m really glad to hear. Seán is an awesome dude and I’m so grateful he’s on there.

One of my all-time favourite Arthur Russell songs is ‘Losing My Taste For The Nightlife’ and your version here is so fitting and blissfully beautiful. Again, the immaculate instrumentation and your vocal delivery (a constant across all these songs) breathes new life into Arthur’s sacred songbook. Did you have any concerns or doubts about (not only) playing Arthur’s songs (in terms of the live shows) but recording a whole batch of songs and releasing them?

PB: When covering someone else’s work, one can’t help but wonder sometimes, what would the artist think about these new renditions? I was definitely a little self-conscious about turning ‘A Little Lost’ into a reggae song . . . but I just LOVE playing it like that, and it’s one of my favorite ones to listen to from the record. There are some songs, like ‘Eli’ for instance, which I tried to learn pretty much note for note . . . but then there are others which I felt compelled to make a bit more my own. I suppose like anything, some people will like it and some people won’t. I’m happy with all these versions though.

Were there any happy accidents – I’m sure there were, as often in your recordings some spontaneous wonder occurs – that took place during the making of this record? I also love how you cover a lot of the composer’s various releases and in turn, this record really does convey just how inspirational and genre-defying his music truly is….

PB: Well I was really surprised by some of the contributions from friends on this record. The pedal steel parts from Hamilton Belk really blew my mind and just added so much to the songs. David Allred’s horn arrangement on ‘A Little Lost’ was a lovely surprise, and I love the bass part that Daniel O’Sullivan came up with on ‘Come To Life’. All of Beau Lisy’s percussion additions are really special to me. He likes to play this thing he calls a ‘Shitar’, which is basically a guitar with a bunch of shit glued onto it (get it? shit-ar?) . . . there are some really groovy rhythms on ‘That’s Us/Wild Combination’ which were played on that thing.

What’s next for you, Peter?

PB: Just a couple hours ago I finished mixing a live recording which, if all goes according to plan, will become my first live album, to be released later in 2019. More details to come on that one. I’m gearing up now to do some shows with my friend David Allred, working on some music for a film . . . it seems like 2019 will be another busy year with lots of music. And hopefully some time to do some of my favorite outdoor activities like foraging for wild food. I also hope to continue learning and sharing Arthur’s songs.

‘Peter Broderick & Friends Play Arthur Russell’ is available now via Pretty Purgatory:

https://prettypurgatory.bandcamp.com/album/peter-broderick-friends-play-arthur-russell

http://www.peterbroderick.net/
https://arthurrussell.bandcamp.com/

Written by admin

January 14, 2019 at 3:02 pm

Fractured Air x Blogothèque – S02E09 | September mix

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Australian-born composer and songwriter Carla dal Forno’s eagerly-anticipated new material comes in the form of “The Garden”, a 12” for UK’s Blackest Ever Black, due for release on October 6th and folow-up to her sublime debut full-length “You Know What It’s Like”. Dal Forno is also a member of the trio F ingers (alongside Samuel Karmel and Tarquin Manek) who release their second LP, “Awkwardly Blissing Out”, this month. Recorded in Melbourne and Berlin between 2015–17, the album is the follow-up to the trio’s 2015 debut album “Hide Before Dinner”. Dal Forno’s own mixes (originally made for Berlin Community Radio while residing in the German capital; she now compiles monthly hour-long shows for NTS Radio) are always an indispensable source for music (Circuit 7’s “Eastern Dreams” from our September mixtape is one such example).

The forever-inspiring Chicago-based artist Circuit des Yeux (Haley Fohr) releases her magnificent fifth studio album “Reaching For Indigo” on U.S. independent Drag City on 20th October. Unveiled so far is the mesmerising new single “Black Fly” which confirms Fohr as one of independent music’s most singular voices and fascinating contemporary music-makers.

Anthology Recordings – Mexican Summer’s reissue imprint – release the majestic compilation “Feel The Music Vol. 1” next month. Compiled by Paul Major – pioneering record dealer and frontman of the band Endless Boogie – this truly special record effortlessly spans sounds and styles (folk, psychedelia, blues, rock n roll) while unearthing a plethora of truly unique (and largely unknown to wider audiences) songwriters from a golden age of music.

