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Birds Of Passage ‘This Kindly Slumber’ (Denovali)
Released on January 24th 2014 by the wonderful Berlin-based label Denovali Records, ‘This Kindly Slumber’ is the much-anticipated return of New Zealand-based artist Alicia Merz. Her latest Birds Of Passage album, ‘This Kindly Slumber’ — and follow-up to the sublime ‘Winter Lady’ — is a deeply engaging and truly moving affair. The album’s seven songs reveal a haunting darkness and stark honesty throughout, perpetuated by moments of light, hope, intimacy and revelation. The album showcases Merz’s impressive songwriting talents (‘Stranger’), a heightened atmosphere in drone and ambient textures (‘Ashes To Ashes’) and masterful songs combining innocence and vulnerability with darkness and fear to spellbinding effect (‘And All Of Your Dreams’). ‘This Kindly Slumber’ confirms Merz as one of the most special souls making music today.
‘This Kindly Slumber’ is available on 24 January on Denovali Records.


Marissa Nadler ‘July’ (Sacred Bones/Bella Union)
Boston-based musician Marissa Nadler has been consistently (and quietly) making some of the most intricately written and movingly delivered songs over the last decade or so. ‘July’ further confirms Nadler as a wholly unique and visionary songwriter, where songs such as ‘Dead City Emily’ and ‘Nothing In My Heart’ recalling the gothic noir tales of Gillian Welch or the timelessness of Leonard Cohen or Van Zandt’s respective songbooks. Poetic, starkly beautiful, and always straight from the heart. ‘July’ will be released on Sacred Bones on 4 February (US) and Bella Union on 10 February (EU).


The Gloaming ‘The Gloaming’ (Real World Records)
This January marks the long-awaited arrival of much-heralded The Gloaming’s glorious self-titled debut album by Real World Records. The Gloaming are a five-piece of supreme talent, comprising some of the finest musicians Ireland has to offer: Iarla Ó Lionaird, Thomas Bartlett, Caoimhín Ó Raghallaigh, Martin Hayes & Dennis Cahill. West Meath in early 2011 provided the setting and time for the collective’s first meeting together. The following, as described by The Gloaming’s website, perfectly surmises the band’s unique, utterly contemporary sound: “The Gloaming carves new paths connecting the rich Irish folk tradition and the New York contemporary music scene. From haunting sean-nós songs to rousing instrumental medleys, they make music that is both ancient and utterly new.”
‘The Gloaming’ is available now on Real World Records.


Tara Jane O’Neil ‘Where Shine New Lights’ (Kranky)
Musician and visual artist Tara Jane O’Neil provides Chicago-based independent label Kranky with their first offering of 2014. O’Neil has a richly diverse musical background to date, ranging from collaborative works (including Mount Eerie and Papa M), commissioned pieces, improvisations and founding numerous bands, including Rodan. O’Neil is also an internationally recognized visual artist who has had four monographs published on her work to date. ‘Where Shine New Lights’ features a gloriously mystery-laden, atmospheric set of songs (typified by the stunning closer ‘New Lights For A Sky’) recalling the likes of Félicia Atkinson and Grouper’s Liz Harris.
‘Where Shine New Lights’ will be released on 27 January by Kranky.


Hydras Dream ‘The Little Match Girl’ (Denovali)
Hydras Dream is the new collaborative project of the Swedish musicians Anna Von Hausswolff and Matti Bye. Hydras Dream’s debut ‘The Little Match Girl’ will be released in March 2014 by Berlin-based Denovali Records (Greg Haines, Birds Of Passage, Dale Cooper Quartet).
Anna Von Hausswolff was responsible for one of the singularly breathtaking albums of 2013, with her solo album ‘Ceremony’, showcasing Von Hausswolff’s immaculate talents as a lyricist and composer. ‘The Little Match Girl’ is set to be one of the year’s most precious albums.


