FRACTURED AIR

The universe is making music all the time

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Ltd Edition Screenprints / Available Online Now

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A selection of limited edition screen prints are now available to purchase online, including Fractured Air’s best albums of 2016 print series, at the following link:

http://craigcarry.bigcartel.com/

Featured prints include: Peter Broderick; Nick Cave & The Bad Seeds; Oliver Coates; Loscil; The Avalanches; Brigid Mae Power; Jessy Lanza; Amiina; Xylouris White; Glen Hansard; Kaitlyn Aurelia Smith & more…

All artwork is by Craig Carry, screenprints hand-pulled at Cork Printmakers.

http://craigcarry.net/
https://fracturedair.com/

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January 11, 2017 at 1:18 pm

Mixtape: Cillian Murphy – “Be Good To Them Always” (Fractured Air, Nov. ’16)

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We’re delighted to present the latest in a series of guest mixtapes compiled by Irish actor Cillian Murphy. 2016 has been another very prolific year for Cork-born actor with the airing of the third season of the Steven Knight-penned epic BBC gangster drama “Peaky Blinders”;  the release of the Sean Ellis-directed WWII drama “Anthropoid”; the eagerly-awaited latest film by Ben Wheatley, “Free Fire”, set in 1970’s Boston starring Murphy alongside Brie Larson, Sam Riley and Michael Smiley; the filming of both Christopher Nolan’s “Dunkirk” (Summer 2017) and the Sally Potter-directed “The Party”, comprising a stellar cast including Bruno Ganz, Timothy Spall and Kristin Scott Thomas, also set for release in 2017.

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Cillian Murphy – “Be Good To Them Always” (Fractured Air, Nov. ’16)

 

Tracklisting:

01. Brian Eno & Jon Hassell“Delta Rain Dream” [Editions EG, Polydor]
02. Matt Robertson“Urdu” [Tape Club]
03. Holly Herndon“Locker Leak” [4AD]
04. The Books“Be Good To Them Always” [Tomlab]
05. Nick Cave & The Bad Seeds“Rings of Saturn” [Bad Seed Ltd.]
06. The Beatles “I Am The Walrus” [Parlophone]
07. Tune-Yards“Gangsta” [4AD]
08. PJ Harvey“Dollar, Dollar” [Island]
09. Laura Mvula“Is There Anybody Out There?” [RCA Victor, Sony Music]
10. Leonard Cohen“You Want It Darker” [Columbia, Sony Music]
11. David Bowie & Pat Metheny Group“This Is Not America” [EMI]

Compiled by Cillian Murphy. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

https://fracturedair.com/

Track Premiere: Martyn Heyne (Efterklang)

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In my mind a composition is never finished because nothing keeps me from playing it differently next time.

Martyn Heyne

 

 

Shady & Light’ is the debut solo release from renowned German musician Martyn Heyne. Born in Hamburg, the Berlin-based composer studied at Holland’s Conservatorium van Amsterdam. His home studio, Lichte – based next to Berlin’s Tempelhof (former) airport has been the chosen recording space for artists including The National, Nils Frahm, Lubomyr Melnyk, Peter Broderick and Efterklang. In addition, Heyne was a touring member with Danish group Efterklang during their 2013 ‘Piramida’ tour (and parts of their final album was worked on in Lichte).

The album opener ‘Telepath’ flickers with golden dawn’s glistening rays as soothing guitar tones meld effortlessly with luminous beats, conjuring up the timeless sound of Finnish duo The Gentleman Losers and Keith Kenniff’s Helios project. The master composer crafts such singular melodies with meticulous detail buried deep within the sonic terrain of ambient-infused-modern classical flourishes. The sparse lament of ‘Sparks’ proves another defining moment, in which radiant waves of nostalgia seeps into the forefront of the mix. ‘Sparks’ belongs in a stratosphere whose axis points between Keith Jarrett’s live solo recordings and the collaborative works of Tape & Bill Wells.

A glorious rise of ambient flourishes permeates the krautrock-tinged ‘Brandung’ with scintillating synthesizer passages and meditative electric guitar pulses. ‘The Gathering’ – despite its short length – exudes a wall of emotion that echoes the ambient works of Harold Budd with pristine reverberated guitar tones fading onto the sun-lit horizon. The album’s towering penultimate track ‘Monoment’ somehow transposes Nils Frahm’s piano to the guitar instrument: the transcendent sound world of synthesizers, drum machines and guitar fuse together, evoking the ‘Spaces’ live document of Heyne’s close colleague.

