FRACTURED AIR

The universe is making music all the time

Posts Tagged ‘Áine O’Dwyer

Mixtape: Long After The Music Is Gone [A Fractured Air Mix]

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Long After The Music Is Gone [A Fractured Air Mix]

To listen on Mixcloud:

http://www.mixcloud.com/Fractured_Air/long-after-the-music-is-gone-a-fractured-air-mix/

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Tracklisting:

01. Áine O’Dwyer – ‘For The Souls Of Our Fleas’ (Fort Evil Fruit)
02. Anna Von Hausswolff – ‘Epitaph of Theodor’ (City Slang)
03. Thee Silver Mt. Zion Memorial Orchestra – ‘Rains Thru The Roof At The Grande Ballroom’ (Constellation)
04. Calexico – ‘Entrenandos A Los Tigres’ (Our Soil, Our Strength)
05. Eric Dolphy – ‘Gazzelloni’ (Blue Note)
06. Colin Stetson – ‘This Bed Of Shattered Bone’ (Constellation)
07. Seán Mac Erlaine – ‘Long After The Music Is Gone’ (Ergodos)
08. Nils Frahm – ‘For’ (Erased Tapes)
09. Peter Broderick – ‘Floating/Sinking’ (Erased Tapes)
10. Amiina – ‘Kola’ (Amínamúsík ehf.)
11. Colleen – ‘Your Heart Is So Loud’ (Leaf Label)
12. Murcof – ‘Louis XIV’s Demons’ (Leaf Label)
13. Borngräber & Strüver – ‘Berlin Tribal Music’ (m=minimal)
14. Tindersticks – ‘Put Your Love In Me (Fade)’ (Lucky Dog)
15. Katie Kim – ‘Charlie’ (Flaming June)
16. Tape – ‘Byhalia’ (Häpna)
17. Nick Cave & Warren Ellis – ‘Gun Thing’ (Mute)
18. Caoimhín Ó Raghallaigh – ‘Braes of Balquidder’ (State Of Chassis)
19. Julia Kent – ‘Nina and Oscar’ (Leaf Label)

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The copyright in these recordings is the property of the individual artists and/or their respective record labels. If you like the music, please support the artist by buying their records.

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Fractured Air. The universe is making music all the time.

Mixcloud  /  Soundcloud

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Mixtape: Early Blue (A Fractured Air Mix)

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To listen on Mixcloud:

http://www.mixcloud.com/Fractured_Air/early-blue-a-fractured-air-mix/

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Tracklisting:

01. Ed Askew – ‘Drum Song’ (Tin Angel)
02. Áine O’Dwyer – ‘Albion Awake/Lifeboy’ (Second Language)
03. Harold Budd – ‘Wanderer’ (All Saints)
04. Calexico – ‘No Doze’ (Quarterstick)
05. This Is How We Fly – ‘Pelargonens Död’ (Playing With Music)
06. Glenn Jones – ‘My Garden State’ (Thrill Jockey)
07. Karen Dalton – ‘Katie Cruel’ (Light In The Attic)
08. Caoimhín Ó Raghallaigh – ‘Fead an Iolar’ (State Of Chassis)
09. Sarah Neufeld – ‘You Are The Field’ (Constellation)
10. Julia Kent – ‘Tourbillon’ (Leaf)
11. Colleen – ‘Geometría Del Universo’ (Second Language)
12. Moondog – ‘Symphonique #6 (Good For Goodie)’ (Columbia)
13. Julia Holter – ‘In The Green Wild’ (Domino)
14. Lucrecia Dalt – ‘Mahán’ (Human Ear Music)
15. Yo La Tengo – ‘Green Arrow’ (Matador)
16. F.J. McMahon – ‘Early Blue’ (Rev-Ola / Sacred Bones)
17. Richmond Fontaine – ‘Valediction’ (El Cortez)
18. Gram Parsons – ‘Love Hurts’ (Reprise)
19. Lambchop – ‘The Book I Haven’t Read’ (City Slang / Merge)
20. Ludovico Einaudi – ‘Fuori Dal Mondo’ (‘This Is England’ OST / Warp)
21. Lou Reed & John Cale – ‘Hello It’s Me’ (Sire / Warner Bros.)