September’s mix also features new releases from possibly the year’s most anticipated pair of albums which come courtesy of both Four Tet (“New Energy”, Text) and Godspeed You! Black Emperor (Constellation). Electronic maestro Four Tet and his monumental “New Energy” album (available via his Text imprint from 29th September); Montréal’s mythical Godspeed You! Black Emperor unleash their sublime seventh album “Luciferian Towers” via Constellation which confirm the band (as if confirmation was ever necessary) as one of the world’s most ceaselessly innovative and breathtaking bands.

Fractured Air x Blogothèque – S02E09 | September mix

 

To listen on La Blogothèque:

http://www.blogotheque.net/2017/09/29/fractured-air-x-blogotheque-s02e09-september-mix/

 

01. Godspeed You! Black Emperor“Fam/Famine” (Constellation)
02. Dungen“Achmed Flyger” (Version 1) (Versions by Prins Thomas) (Smalltown Supersound)
03. James Holden & The Animal Spirits“Each Moment Like The First” (Border Community)
04. Circuit des Yeux“Black Fly” (Drag City)
05. Forest Swords“Raw Language” (Ninja Tune)
06. Yasuaki Shimizu“Seiko 1” (Crammed Discs)
07. Ariel Pink“Feels Like Heaven” (Mexican Summer)
08. The Smiths“The Hand That Rocks The Cradle” (Rough Trade)
09. Arthur Russell“Get Around To It” (Rough Trade, Audika)
10. Nausea“No Conversation” (Ecstatic)
11. Circuit 7“Eastern Dreams” (Minimal Wave)
12. Carla dal Forno“The Garden” (Blackest Ever Black)
13. Kaitlyn Aurelia Smith“To Feel Your Best” (Western Vinyl)
14. Richard Horowitz“Eros Never Stops Dreaming” (RVNG Intl)
15. F Ingers“Your Confused” (Blackest Ever Black)
16. Geinoh Yamashirogumi“Kaneda” (Akira OST, Milan)
17. Sanza“Sounout” (Original Mix) (Music For Dreams)
18. Burial“Rodent” (Hyperdub)
19. Four Tet“Scientists” (Text)
20. Actress & London Contemporary Orchestra“Audio Track 5” (Ninja Tune)
21. Carmen Villain“Red Desert” (Smalltown Supersound)
22. Blue Iverson“Who Shot Lucious Lyon?” (Self-Released)
23. Darius“I Feel The Need To Carry On” (Anthology Recordings)
24. Bill Mackay & Ryley Walker“Dragonfly” (Drag City)
25. Ry Cooder“I Knew These People” (excerpt) (Paris Texas OST, Warner Bros.)
26. Sun Kil Moon“Si, Paloma” (Caldo Verde)

Compiled by Fractured Air, September 2017. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

http://www.blogotheque.net/
https://fracturedair.com/

Fractured Air x Blogothèque – S01E12 | December mix

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Welcome to our final mixtape for 2016.

For our last mix we are really excited to share an exclusive first listen of the forthcoming album by Finland’s The Gentleman Losers. Based in Helsinki, The Gentleman Losers comprise the brothers Samu and Ville Kuukka. The duo have released their music on such independent labels as Büro, City Centre Offices, Warp, Nothings66 and Standard Form. Their two full-length releases – 2006’s self-titled debut album and 2009’s sophomore “Dustland” – have been universally acclaimed, winning the hearts of many esteemed music-lovers worldwide, while also being championed by such independent music stalwarts as Germany’s Nils Frahm and UK’s Bibio. The forthcoming third record – the brothers’ latest venture into blissful instrumental music of unknown pleasures – is set to be released during 2017.

December’s mix also features our favourite album of the year: “Upstepping” by UK cellist and composer Oliver Coates. As well as releasing his second solo album earlier this year (via PRAH Recordings) Coates has also released the sublime collaborative work “Remain Calm” (with Mica Levi of Micachu & The Shapes) via the UK label Slip Discs. In addition to a busy schedule of extensive touring and live performances during the year, Coates also performed strings on the current Radiohead album “A Moon Shaped Pool” (XL Recordings).

Other 2016 favourites are featured here, including: Brigid Mae Power (self-titled LP via Tompkins Square), Carla dal Forno (“You Know What It’s Like” via Blackest Ever Black), Kevin Morby (“Singing Saw” via Dead Oceans), Jessy Lanza’s “Oh No” (Hyperdub), Kaitlyn Aurelia Smith’s “EARS” (Western Vinyl), Amiina’s “Fantômas” (Mengi) and Eluvium’s “False Readings On” (Temporary Residence).

