FRACTURED AIR

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Step Right Up: Nadia Reid

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I find song-writing to be quite an unconscious thing at times.”

—Nadia Reid

Words: Mark Carry

Nadia Reid scribble Credit Meek Zuiderwyk

Preservation’ is the formidable sophomore full-length release – and follow-up to the dazzling song-writing debut ‘Listen To Formation Look For The Signs’ – from New Zealand singer-songwriter Nadia Reid. The album’s immaculate batch of songs offers a profound take on life and an overarching theme of self-acceptance as Reid describes the songs as “a confession to my future and past self.”

Armed (once again) with the production skills of Ben Edwards in Sitting Room studios and long-term guitarist Sam Taylor, the compelling torch-lit songs possess the same intensity of Sharon Van Etten’s songbook and the beautifully layered folk gems of This Is The Kit or local native Tiny Ruins. ‘Preservation’ marks one of this year’s most captivating voices where a hypnotic spell is cast at each and every turn.

Nadia Reid sit Credit Meek Zuiderwyk WEB

Interview with Nadia Reid.

Please take me back to the making of the latest sophomore album ‘Preservation’ and particularly the recording sessions themselves? I wonder did you have a slightly different perspective this time around, on the back of touring extensively and having your debut under your belt?

Nadia Reid: It was business as usual really. I started making it before really starting the big tours so it was pretty much the exact way we made the first record, there’s nothing too much too different; same band and same producer.

In terms of the lyrics and song-writing, I presume a considerable amount of the songs were written while you were travelling and on tour? And did you feel the songs gradually come to you over a period of time or was it more a case once you finally got to sit still after the commotion of touring?

NR: I find travelling and being on the road an inspiring time and it allows you to really examine your life. But I think in terms of where the writing comes, I think that comes when I get back to where I’m living and I have that calm that allows me the space to write.  But everything feeds into everything else; I wouldn’t have much to write about if I wasn’t doing crazy things around the world.

I can imagine you and the producer Ben Edwards have a close chemistry between one another, especially this whole studio space where you record and this whole dynamic must be interesting and a fertile source for making new music?

NR: Well, I have only ever worked with Ben so he’s all I really know. I think that environments and the sort of trust that exists between him and I is really important to me and also between the band and I; we all have a relationship or a connection which happens after years of playing together. Ben has been working with me from the very, very beginning – seven or so years ago now – and it’s hard to just buy that connection. You just never know how it’s going to go and I think with the producer and artist connection, you need to have that kind of trust and understanding and patience and so I am lucky.

Prior to the recording sessions, would you have detailed conversations with the producer and band in terms of what you want to achieve and map certain points out prior to the sessions themselves?

NR: Well a lot of it happened during the few days of recording. I mean the band was familiar with the songs and some of the songs Ben heard for the first time when we arrived at the studio. A lot of people would maybe take time with pre-production or whatever but we just had this thing where we went with it and what was recorded was what happened in the studio. I know not everyone works like that but it keeps things organic and not too rigid.

Being from New Zealand and the whole rich lineage of great bands, I wonder for you growing up ad things, you must have been surrounded by a lot of great bands from New Zealand?

NR: I have a lot of friends that make incredible music so I’m in such good company at home. Some of the bands tour overseas and some of them aren’t because it’s a hard thing to undertake because you must have the right level of support for it to really work. So there is so much that doesn’t leave New Zealand. The New Zealand band Tiny Ruins; she’s a good friend of mine and there’s so much great music being made in this country.

You have toured already quite extensively with ‘Preservation’, you probably have some new songs forming at this stage?

NR: We’re already starting to think about album #3 and I think by the time a record actually makes it out to the world, in a way you’re moving past it faster than the people who are listening to it. We’re all really excited about it and I’m just as excited – if not more excited – than the last one.

Would you notice the songs change or transform in a way as you’re playing live and especially after doing a lot of shows with the same core material?

NR: Absolutely and it’s really hard to put into words what that is. It’s really quite special and to be able to play them for years and years and to have these new meanings or have their meanings become apparent to me, I find song-writing to be quite an unconscious thing at times. I think you have to change it up to keep things interesting: things are changing all the time; life changes and we change and our feelings change.

What albums have you been enjoying a lot these past couple of months?

NR: I’m loving a band called Hiss Golden Messenger and a guy called Andy Shauf.

‘Preservation’ is out now on Basin Rock.

Nadia Reid plays the following Irish shows, beginning in Galway tonight:

10.08.17    Galway    IE    Roisin Dubh   (Tickets)
12.08.17    Bangor (Co. Down)    N. IE    Open House Festival   (Tickets)
13.08.17    Kilkenny    IE    AKA Fringe Festival   (Tix: via Rollercoaster Records)

For the full list of Nadia’s tour dates visit HERE.

https://www.nadiareid.com/

 

 

Written by admin

August 10, 2017 at 10:30 am

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