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The copyright in these recordings is the property of the individual artists and/or their respective record labels. If you like the music, please support the artist by buying their records.

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Fractured Air. The universe is making music all the time.

http://www.mixcloud.com/Fractured_Air

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Colleen with Seti The First & Áine O’Dwyer

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The following is our account of Colleen’s first visit to Cork, Ireland, for her performance at Triskel Christchurch, on Saturday 2nd November 2013. Colleen was supported by the immense talents of Seti The First and Áine O’Dwyer.

Words: Mark & Craig Carry, Photographs: Izabela Szczutkowska

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“Raven, why stare at me with those eyes?
Don’t you know I love you
Just as you are?”

(“Raven”, taken from Colleen’s “The Weighing Of The Heart”)

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Saturday 2nd November 2013. Today is the day we have the joy and pleasure of bringing Colleen (aka French musician Cécile Schott) over to County Cork, Ireland, for her first performance here. The concert is to be held at Triskel Christchurch, Tobin Street, Cork. It’s been ten years since we both first picked up Colleen’s debut album “Everyone Alive Wants Answers”, a record which seemed to open up a whole new world of sound when we first heard it (we would have been eighteen years old, anxious to discover what music beyond the “norm” sounded like). We purchased the CD from our beloved local record store, Plugd Records, at its then location on Washington Street in Cork City. A decade later – and a string of much cherished Colleen albums later – the special soul of Cécile Schott would conclude her “The Weighing Of The Heart” tour (comprising her first live shows in almost five years) in the environs of our own hometown.

A new departure in Colleen’s ever-expanding sound could be witnessed by Schott’s new material on the night (“Lighthouse”, “Captain Of None” and “I’m Kin”) where the influence from the rich musical landscape of Jamaica (through a new dub-like treatment to her compositions) can be heard. “Lighthouse”, already premiered earlier in the year on Colleen’s European tour, contains a repeated mantra-like vocal, where Schott’s voice is at it’s most sumptuous and enchanting to date. Both the lullaby-like vocal delivery of the central lyric “Lights on the ocean” and a short passage on the viola da gamba are looped repeatedly while Schott layers the tapestry-like composition to it’s richly nuanced and beautifully intricate climax. Elsewhere, the new focus on rhythm and percussion are richly evident – augmented by the use of a floor tom drum and an octabass octaver pedal – the latter adding a dynamic, bass-heavy sound to the rhythm – revealing both the boundless possibilities and the forever-expanding inventiveness of Colleen’s most sacred and precious sounds.

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“Be still, don’t do that
I wanted to be here alone
Who are you, I only know
You’re not the person I wanted to
look like What’s up with you
look like you’ve seen a ghost”

(“Hyperbolia”, taken from Áine O’Dwyer’s “Anything bright or startling?”)

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“I’ve always experimented with and enjoyed using extended techniques more so than using additional technology. It’s really lovely to bow the lower base steel strings of a harp. A lengthy piece of rubber cable also creates a nice drone. Playing on dampened strings comes in handy. (excuse the pun) Drum brushes work beautifully. I like to lay the harp down flat and play it as a hammer dulcimer too, given the chance. Metal or glass slides work very well along the strings. If I want a guitar or lute sound, I pluck the string closer to the sound board rather than in the center. Playing it backwards is fun! After that, there’s plectrums, harmonics, tremors, string bending……So, plenty of possibilities there before I ever think of plugging it in.”

(Áine O’Dwyer, on discussing the harp’s possibilities)

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“Musically, it represents a bit of a departure from our first record Melting Cavalry so we are both nervous and excited at the same time. It will be still cello driven but Thomas’s Marxophone is set to take a very prominent position also.”