Damien Jurado ‘Brothers and Sisters of the Eternal Son’ (Secretly Canadian)
Damien Jurado’s ‘Brothers and Sisters of the Eternal Son’, available now on Secretly Canadian, confirms Jurado as one of the finest songsmiths of today. ‘Brothers and Sisters of the Eternal Son’ reunites Jurado with friend and producer Richard Swift after previously working together on Jurado’s last full length, ‘Maraqopa’ in 2012.


Juan Wauters ‘N.A.P. – North American Poetry’ (Captured Tracks)
‘N.A.P. – North American Poetry’ is one of the finest debut records for quite some time, heralding this unique and hugely impressive talent of Alberto Wauters (born in Uruguay, now based in Queens, New York). Wauters’ own back-story is told perfectly here:
“In 2000, Alberto Wauters left Uruguay to live in a basement in Queens. Two years later he called his son, Juan, to join him. Juan Wauters crossed the threshold into manhood when he arrived in New York. Working at a factory, the father and son pooled their money to bring their family to the borough of opportunity. With no friends to speak of, Juan turned to music to take control of the loneliness of his isolation. Juan was inspired by his new neighborhood of Jackson Heights and delighted to find that his library card gave him access to an abundance of new music.”
‘N.A.P. – North American Poetry’ is out 4 February 2014 on Captured Tracks.


The War On Drugs ‘Lost In The Dream’ (Secretly Canadian)
‘Lost In The Dream’ is the third studio album (and follow-up to the wonderful ‘Slave Ambient’ LP) by Philadelphia’s finest The War On Drugs. Including the album’s lead single ‘Red Eyes’, ‘Lost In The Dream’ is an album showcasing Adam Granduciel’s songwriting prowess while revealing a darker and more vulnerable underbelly than previous material. The beautiful ‘Suffering’ and ‘Eyes To The Wind’ reveal a more intimate and ‘Americana’-leaning sound recalling such bands as Whiskeytown, Richmond Fontaine or The Replacements. “I can see the darkness coming my way” sings Granduciel on ‘Red Eyes’, while the album’s ten immaculate tracks see Granduciel navigate his way out of the darkness, producing a modern-day ‘Born To Run’ in the process.
‘Lost In The Dream’ is out on 18 March 2014 on Secretly Canadian.


The Notwist ‘Close To The Glass’ (City Slang/Sub Pop)
‘Close To The Glass’ is German indie giants The Notwist first studio album since 2008’s ‘The Devil, You + Me’. Since then the band have scored a soundtrack for ‘Storm’ (2009) and have been running their own label, the wonderful Alien Transistor. Best known for their classic 2002 album ‘Neon Golden’ — which fused the indie-rock and lyricism of brothers Acher with the electronic wizardry of Console’s Martin Gretschmann to stunning effect — it’s follow-up ‘The Devil, You + Me’ showcased a more leaner and accessible sound. ‘Kong’ is the first taste of The Notwist’s long overdue eighth album. This February City Slang will issue ‘Close To The Glass’ in Europe (their label since ‘Neon Golden’) while Sub Pop will release to American audiences on 25 February 2014.


Lambchop ‘Nixon’ (Reissue) (Merge)
To celebrate the label’s 25th anniversary, Merge will be reissuing classic albums from their back catalog each month throughout 2014. First up will be the reissue of Nashville’s beloved Lambchop’s classic fifth studio album ‘Nixon’, first released in 2000. The album was a significant breakthrough for the band, both commercially and critically acclaimed across both sides of the Atlantic, marking the band’s reluctant rise to the overground. The album sees a shift in the Lambchop sound as Wagner and co. sought to fuse country, soul, gospel and funk into their own unmistakable sound to wondrous effect. Featuring such gems as ‘You Masculine You’, ‘Up With People’ and ‘The Book I Haven’t Read’. The reissue also features a bonus disc, ‘White Sessions 1998: How I Met Cat Power’, a remastered live solo session featuring five songs Kurt Wagner recorded in 1998 (both Wagner and Cat Power were doing back-to-back promo sessions that day).
The reissue of Lambchop’s classic 2000 album ‘Nixon’ is released on 28 January by Merge Records.


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