Shady & Light’ will be exclusively available from martynheyne.com from 27th May 2016.

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Interview with Martyn Heyne.

Congratulations on the truly gorgeous debut mini album, ‘Shady & Light’. I would love to gain an insight into your compositional approach when creating these intricately beautiful guitar-based pieces? 

Martyn Heyne: Thank you very much! As you say, each piece is centred around a single electric guitar performance – that’s my compositional frame work. From there I add all the other things because I love sounds and finding spaces for them! I tend to have the musical idea in the master take and then base the arrangement on sonics. The instrumentation is often part of the Mix too. For example, when high frequencies are lacking I might add a cymbal rather than use EQ.

Your sonic canvas of guitar, synthesizers and a drum machine is a joy to savour. In terms of the instrumentation, would many of these tracks originate from a guitar-based improvisation? As this is a debut solo EP –although of course you have a significant body of work behind you among the many wonderful and diverse collaborative projects in the past– do these musical compositions all originate from the same space in time?

MH: Yes, the compositions are usually distilled improvisations on guitar or piano. Even when I start on one instrument I will bounce over to the other for a moment just to see what that might say about the music. In my mind a composition is never finished because nothing keeps me from playing it differently next time. I try to listen to where it wants to go until I have a real favourite route through the music. So yes, the simmering nudges details into place. 

Can you please recount your memories of composing ‘Sparks’, Martyn? This is the piece we are honoured to premiere on our site. The delicacy of the piece immediately strikes you and indeed the gracefulness of this divine sonic canvas that gradually unfolds.

MH: Thank you very much! With this track I applied the approach of my classical studies to the electric guitar. I love how a more classical technique allows the guitar to be like a vibraphone or any keyboard instrument. Chord and melody, notes attacking at the same time (as opposed to strummed), countering bass lines – those are the gaps I’m forever trying to bridge. By the way, the original title of this one was the smell of campfire in our sweaters.

The Lichte studio is steeped in history with such an inspiring array of musicians and close collaborators of yours all recording here over the years. I would love for you to discuss this particular space, Martyn and explain the reasons as to why (or perhaps how!) the acoustics and sound world captured in these walls are so special? Please talk me through the studio techniques you have developed and processes you favour when it comes to making/recording music in the Lichte studio?

MH: One thing I can think of is that the studio is very informal, as it’s located in my flat, and maybe more neat and calm than studios generally are. Many of the common recording pressures don’t apply to a session here which can make all the difference. My main focus is always on performance and content because they translate most through all kinds of listening environments. I am surprised how often people sing into a 10k microphone with a crackling distorted Behringer headphone sound. It brings uneasiness to the performance. In my philosophy the monitoring situation is just as important as the recording chain because the take will shine through more than the mic.

My current favourite is the penultimate track, ‘Monoment’. As the sound world of synthesizers and guitar meld effortlessly together, I feel a perfect symmetry exists alongside the works of Nils Frahm, (more particularly your guitar becomes a mirror of Nils’s piano, creating such moving and enveloping sounds!) I also love the sequencing of ‘Shady & Light’, where the more synth/drum machines come to the fore during the final section after beginning with fragile and barer guitar instrumentation.

MH: Thank you so much! In ‘Monoment’ I operate the drum machine in between playing the guitar, which allows me to change the arrangement on the go in a live performance. On top of that I use automation software to create what I call Random Auto Dub (yes, that’s RAD) which sends the drum machine signal kind of randomly into a spring reverb, amp, or tape delays. That way it always does things I don’t expect and I have something to react to on stage which makes the whole thing way more exciting for me!

My friend Anne Braun shot a great video of a concert where you can see how that works (https://youtu.be/AIQ1K537enM). Incidentally, the title Monoment is based on the track being recorded, just like almost all of Shady & Light, in mono.

Your life is steeped in music. Please take me back to your earliest musical memories? What defining moments occurred during your musical upbringing that you feel helped carve out this particular musical path for you, Martyn? Also, please mention any records that provided huge inspiration for you, over the years?

MH: As a young child I just experimented on my mother’s piano using two chromatic modes, symmetrically based around the Ab or the D. When I eventually got lessons, C major came as a real surprise! 