In a year that has all too often thrown up troubling and distressing news and events, it places an even brighter spotlight on the vital role – in expressing emotions, articulating thoughts, distilling messages, blurring boundaries and lighting the way – that music brings to all our lives. In our tiny capacity, we’d like to thank all the musicians, labels and listeners for helping to keep that eternal light flickering.

Wishing our readers and listeners a very happy Christmas and peaceful new year.

Fractured Air x Blogothèque – S01E12 | December mix

 

 

01. Uncle Charlie“…today is the thing” (Shadow Of A Doubt)
02. The Caretaker“It’s just a burning memory” (History Always Favours the Winners)
03. Julianna Barwick“Heading Home” (excerpt) (Dead Oceans)
04. Kaitlyn Aurelia Smith & Suzanne Ciani“Closed Circuit” (excerpt) (RVNG Intl)
05. Jessy Lanza“Going Somewhere” (DVA HI:EMOTIONS Remix) (Hyperdub)
06. Tim Hecker“Violet Monumental II” (4AD)
07. Arthur Russell“You And Me Both” (Rough Trade)
08. Oliver Coates“PERFECT LOVE” (PRAH Recordings)
09. Demdike Stare“Animal Style” (Modern Love)
10. Grouper“Headache” (Yellow Electric)
11. The Gentleman Losers“There Will Come Soft Rains” (Exclusive)
12. Carla dal Forno“You Know What It’s Like” (Blackest Ever Black)
13. Amiina “Lady Beltham” (Mengi)
14. Kevin Morby“Cut Me Down” (Dead Oceans)
15. Dungen“Trollkarlen Och Fågeldräkten” (Smalltown Supersound / Mexican Summer)
16. Exploded View“Stand Your Ground” (Sacred Bones)
17. Brigid Mae Power“I Left Myself For A While” (Tompkins Square)
18. Ben Frost“Stormfront” (Bedroom Community)
19. Sarah Neufeld“They All Came Down” (Paper Bag)
20. A Winged Victory For The Sullen“Gare du Nord Part One” (Iris OST, Erased Tapes)
21. Philip Glass“Heroes” (Aphex Twin Remix) (Warp)
22. Eluvium“Washer Logistics” (Temporary Residence)
23. Leonard Cohen“The Partisan” (Columbia)
24. Naïm Amor & John Convertino“Before We Go” (LM Dupli-cation)
25. Calexico“Gift X-Change” (Our Soil, Our Strength)

Compiled by Fractured Air, December 2016. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

http://www.blogotheque.net/
https://fracturedair.com/

 

Fractured Air x Blogothèque – S1E6 | June mix

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We’re delighted to present two exclusive tracks by the world-renowned Berlin-based contemporary classical music collective stargaze. Founded by German conductor André de Ridder, stargaze comprise a network of classically trained European musicians who have performed and collaborated extensively in a wide variety of contexts to date.

The German-based collective have worked with some of the most acclaimed and forward-thinking contemporary music-makers, including: Julia Holter, Nils Frahm, Bryce Dessner, Sonic Youth’s Lee Ranaldo, A Hawk and a Hacksaw, Shara Worden, Owen Pallett, These New Puritans and many more; and have appeared at prestigious festivals and venues including: the Holland Festival, Barbican Centre London, Acht-Brücken-Festival at Cologne Philharmonie, Crossing Borders Festival, Wonderfeel Festival, Kaltern Pop Festival, Berlin Pop-Kultur, Rewire Festival (NL).

Another vital element of the stargaze repertoire in recent years has been amassing their considerable collection of instrumental works. These have included: Deerhof Chamber Variations by Greg Saunier; string quartets by Sufjan Stevens and Bryce Dessner as well as David Lang’s composition Death Speaks; Mica Levi’s Under The Skin and Richard Reed Parry’s Music for Heart and Breath.

Presented exclusively for June’s mixtape are stargaze’s analogue arrangements of Boards of Canada’s EP “Hi Scores”, performed live at Motel Mozaïque in Rotterdam during April 2016. Arrangements are by Aart Strootman.

Staying in Berlin, also included in June’s mixtape is the highly acclaimed Hamburg-born and Berlin-based guitarist and composer Martyn Heyne who released his gorgeous debut solo E.P. “Shady & Light” this year (available as a free download from http://martynheyne.com). Heyne has long been associated with countless musicians in the independent music scene as they have recorded at Lichte, Heyne’s Berlin-based home studio (Sarah Neufeld, Nils Frahm, Lubomyr Melnyk, Peter Broderick). Heyne was also a touring member with Danish group Efterklang during their 2013 “Piramida” tour.

