Ten Mile Stereo
Howe Gelb ‘The Coincidentalist’ (New West)
“The Coincidentalist is someone who can read the coincidences but who doesn’t try to figure out their meaning. For if one tries to figure out the meaning it will be lost. The coincidences aren’t there to figure out but to point the way.” (Howe Gelb)
Since last year’s excellent Giant Giant Sand LP ‘Tucson’ – where Gelb draws from his beloved hometown for inspiration – legendary Giant Sand leader Howe Gelb will return this November with has latest solo work ‘The Coincidentalist’. The album is Gelb’s first release for New West Records. Over the last three decades Gelb has produced a mightily sprawling body of work – whether as Giant Sand or under his “solo” guise – and has peerlessly fused myriad genres and traditions into his own dusty, earthy trademark sound. Highlights are too numerous to list but personal favorites include Giant Sand’s ‘Center of the Universe’, ‘Glum’ and ‘Chore of Enchantment’, as well as Gelb’s ‘The Listener’ and ‘Sno Angel Like You’. ‘The Coincidentalist’ proves to be yet another career peak for Gelb, and is available on 5 November via New West Records.
Rachel’s ‘Systems/Layers’ (Quarterstick)
Rachel’s wonderful “System/Layers” sounds as immaculate today as it did a decade ago on its release on US independent label Quarterstick Records. Recently, Rachel’s – formed in Louisville, Kentucky in 1991 – can be heard on the soundtrack to the visually immaculate Paolo Sorrentino film “The Great Beauty”, a film set in present-day Rome. The song used by Sorrentino is ‘Water From The Same Source’, a heavenly ballad and a timeless piece of music. Rachel’s are responsible for some of the most breathtaking and ambitious music over the last couple of decades. Tragically, founding member Jason Noble passed away in 2012 but has left behind a truly remarkable musical legacy in the form of Rachel’s beloved chamber music output. Also essential is the fabulous ‘The Sea And The Bells’. For all information on Rachel’s please see here.
Zola Jesus ‘Versions’ (Sacred Bones)
Nika Roza Danilova returned this year with ‘Versions’, her fourth Zola Jesus studio album, released at the end of August by the Brooklyn-based independent label Sacred Bones Records. The album’s genesis began when Danilova was asked to perform at New York’s Guggenheim and, on accepting the invitation, she requested her wish to work with a classical composer who could arrange her songs for a quartet. The pioneering and versatile JG Thirlwell (Foetus) who is best known in industrial music circles, was recruited for this purpose and to fulfill Danilova’s artistic vision. According to Danilova: “Versions is about the bone of the music; taking approximations from past records and turning them inside out. With all framework exposed, the songs are given a new medium in which to evolve and bloom into their own tiny worlds.”
Lucrecia Dalt ‘Syzygy’ (Human Ear Music)
Hugely talented Colombian-born artist Lucrecia Dalt – now based in Berlin – returns this year with the mesmerizing ‘Syzygy’, the much-anticipated follow-up to her second full length ‘Commotus.’ The record took shape quite by accident. When Dalt moved to a new place located in close proximity to a metro station, she soon discovered that the magnetic field of the metro affected the sound of the bass. Whereas her previous album ‘Commotus’ was largely centered on bass-driven melodies, ‘Syzygy’ sees a shift to a more dreamy, ambient-textured palette, as Dalt could only record the songs in the dead of the night, as she recounts: “I could only record at 4:30 am when the metro wasn’t working. So I love these kinds of accidents. I’m not sure if the new record would have shaped the way it did if I wan’t under that circumstance.” ‘Syzygy’ is available now on Human Ear Music.
Chequerboard ‘The Unfolding’ (Lazybird)
Chequerboard is the moniker for Dublin-based composer John Lambert who released ‘The Unfolding’ – Lambert’s third LP – this year on independent label Lazybird Records. It has been five years since Chequerboard’s previous album, ‘Penny Black’, and ‘The Unfolding’ sees Lambert expanding on a more complex and panoramic sound than before. Collaborations on the record feature Seti The First’s Kevin Murphy and Crash Ensemble’s Kate Ellis (both on cello) as well as guest vocals from Eileen Carpio. Much like the beautifully textured and multi-layered sonic palette of Thrill Jockey’s Mountains, Chequerboard’s music is stunningly complex, mixing soft focus ambient vignettes with highly detailed, intricate guitar patterns. An album which reveals more upon every listen, ‘The Unfolding’ is a true delight.