I was lucky to be born in the time where people started buying CD’s, so vinyl and record players were up for grabs and became kids’ toys. I got to play the obsolete space wasters in my room while everyone was busy trying to get their cherished CD’s out of the plastic wrapper! That way I had a record collection all my life, and it still includes my parents’ original Beatles red and blue albums as well as Abbey Road which is possibly my most played record. Other favourites include:

Miles Davis and Portishead. Both masters at getting such direct beauty out of things that are pretty rough around the edges. Also both masters of the band concept and especially the drums in it! 

The Gentleman Losers, the first album. Their sonic vision makes me so happy! My favourite record for after sundown. 

Oasis, Definitely Maybe. The beginning of my lifelong obsession with tape delays, compression and distortion. Unfortunately, the sound of this record also probably started the loudness war because so many that came after didn’t understand that it only works the first time. 

Keith Jarrett, Vienna Concert. This, even more than other solo concerts of him, shows where you can go musically when you go alone. The mobility of it makes it so enticing to me!

Richard Wagner, all the overtures. I imagine, after Paul McCartney walks offstage another 80k capacity stadium, shakes the President’s hand and makes for his limo through a vast sea of picture taking admirers and he’s beginning to worry it might all go to his head a bit – then all it takes is for him to go home and quietly listen through the opening of Lohengrin to firmly place his feet back on the ground. 

Lastly, if you’re DJing at a party, forget all of what I just said and put on Solange’s True EP!

Shady & Light’ will be exclusively available from martynheyne.com from 27th May 2016.

https://www.facebook.com/everynoteisapillow/

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May 17, 2016 at 5:37 pm

Fractured Air x Blogothèque – S1E3 | March mix

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Welcome to part three of our monthly mix series. Presented in this month’s mix is the first in our new series of exclusive tracks which will be submitted by guest musicians each month. For March, we include “In the fields”, an exclusive unreleased track by independent music stalwart Benoît Pioulard (Seattle-based musician Thomas Meluch). Since the release of his debut opus “Précis” (via world-renowned Chicago-based Kranky in 2006), Meluch has amassed an incredible body of work, comprising both solo and collaborative recordings. Most recently, Meluch released the debut self-titled album under his Perils guise – Meluch’s collaboration with Canadian composer Kyle Bobby Dunn – as well as “Sonnet”, his most recent solo full-length and the solo E.P. “Noyaux”. Meluch has released music on some of independent music’s finest and most esteemed labels including: Kranky, Morr Music, Desire Path Recordings and Type.

Opening this month’s mix is the fascinating Walt Whitman-inspired collaborative E.P. “Leaves Of Grass” – thanks to Berlin-based Morr Music – where Iggy Pop reads excerpts taken from Whitman’s legendary poetry collection of the same name, while German musicians Carsten Nicolai (Alva Noto) together with Ronald Lippok and Bernd Jestram (Tarwater) provide the intriguing musical accompaniment. Elsewhere, we have selections from: Munich-based producer Skee Mask’s “Junt” E.P.; Canadian violinist and composer Sarah Neufeld’s glorious new solo album “The Ridge”; peerless U.K. producer Chris Clark; A Pleasure’s essential debut L.P. “Minor Youth” for Other People; Kevin Morby (ex bassist to Woods)’s masterful symphonic Dead Oceans full-length “Singing Saw” and Irish/U.S. super-group The Gloaming make their triumphant return with “2” (via Real World Records). Meanwhile, even Dale Cooper, resident FBI Special Agent to Twin Peaks, makes a guest cameo somewhere before the dust settles.

Fractured Air x Blogothèque – S1E3 | March mix

To Read/listen on La Blogothèque:

http://en.blogotheque.net/2016/03/24/fractured-air-x-blogotheque-s01e03-march-mix/

 

Tracklisting:

01. Iggy Pop / Tarwater / Alva Noto“As Adam Early In The Morning / I Am He That Aches With Love” (Morr Music)
02. Anna Homler & Steve Moshier“Yesh’ Te” (RVNG Intl)
03. Julien Neto“Questionable Things” (excerpt) (Type)
04. Benoît Pioulard“In The Fields” (Unreleased)
05. Perils“The Unbecoming” (Desire Path Recordings)
06. The Gentleman Losers“Silver Mountain” (Büro)
07. Vashti Bunyan“Here Before” (FatCat)
08. Max Richter“Path 5” (Clark Remix) (Deutsche Grammophon)
09. Clark“Hide on the Treads 3” (The Last Panthers OST, Warp)
10. Mikael Seifu“The Protectors” (RVNG Intl)
11. A Pleasure“Arthur Russel” (Other People)
12. Skee Mask“Junt” (Ilian Tape)
13. Prins Thomas“E” (Smalltown Supersound)
14. Odd Nosdam“Sisters” (Boards of Canada Remix) (Leaving)
15. Arthur Russell“Habit Of You” (Audika, Rough Trade)
16. Woo“A Complex Art” (Drag City)
17. Kevin Morby“I Have Been to the Mountain” (Dead Oceans)
18. Bullion“Dip Your Foot” (DEEK Recordings)
19. Rayon“Il Collo e la Collana 02” (Alien Transistor)
20. Mary Lattimore“The Quiet at Night” (Ghostly International)
21. The Gloaming“Fáinleog (Wanderer)” (Real World)
22. Sarah Neufeld“Where the Light Comes In” (Paper Bag)

Compiled by Fractured Air, March 2016. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

http://www.blogotheque.net/
https://fracturedair.com/

 

STORE NOW OPEN

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A selection of edition prints can now be purchased online from the following link:

http://craigcarry.bigcartel.com/

Prints include commission work for Sounds From A Safe Harbour, Stargaze as well as a selection of work used on Fractured Air. New prints and work will be updated in the coming weeks and months. Thank you.

 

 

 

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March 8, 2016 at 2:59 pm

Fractured Air x Blogothèque – S1E2| February mix

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Part Two of our mix series for La Blogothèque. We’ve tried to include something here from as many of our favourite labels as possible. Also included is a short excerpt from an interview we did with the legendary Los Angeles-based folk singer Linda Perhacs (to coincide with the release of her second solo LP “The Soul Of All Natural Things” on Asthmatic Kitty in 2014). February’s mix also comprises a few original scores to films (“Belladonna of Sadness”, “#HORROR”, “Mistress America” and “Mustang”) where each soundtrack certainly conveys a very singular mood and spirit for their respective subjects (and films). While it’s a little foolish to single out a particular song/artist (isn’t that the complete opposite of what a mixtape is supposed to be?) we would like to conclude by mentioning someone very special whom we only recently discovered: Tia Blake (thanks to Josh Rosenthal’s gorgeous book “The Record Store of the Mind”); her sole album was 1971’s “Folksongs And Ballads” (by “Tia Blake and her folk-group”), a most beautiful and precious thing indeed.

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Fractured Air x Blogothèque – S1E2 | February mix

To Read/listen on La Blogothèque:

 english: http://en.blogotheque.net/2016/02/23/fractured-air-x-blogotheque-s01e02-february-mix/

 

Tracklisting:

01. Fire!“She Bid a Meaningless Farewell” (Rune Grammofon)
02. Dawn of Midi“Ijiraq” (Erased Tapes)
03. nonkeen“chasing god through palmyra” (R&S)
04. 1115“The Drowned World I” (Alien Transistor)
05. Julia Holter“Vasquez” (Domino)
06. Kaitlyn Aurelia Smith – “Arthropoda” (Western Vinyl)
07. Cool Maritime“Spring” (Leaving)
08. Linda PerhacsInterview (excerpt) (Fractured Air)
09. Linda Perhacs“Parallelograms” (Kapp/Sunbeam)
10. Jóhann Jóhannsson with Hildur Guðnadóttir & Robert Aiki Aubrey Lowe“End of Summer Part 4” (excerpt) (Sonic Pieces)
11. Bob Dylan“Father Of Night” (Columbia)
12. Lubomyr Melnyk “Sunshimmers” (Erased Tapes)
13. Lee Hazlewood“Hands” (MGM, Ace)
14. Masahiko Sato“Valle Incantata” (Belladonna of Sadness OST, Finders Keepers)
15. The Fabulous Luckett Brothers“Help Me to Carry On” (Honest Jon’s)
16. A Hawk And A Hacksaw“Wedding Theme (Ukraine)” (LM Dupli-Cation)
17. Calexico“When Only The Ashes Are Left” (Our Soil, Our Strength)
18. Thomas Köner“Tiento de la Luz 4” (excerpt) (Denovali)
19. Ricardo Donoso“Morning Criminal” (Denovali)
20. EMA“Amnesia Haze (Vox & Guitar Only)” (#HORROR OST, City Slang)
21. Dean Wareham & Britta Phillips“Mistress America” (Mistress America OST, Milan)
22. Alex Smoke“Fair Is Foul” (R&S)
23. Lord RAJA“Footwork” (Ghostly International)
24. Roly Porter“In System” (Tri Angle)
25. Warren Ellis“Mustang” (Mustang OST, Milan)
26. Tia Blake “The Rising of the Moon” (Water)
27. Langley Schools Music Project“Space Oddity” (Bar/None)
28. Qluster“In deinen Händen” (Bureau B)