(Kevin Murphy, Seti The First, on the forthcoming second album by Seti The First)

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“O you my heart be feather-light!”

(Taken from Colleen’s “The Weighing Of The Heart”)

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“Once Upon a Time There Was a Pretty Fly (Lullaby)”

Once upon a time
There was a pretty fly
He had a pretty wife
This pretty fly
But one day
She flew away
Flew away

She had two pretty children
But one night these two pretty children
Flew away
Flew away
Into the sky
Into the moon

(Taken from the 1955 film “The Night Of The Hunter”)

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“At the time of making the album, I just wanted my music to reflect a sense of joy and movement in a way. So I think getting into percussion and into rhythm, it really helped me approach my instruments differently and to step out of my usual patterns.

So, definitely when I started to learn percussion, it mostly started with learning the frame drum. Then all of a sudden, I finally understood how the basic rhythms are put together, and then when I took my other instruments, it just felt immediately natural to play in a more accented rhythmic way.

So I think it’s definitely a big step forward and I’m really looking forward to keeping on working in that direction. It’s what I really want to explore further is the rhythm and the use of the voice, that’s definitely the step forward for me I think.”

(Cécile Schott, in conversation about adding percussion to her music, May 2013)

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“Actually, it’s the most common combination, you know, in popular music in the wide sense: It’s someone singing and they’re playing some kind of instrument at the same time. And obviously that’s been going on for the longest time in history and I thought, well, if I am going to use my voice now, I have to make sure it’s really, really special and I have to keep the thing I did have which was special in my instrumental music. So I did work very hard in trying to achieve that.”

(Cécile Schott, in conversation about adding vocals to her music, May 2013)

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“I rise like the sun above olive trees, like the moon above date palms. Where there is light, I shall be. Where there is darkness, there is none of me. I rise like the moon above date palms. I am counted as one among stars.”

(Excerpt taken from The Egyptian Book of the Dead)

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“Every one of us is, in the cosmic perspective, precious. If a human disagrees with you, let him live. In a hundred billion galaxies, you will not find another.”

―Carl Sagan, “Cosmos”

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“Moon be bright and shine”

(Taken from Colleen’s “The Moon Like A Bell”)

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All photographs by Izabela Szczutkowska (http://www.izyandthesunshines.blogspot.ie).

(The complete series of photographs can be see HERE.)

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Very special thanks to: Cécile, Áine, Seti The First, Lawrence, Triskel Arts Centre, Izabela and everybody in the audience. 

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Written by admin

November 25, 2013 at 10:03 am

Something’s Going On: Colleen plus Seti The First & Áine O’Dwyer

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We are delighted to present Colleen (plus Seti The First & Áine O’Dwyer) at Triskel Christchurch Cork on Saturday 2 November 2013. The concert will be Colleen’s debut Cork performance and will feature support from acclaimed cello-led group Seti The First and Áine O’Dwyer. Early bird tickets are priced at €13 and are on sale now. Full details below.

Posters: Craig Carry

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Fractured Air & Triskel presents:
Colleen plus Seti The First & Áine O’Dwyer
Saturday 2 November 2013 / 7:30pm / €15/€13

Colleen is the alias of French musician Cécile Schott who, from 2003 to 2007, released three critically acclaimed albums on The Leaf Label. After a long break from music-making and live performance, she is now back with a new album, The Weighing of the Heart, out now on Second Language.

While her first album Everyone Alive Wants Answers was made up entirely of acoustic samples taken from her eclectic record collection, second album The Golden Morning Breaks saw her exploring a wide range of instruments which she all played herself – cello, classical guitar, ukulele, music boxes, windchimes, and a rare 19th century glass harmonicon. After the music box interlude of the Colleen et les Boîtes à Musique EP, she made an old dream come true with 2007’s Les Ondes Silencieuses – a modern album using almost exclusively baroque instruments (viola da gamba, spinet, clarinet, classical guitar and crystal glasses), focusing on their resonance and the silence between the notes.