Finally, June also saw the release of Irish songwriter Brigid Mae Power’s masterful self-titled album (her first for U.S. independent Tompkins Square). The album was recorded in 2015 with Peter Broderick at The Sparkle, his hometown studio in Portland, Oregon.

 

Fractured Air x Blogothèque – S1E6 | June mix

To Read/listen on La Blogothèque:

http://www.blogotheque.net/2016/06/27/fractured-air-x-blogotheque-s01e06-june-mix/

 

Tracklisting:

01. Brigid Mae Power“Watching The Horses” (Tompkins Square)
02. Sarah Neufeld“Chase the Bright and Burning” (Paper Bag)
03. The Flaming Lips “The Observer” (Warner Bros.)
04. s t a r g a z e“Everything You Do Is A Balloon” (live at Motel Mozaïque, Rotterdam, 09/04/16)
05. Arthur Russell“Instrumentals – 1974 Volume 1” (Rough Trade, Audika)
06. Oliver Coates“Innocent Love” (PRAH Recordings)
07. Jessy Lanza“It Means I Love You” (Hyperdub)
08. Moderat “Finder” (Monkeytown)
09. Jamie xx & Four Tet“SeeSaw” (feat. Rome) [Club Version] (Young Turks)
10. Kiasmos “Swayed” (Erased Tapes)
11. Ólafur Arnalds & Nils Frahm“23:52” (Erased Tapes)
12. Boards Of Canada“Sunshine Recorder” (Warp)
13. Radiohead“Full Stop” (XL Recordings)
14. Explosions In The Sky“The Ecstatics” (Bella Union)
15. MJ Guider“Lit Negative” (Kranky)
16. Julee Cruise“Mysteries Of Love” (Warner Bros.)
17. Angel Olsen“Intern” (Jagjaguwar)
18. Martyn Heyne“Brandung” (http://martynheyne.com)
19. Roslyn Steer“Of A Sunday” (Kantcope)
20. Bob Dylan“Final Theme” (Pat Garrett & Billy The Kid OST, Columbia)
21. s t a r g a z e“Nlogax / Turquoise Hexagon Sun” (live at Motel Mozaïque, Rotterdam, 09/04/16)
22. Bill Fay“The Sun Is Bored” (Deram, Decca)
23. Amiina“Kola” (Lighthouse Version) (Sound Of A Handshake)

Compiled by Fractured Air, June 2016. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

http://www.blogotheque.net/
https://fracturedair.com/

Fractured Air x Blogothèque – S1E3 | March mix

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fracturedairmix_march16

Welcome to part three of our monthly mix series. Presented in this month’s mix is the first in our new series of exclusive tracks which will be submitted by guest musicians each month. For March, we include “In the fields”, an exclusive unreleased track by independent music stalwart Benoît Pioulard (Seattle-based musician Thomas Meluch). Since the release of his debut opus “Précis” (via world-renowned Chicago-based Kranky in 2006), Meluch has amassed an incredible body of work, comprising both solo and collaborative recordings. Most recently, Meluch released the debut self-titled album under his Perils guise – Meluch’s collaboration with Canadian composer Kyle Bobby Dunn – as well as “Sonnet”, his most recent solo full-length and the solo E.P. “Noyaux”. Meluch has released music on some of independent music’s finest and most esteemed labels including: Kranky, Morr Music, Desire Path Recordings and Type.

Opening this month’s mix is the fascinating Walt Whitman-inspired collaborative E.P. “Leaves Of Grass” – thanks to Berlin-based Morr Music – where Iggy Pop reads excerpts taken from Whitman’s legendary poetry collection of the same name, while German musicians Carsten Nicolai (Alva Noto) together with Ronald Lippok and Bernd Jestram (Tarwater) provide the intriguing musical accompaniment. Elsewhere, we have selections from: Munich-based producer Skee Mask’s “Junt” E.P.; Canadian violinist and composer Sarah Neufeld’s glorious new solo album “The Ridge”; peerless U.K. producer Chris Clark; A Pleasure’s essential debut L.P. “Minor Youth” for Other People; Kevin Morby (ex bassist to Woods)’s masterful symphonic Dead Oceans full-length “Singing Saw” and Irish/U.S. super-group The Gloaming make their triumphant return with “2” (via Real World Records). Meanwhile, even Dale Cooper, resident FBI Special Agent to Twin Peaks, makes a guest cameo somewhere before the dust settles.