Compiled by Fractured Air, February 2016. The copyright in these recordings is the property of the individual artists and/or record labels. If you like the music, please support the artist by buying their records.

http://www.blogotheque.net/
https://fracturedair.com/

 

Fractured Air 22: My Time (A Mixtape by Dustin Wong & Takako Minekawa)

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‘My Time’ is a mixtape compiled by the world renowned Japanese composers Dustin Wong and Takako Minekawa (Wong was born in the US while spent his childhood in Japan). The vibrant and diverse selection (spanning scores for motion pictures to  video game scores and featuring musicians from their native Japan as well as Western influences such as German New Wave, Punk and Synth Pop) mirrors the pair’s eclectic influences and a constant willingness to expand and broaden their sound palettes while infusing their own music with a delightful sense of inventiveness and imagination. The duo released their debut collaborative full length, ‘Toropical Circle’, in 2013 via Thrill Jockey; while this September sees its much anticipated follow-up, ‘Savage Imagination’, to be released by Chicago-based independent label Thrill Jockey this Autumn.

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Fractured Air 22: My Time (A Mixtape by Dustin Wong & Takako Minekawa)

Best known as guitarist to Baltimore, USA-based rock band Ponytail (who released three albums in the mid 2000’s), Dustin Wong has also released solo albums to international acclaim; most recently 2013’s ‘Mediation of Ecstatic Energy’ which saw Wong continue his pursuit of deeply personal and highly charged works composed of looped solo electric guitar to spellbinding effect. Takako Minekawa first rose to international prominence as a Shibuya-kei singer in the mid-90s with the song ‘Fantastic Cat‘ and her albums ‘Roomic Cube‘ and ‘Cloudy Cloud Calculator‘. She has collaborated with Ryuichi Sakamoto, Cornelius, Buffalo Daughter, Dymaxion, and others. Dustin and Takako will tour Asia and North America this fall as a duo. ‘Savage Imagination’ by Dustin Wong & Takako Minekawa will be available on 22nd September via Thrill Jockey Records.

To listen on Mixcloud:
http://www.mixcloud.com/Fractured_Air/fractured-air-22-my-time-a-mixtape-by-dustin-wong-takako-minekawa/

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Tracklisting:

01. Yasuaki Shimizu ‘Tachikawa’ [Crammed Discs]
02. Mariah ‘Shonen’ [Shan-Shan]
03. Stewart Copeland ‘Music Box’ [IRS]
04. Pyrolator ‘Im Zoo’ [Wave (Japan) / Ata Tak]
05. Malcolm Mclaren ‘Aria on Air’ [Virgin]
06. Ann Steel ‘My Time’ [Barclay / WEA International Inc.]
07. Hannah Diamond ‘Pink and Blue’ [PC Music]
08. Ja Ja Ja ‘I am an Animal’ [Ata Tak]
09. Steve Vai ‘Little Green Men’ [Urantia / Food For Thought]
10. Kazumi Totaka ‘Yoshi’s Story’ [Pony Canyon Inc.]
11. Jean Michel Jarre ‘Zoolookologie’ [Polydor]
12. Miharu Koshi ‘Yube no Inori’ [Non-Standard / Pick Up]
13. Eiichi Ohtaki ‘Peppermint Blue’ [CBS/Sony]

 


 

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‘Savage Imagination’ by Dustin Wong & Takako Minekawa will be available via Thrill Jockey on 22nd September 2014.

http://thrilljockey.com/thrill/Takako-Minekawa-and-Dustin-Wong/
http://www.thrilljockey.com

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Written by admin

August 27, 2014 at 2:43 pm