The Weighing of the Heart, however, sees a significant shift in Colleen’s approach: she is now focusing her attention on the possibilities of the voice and on a more colourful and rhythmic approach, using a treble viola da gamba tuned like a guitar and various percussion instruments. The combined influences of Arthur Russell, Moondog, Brigitte Fontaine and the music of the African continent loom large in her new work, and the live show will be a direct reflection of this new direction.

Colleen has played live all over Europe, the US, Brazil, Singapore and Japan, giving more than 150 shows in prestigious or original venues such as the Victoria and Albert Museum and Union Chapel in London, the Britannia Panopticon music Hall in Glasgow, Dublin’s Spiegeltent, Brussels planetarium, the Sé cathedral of Lisbon, San Francisco’s Herbst Theatre and New York’s Society for Ethical Culture, as well as some world-renowned festivals such as The Wire’s Adventures in Music Festival in Chicago, Transmediale in Berlin, Mutek in Canada, Présences Electronique in Paris, and many more.

Colleen’s performance at Triskel Christchurch will mark Cécile Schott’s debut performance in Cork.

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Press:

“Maybe it’s the hummed choral lines with their medieval inflections, maybe it’s the Zorba-the-Greek style echoing classical guitar, maybe it’s the simple thudding drumming, earthy and minimal. Schott’s work here takes you to all sorts of places while all the while keeping your focus firmly hooked on the music, this beautiful music, at hand.”
(The Quietus)

“There is a distinct sense that this is an album that’s been stowed away in the back of her mind for years, and that what has changed in the last decade is that she has finally developed the ability and the peace of mind to finish what she started. A creative leap forward doesn’t always have to mean changing your entire identity, and few albums show that as lucidly as The Weighing of the Heart.”
(Fact Magazine)

“The Weighing of the Heart has arrived with sudden, gentle surprise, like a migrating bird that has appeared too early. It is a gleaming treasure.”
(Folk Radio UK)

“Precious folk experiments…her muse has been willingly unshackled by nature.”
(UNCUT)

“‘The Weighing Of The Heart’ doesn’t disappoint, despite a considerable burden of expectation. The oneiric shimmer of her music has its contemporary analogs in the likes of Grouper and Julianna Barwick, but on this record in particular Colleen communicates with an elegance and clarity few could hope to match.”
(Boomkat)

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Discography:

Babies, active suspension, 7’’ (2002)
Everyone Alive Wants Answers, LP, The Leaf Label (2003)
The Golden Morning Breaks, LP, The Leaf Label (2005)
Mort aux Vaches, LP (live session from VPRO), Staalplaat (2006)
Colleen et les Boîtes à Musique, EP, The Leaf Label (2006)
Les Ondes Silencieuses, The Leaf Label (2007)
The Weighing of the Heart, Second Language (May 2013)

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Links:

www.colleenplays.org
https://soundcloud.com/colleenplays
www.secondlanguagemusic.com

For our interview with Cécile, please click here.

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Fractured Air & Triskel presents:
Colleen plus Seti The First & Áine O’Dwyer
Saturday 2 November 2013 / 7:30pm / €15/€13

Early bird tickets are priced at €13 and are on sale now. Tickets are available from Triskel Arts Centre, Tobin St, Cork. Order tickets by Telephone: 021 4272 022 and online: https://triskelarts.ticketsolve.com/shows/873496800/events

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Seti The First is the much-celebrated cello-led group comprising the duo of Kevin Murphy and Thomas Haugh. ‘Melting Cavalry’ was the band’s debut album, released last year to wide critical acclaim and championed by everyone from RTE Lyric FM’s John Kelly to Copenhagen’s finest Efterklang. The band’s influences encompass a diverse array of artists, including The Haxan Cloak, Toumani Diabaté, Matthias Loibner and Hauschka to name but a few.

