Track Premiere: We Like We ‘Someone told me I was Paradise for you’
We are delighted to premiere the new single ‘Someone told me I was Paradise for you’ from the gifted Copenhagen-based quartet We Like We. The gorgeous new sonic creation is the first material since the band’s critically acclaimed debut album ‘A New Age of Sensibility’ (released in late 2014). The highly anticipated single is released tomorrow, 1st September 2016.
Copenhagen-based quartet We Like We comprise the gifted talents of Katrine Grarup Elbo (violin) Josefine Opsahl (cello) Sara Nigard Rosendal (percussion) and Katinka Fogh Vindelev (voice). All four members are classically trained, but each share a desire for exploring, experimenting and shaping a unique sound of their own, as reflected in their diverse musical influences. The group’s first live performance took place at FROST festival in Copenhagen in February 2013: a unique double-bill concert with Efterklang. We Like We have collaborated with an array of musicians and projects in the past: Efterklang; Julia Holter; Mew; Sofia Gubaidulina; The Danish National Symphony Orchestra, to name but a few. We Like We’s debut album ‘A New Age of Sensibility’ is available now on The Being Music.
“This single is one of the results of our work over the past six months. We have had a close collaboration with sound engineer Marc Casanovas (NorCat Lyd) with whom we have explored sound, space and different ways of recording”.
—We Like We
Someone told me I was paradise for you is the endless mantra that is whispered in to your ear during the late hours of a dark blue summer night. It is four individual voices and reflections braided together as a unit in the depths of the collective unconsciousness.
From the opening dream-like pulses of delicate percussion – beginning with two gongs before soft ripples of vibraphone effortlessly melds together – We Like We’s brand new recording invites the listener deep into a labyrinth of fragile beauty and encapsulating dreams. The ambient works of Harold Budd lies somewhere in the ether of these burning flames, wherein a tenderness and stillness of night radiates with each and every meditative heart-beat. Soon, achingly beautiful instrumentation of violin is carefully added, evoking the glimmering rays of hope across cascading skies: dapples of light flicker along the horizon. The modern-classical soundscapes and divine instrumentation conjures up the timeless sound of the prestigious Touch or Type labels with the spirit of Peter Broderick, Sylvain Chauveau and Hildur Guðnadóttir
At the half-way point, the mesmerising voice of Katinka Fogh Vindelev whispers directly to one’s mind’s eye. Like a bird in full-flight, these four combined elements of strings, voice and percussion soars majestically with unlimited possibilities of discovery, exploration and chance. The mantra-like phrases sung by Vindelev transports the listener to the poignant, dream-like fantasies of Kazuo Ishiguro’s master novels or the otherworldly realm crafted by Kafka. This sublime tapestry of gradual blissed-out tones reveals inner-most truths and awakens a myriad of feelings and emotion. The compelling, ambitious and sublime new single is nestled nicely amidst the avant-garde, modern-classical and luminaries such as Scott Walker (‘Tilt’ era) and L.A’s Julia Holter and ‘Parallelograms’-era Linda Perhacs.
Released on The Being Music 2016, www.thebeingmusic.com