Fractured Air x Blogothèque – S1E3 | March mix

To Read/listen on La Blogothèque:

http://en.blogotheque.net/2016/03/24/fractured-air-x-blogotheque-s01e03-march-mix/

 

Tracklisting:

01. Iggy Pop / Tarwater / Alva Noto“As Adam Early In The Morning / I Am He That Aches With Love” (Morr Music)
02. Anna Homler & Steve Moshier“Yesh’ Te” (RVNG Intl)
03. Julien Neto“Questionable Things” (excerpt) (Type)
04. Benoît Pioulard“In The Fields” (Unreleased)
05. Perils“The Unbecoming” (Desire Path Recordings)
06. The Gentleman Losers“Silver Mountain” (Büro)
07. Vashti Bunyan“Here Before” (FatCat)
08. Max Richter“Path 5” (Clark Remix) (Deutsche Grammophon)
09. Clark“Hide on the Treads 3” (The Last Panthers OST, Warp)
10. Mikael Seifu“The Protectors” (RVNG Intl)
11. A Pleasure“Arthur Russel” (Other People)
12. Skee Mask“Junt” (Ilian Tape)
13. Prins Thomas“E” (Smalltown Supersound)
14. Odd Nosdam“Sisters” (Boards of Canada Remix) (Leaving)
15. Arthur Russell“Habit Of You” (Audika, Rough Trade)
16. Woo“A Complex Art” (Drag City)
17. Kevin Morby“I Have Been to the Mountain” (Dead Oceans)
18. Bullion“Dip Your Foot” (DEEK Recordings)
19. Rayon“Il Collo e la Collana 02” (Alien Transistor)
20. Mary Lattimore“The Quiet at Night” (Ghostly International)
21. The Gloaming“Fáinleog (Wanderer)” (Real World)
22. Sarah Neufeld“Where the Light Comes In” (Paper Bag)

Compiled by Fractured Air, March 2016. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

http://www.blogotheque.net/
https://fracturedair.com/

 

Mixtape: When Time Flies [A Fractured Air Mix]

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When Time Flies [A Fractured Air Mix]

To listen on Mixcloud:

https://www.mixcloud.com/Fractured_Air/when-time-flies-a-fractured-air-mix/

 

Tracklisting:

01. David Allred ‘When Time Flies’ [Oscarson]
02. Beach House ‘Levitation’ [Bella Union/Sub Pop]
03. Air ‘Empty House’ [‘The Virgin Suicides’ OST / Virgin]
04. Laurel Halo ‘Focus I’ [Honest Jon’s]
05. Arthur Russell ‘This Is How We Walk On The Moon’ [Audika]
06. Dawn of Midi ‘Algol’ [Erased Tapes]
07. The Bad Plus ‘Never Stop’ [EmArcy]
08. Sun Ra ‘Plutonian Nights’ [Strut]
09. Cheech & Chong ‘Basketball Jones’ [‘Being There’ OST]
10. Peter Broderick + Gabriel Saloman ‘Lament For Philip Seymour Hoffman’ [Beacon Sound]
11. Guillaume Roussel ‘Meurtre du fou’ [‘La Connection’ OST / Gaumont, Légende Films]
12. Symmetry ‘Streets Of Fire’ [Italians Do It Better]
13. Max Richter ‘Lullaby’ (feat. Robert Wyatt) [130701]
14. Julia Kent ‘Heavy Eyes’ [The Leaf Label]
15. Julia Holter ‘Have You In My Wilderness’ [Domino]
16. Harold Budd & John Foxx ‘Adult’ [All Saints]
17. The Band ‘I Shall Be Released’ [Capitol]
18. Georges Delerue ‘Camille’ [‘Le Mépris’ OST / EmArcy]

This mixtape will be our final post on Fractured Air. We’d both like to take this opportunity to thank each and every person who has helped or supported us in one way or another over the last 3½ years. It has been a real pleasure for us to have found ourselves in a position to be able to do our small part in helping promote the true wonder that is independent music. Most of all, we’d like to say a heartfelt thank you to each and every one of our readers who helped us keep going as long as we did. Thank you.

 

https://fracturedair.com/