Lisa O’Neill ‘Same Cloth Or Not’
‘Same Cloth Or Not’ is Lisa O’Neill’s second album and follow-up to her 2009 debut ‘Has An Album.’ ‘Same Cloth Or Not’ confirms County Cavan-born O’Neill as one of Ireland’s finest and most unique young songwriters and was recorded with Dublin-based songwriter (and occasional Tindersticks contributor) David Kitt as producer with Karl Oldum on engineering duties. In the past O’Neill’s name has become better known with support slots with the likes of David Gray and Glen Hansard. A tour with the wonderful Scottish musician James Yorkston this November should be particularly special occasion for music audiences across the UK. O’Neill supports Glen Hansard on his solo Irish tour this October. ‘Same Cloth Or Not’ is released on 18th October.
Joni Mitchell ‘The Studio Albums 1968 – 1979’ (Warner Music / Reprise / Asylum)
Since last year’s Joni Mitchell boxset release – comprising Mitchell’s studio albums from her most prolific and creative period of the late sixties and seventies – the astonishing music and artistry of Mitchell’s can be explored by a whole new generation of music-lovers. The set contains Mitchell’s best-loved and most revered albums including the timeless string of albums at the turn of the seventies – 1971’s ‘Blue’, ’74’s ‘Court and Spark’ and ‘The Hissing Of Summer Lawns’ from 1975. The set also features such slightly less known gems as ‘Hejira’, ‘Ladies Of The Canyon’ and ‘Mingus’, Mitchell’s beautiful Asylum Records album from 1979 dedicated to the life and memory of Charles Mingus who passed away in January of the same year.
Peter Jefferies ‘The Last Great Challenge In A Dull World’ (De Stijl)
Originally released on tape cassette by Xpressway, a label based in Port Chalmers, New Zealand, in 1990, the mystery and allure surrounding Jefferies’ debut solo album has only grown since. Hence, this year’s reissue of the New Zealander’s ‘The Last Great Challenge In A Dull World’ via De Stijl Records (the first time that the vinyl has been repressed since the LP version of the album on Chicago’s Ajax label was out of print some twenty years ago). The collection itself is an engrossing set of songs highlighting the raw talents of Jefferies as a songwriter whose songs reveal much pain, sadness and indifference to a world which seems at complete odds to it’s author, while ultimately the album conveys a sense of fragile hope and soft light which diffuses Jefferies’ stark shadows with soft edges. A redeeming and life-affirming record.
Kwes ‘ilp.’ (Warp)
‘ilp.’ is the debut album by Warp’s hugely talented London-based producer Kwesi Sey (who has worked with the likes of Bobby Womack and Damon Albarn in the past). The album’s ten tracks cut through every conceivable genre and style so effortlessly, fusing pop, electronic, hip hop, found sounds and ambient traditions to a mesmerizing effect (at times recalling Warp’s Bibio at his most expansive). The album’s hallmark is Sey’s vocal work, adding heart and soul to the beguiling, multilayered soundscapes beneath. Sey’s journey in music began when he was given a present of a keyboard from his grandmother (an instrument he still uses), and from the evidence of the hugely promising ‘ilp.’ expect a very bright future indeed for Kwes.
Pharaoh Sanders ‘Elevation’ (Soul Jazz, Re-Issue 2013)
Soul Jazz Records’ Universal Sound recently re-issued Pharaoh Sanders’ classic ‘Elevation’ which was originally released on Impulse Records back in 1973. This was a golden era for Impulse when such jazz greats as Pharaoh Sanders, Alice Coltrane, Sam Rivers and Marion Brown were making records for the label. Sanders was one of the greatest saxophonists of all time, and worked with both John Coltrane in the sixties as well as Alice Coltrane in the following decade. Beginning with the album’s majestic title-track, ‘Elevation’ is a key cornerstone to the spiritual jazz genre and highlights Sanders as one of the greatest tenor saxophonists there ever was.