FRACTURED AIR

The universe is making music all the time

Ten Mile Stereo

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Holden “The Inheritors” (Border Community)
James Holden’s incredible follow-up to his debut LP “The Idiots Are Winning” has been some seven years in the making. Heralded by both Four Tet’s Kieran Hebdon and Caribou/Daphni’s Dan Snaith of late, the album comprises a set of genre-defying tracks and is destined to remain at “classic” status for a long, long time to come.

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Jon Hopkins “Immunity” (Domino)
“Immunity” is the fourth solo album from Jon Hopkins and is destined to catapult the Eno collaborator to international recognition. The final epic title-track features King Creosote (who collaborated with Hopkins on the sublime “Diamond Mine”) and leaves the listener marvel at what Hopkins has created here.

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Lee Noble “Ruiner” (Bathetic)
My first time coming across the wonderful Bathetic label – based in Asheville, NC – was through Angel Olsen’s classic LP “Half Way Home”. Lee Noble’s “Ruiner” is another classic belonging to the label, comprising unique ambient/pop songs recalling Radiohead, Grouper’s Liz Harris and richly evocative ambient textures as found on pioneering labels such as Chicago’s Kranky label.

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Camera Obscura “Desire Lines” (4AD)
Glasgow’s beloved Camera Obscura released yet another classic indie-pop album this year – lead by the singularly beautiful voice of Tracyanne Campbell – ‘Desire Lines’ is the band’s eagerly awaited follow-up to gorgeous “My Maudlin Career” (also on 4AD). As always, Campbell’s songwriting is pitch-perfect, while the song arrangements are sumptuously layered echoing Spector’s wall of sound (pristine production by Tucker Martine). Features guests Paul Brainard (Richmond Fontaine) on pedal steel, Neko Case and Jim James on backing vocals.

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Denseland “Like Likes Like” (m=minimal)
Berlin-based electronic label m=minimal have been quietly releasing an intriguing string of albums over the past year. “Like Likes Like” by Denseland (featuring Hanno Leichtmann, Hannes Strobl and David Moss) is a strangely compelling array of darkly textured, minimal compositions featuring the singular vocals of David Moss.

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Califone “Stitches” (Dead Oceans)
Indie favourites Califone return with the hugely anticipated “Stitches” LP this Autumn on the Dead Oceans label. The title-track has so far been uploaded – a beautifully fragmented and fragile song – as always lead by Tim Rutili’s stunning voice and masterful lyrics. The album was written and recorded across Southern California, Arizona and Texas and is available on 3 September.

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Hiss Golden Messenger “Haw” (Paradise of Bachelors)
‘Haw’ is one of the year’s finest albums and another milestone release in Hiss Golden Messenger’s stellar discography to date. As always, the songwriting by M.C. Taylor (encompassing songs of both struggle and pain as well as songs of joy and hope) is to the forefront while songs effortlessly fuse traditions of folk, blues, soul and gospel. Follow-up to the equally sublime “Poor Moon”, “Haw” is HGM’s fourth album.

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Colin Stetson “New History Warfare Vol. 3: To See More Light” (Constellation)
Part three in the “New History Warfare” series, gifted composer Colin Stetson is fast-becoming independent music’s crowning jewel. Long-known and admired for his astonishing array of collaborative work (Tom Waits, Arcade Fire, Bon Iver, TV on the Radio to name only a few), Stetson’s reputation as a solo composer has quickly earned himself the reputation for one of contemporary music’s true leading artists.

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Laurie Spiegel “The Expanding Universe” (Unseen Worlds / Philo)
While we had the great honour of co-presenting Thrill Jockey’s Mountains for their concert in Cork, one of our highlights was listening to Koen Holtkamp talk so fondly about Spiegel’s seminal masterwork “The Expanding Universe”. It’s hard to imagine these recordings were made in 1980 as they sound as fresh and as innovative today. The lovingly expanded reissue from last year is a work of true beauty and confirms “The Expanding Universe” as one of the finest (and most influential) records ever made.

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Julianna Barwick “Nepenthe” (Dead Oceans)
The wait is finally nearly over for Julianna Barwick’s follow-up to her much-celebrated “The Magic Place”, released in 2011 on Asthmatic Kitty. So far, “Pacing” (released as a limited edition 7″) and “One Half” have been made available, whetting the appetite for what will surely be one of the year’s most defining albums. Whereas Barwick’s “The Magic Place” was recorded in her Brooklyn bedroom studio, “Nepenthe” was recorded in Iceland with Alex Somers (Sigur Rós, Jónsi). “One Half” is arguably Barwick’s most beautiful work yet. LP available 20 August.

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