Since the release of ‘Melting Cavalry’, Seti The First have provided the original score to the soundtrack for Paul Duane’s film ‘Natan’, a documentary on the Franco-Romanian film director Bernard Natan. The follow-up to ‘Melting Cavalry’ is due out later this year. This concert sees the band’s eagerly-awaited return to Triskel Christchurch where they will showcase new material after last November’s memorable performance.

“We were delighted to be asked to play a triple header with Colleen and Áine O’Dwyer. It should be a really magical night. We are currently recording our second album which is obviously a big buzz for us. Musically it represents a bit of a departure from our first record Melting Cavalry so we are both nervous and excited at the same time. It will be still cello driven but Thomas’s Marxophone is set to take a very prominent position also. We have also recently finished our first soundtrack for Paul Duane’s remarkable documentary ‘Natan’. It was a real privilege for us to be involved and the experience has whetted our appetite for more. We will be showcasing material from our new record in the Triskel in November.”

Kevin Murphy, Seti The First

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Press:

“thrilling soundscapes” The Irish Times

“a thing of great beauty” John Kelly, RTE Lyric FM

“Not quite classical, not quite jazz, not quite pop, they somehow manage to weave elements of a multitude of genres (including Flamenco and folk) into pieces like, ‘La Bassinette Noir’ which, to these ears, recalls the Morricone-inspired textures utilized by Calexico and Giant Sand.” Hot Press

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Links:

http://setithefirst.bandcamp.com/

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Opening the evening will be gifted musician Áine O’Dwyer, hailing from Limerick and currently based in London. Best known as a harpist, O’ Dwyer has collaborated with a wide array of musical artists; Mark Fry & The A Lords, The Cloisters, Piano Magic, and United Bible Studies amongst many others.

The beginning of June marked the much-anticipated release of “Anything Bright Or Startling?”, the first full length album of O’ Dwyer’s released on London-based independent label Second Language. The album comprises a song cycle of fragile beauty and ambitious scope recalling the likes of Joanna Newsom, Nico and Van Morrison’s ‘Astral Weeks.’ The album features stunning arrangements composed of harp, piano and pipeorgan, while the album also marks the first time O’ Dwyer enters into the world of song. In 2011, Áine released “Music For Church Cleaners” on the Fort Evil Fruit independent label, a collection of improvisations made on church organ recorded at St. Mark’s Church in Islington over a seven-month period.

Áine O’Dwyer has performed extensively in a wide range of live settings. This July Áine performs at the Museum Of Modern Art, New York, while in August Áine performs at the Fano free folk festival, on the island of Fano, Denmark. Áine has recently performed as part of the Museums At Night series in London to celebrate the 170th Anniversary of the Thames Tunnel and has toured extensively across both the U.K. and Ireland.

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Press:

“Ireland’s Áine O’Dwyer has treated us all to a beautiful voyage. It’s a voyage that sails through the golden harps of sunshine and through the thick sludges of pitch black terror. Arching over all, like an intricate, entangled vine, is an excited beauty…” (Fluid Radio)

“…[O’ Dwyer] proffers a potent combination of plangent, arpeggiated folk beauty and soaring vocal melodies alloyed to an almost feral Gaelic earthiness.” (Second Language)

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Links:

https://soundcloud.com/aine-o-dwyer
www.secondlanguagemusic.com
For our interview with Áine, please click here.

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Fractured Air & Triskel presents:
Colleen plus Seti The First & Áine O’Dwyer
Saturday 2 November 2013 / 7:30pm / €15/€13

Early bird tickets are priced at €13 and are onsale now. Tickets are available from Triskel Arts Centre, Tobin St, Cork. Order tickets by Telephone: 021 4272 022 and online at: https://triskelarts.ticketsolve.com/shows/873496800/events

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